Randy Harrison, Christian Coulson and More Set for THE CLICK OF THE LOCK Reading
by Kelsey Denette
- Feb 15, 2013
{Your Name Here} A Queer Theater Company is proud to present their second reading of The Click of the Lock, a new play by Justin Sayre (The Meeting*, Night of a Thousand Judys). The evening is co-produced by David Anzuelo and Artistic Director David Macke with special thanks to Labyrinth Theater Company. The cast will feature Brian Barefoot, Joe Beedles, Christian Coulson (Swan!!!, Harry Potter), Sean Dugan ('Smash,' Next Fall), Cole Escola (Logo TV's 'Jeffery & Cole Casserole'), Logan Ford, Randy Harrison (Silence! The Musical, Showtime's 'Queer as Folk'), Rob Maitner (Urinetown, NY Fringe Festival; Bistro Award for Fairy Tales at the WPA Theater), Allen McCullough and Chris Tyler. Mr. Sayre serves as Director. The show will be held at the Bank Street Theater (155 Bank Street in Manhattan) at 7:00 PM. Tickets, available to industry only, are available at tcotlreading@gmail.com.
Marilyn Monroe, Andy Warhol, Arthur Miller Influence A CRUCIBLE at The Wild Project, Now thru 1/19
by BWW News Desk
- Jan 10, 2013
Perfect Disgrace Theater presents the world-premiere of Brian Bauman's A CRUCIBLE - a new play influenced by the diaries of Marilyn Monroe and Andy Warhol, as well as the writings of Arthur Miller and John Huston's film 'The Misfits' - directed by Kate Gagnon (TECHNODOULIA DOT COM) with previews beginning tonight, January 10 prior to an official press opening of January 13 at The Wild Project (195 East 3rd Street) in Manhattan.
A CRUCIBLE Begins Performances 1/10 at The Wild Project
by Kelsey Denette
- Dec 14, 2012
Perfect Disgrace Theater presents the world-premiere of Brian Bauman's A CRUCIBLE - a new play influenced by the diaries of Marilyn Monroe and Andy Warhol, as well as the writings of Arthur Miller and John Huston's film "The Misfits" - directed by Kate Gagnon (TECHNODOULIA DOT COM) with previews beginning January 10 prior to an official press opening of January 13 at The Wild Project (195 East 3rd Street) in Manhattan.
Perfect Disgrace Theater Presents A CRUCIBLE World Premiere at The Wild Project, 1/10-19
by BWW News Desk
- Dec 13, 2012
Perfect Disgrace Theater presents the world-premiere of Brian Bauman's A CRUCIBLE - a new play influenced by the diaries of Marilyn Monroe and Andy Warhol, as well as the writings of Arthur Miller and John Huston's film 'The Misfits' - directed by Kate Gagnon (TECHNODOULIA DOT COM) with previews beginning January 10 prior to an official press opening of January 13 at The Wild Project (195 East 3rd Street) in Manhattan.
Marilyn Monroe, Andy Warhol, Arthur Miller Influence A CRUCIBLE at The Wild Project, 1/10-1/19
by Samantha Vega
- Dec 13, 2012
Perfect Disgrace Theater presents the world-premiere of Brian Bauman's A CRUCIBLE - a new play influenced by the diaries of Marilyn Monroe and Andy Warhol, as well as the writings of Arthur Miller and John Huston's film "The Misfits" - directed by Kate Gagnon (TECHNODOULIA DOT COM) with previews beginning January 10 prior to an official press opening of January 13 at The Wild Project (195 East 3rd Street) in Manhattan.
The Brick Theatre, Inc. and Everywhere Theatre Group Present FLYING SNAKES IN 3-D, 1/18
by Max Schwager
- Jan 2, 2012
Everywhere Theatre Group aims to explore the place of theater in our ever rapid, technology-obsessed society in this funny, touching and wildly theatrical tribute to the art form. In this fusion of parody, the avant-garde, and real-life stories, a young and broke theater company attempts to make a play about mutant flying snakes that are accidentally released from the headquarters of CIA-enlisted scientists Dr. Inis Goodheart and Dr. Frank Sheckles, in hopes of high box offices sales. Under the setting of earth under attack, violent chaos ensues and government officials send Four Universally Combative Killers (a.k.a THE f**kERS) to the rescue. Packed with dance, extremely cheap special effects and stunning video design, as this tongue-in-cheek science fiction parody aims to wildly entertain while daring to ask the question: Why are we still making theater?
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