Charles Atlas News

Last September, veteran downtown playwright Tony Stinkmetal foisted upon a Trump-weary New York City a frantic fever dream of a theater show: SlashR was a tongue-in-cheek satire that tackled issues as diverse as immigration, political correctness, dating apps, Benghazi, Big Pharma and bedbugs - all wrapped up in a cuddly tale of serial killers and Russians destroying American democracy.

As part of its Live Feed creative residency program, New York Live Arts presents the world premiere of DANCENOISE; Lock 'em Up!, a new full evening length work marking the 35th year of creative collaboration between the legendary NYC performance staples and Bessie Award winners Anne Iobst and Lucy Sexton. Since 1983 the team has created across genre and performed across venues, including nightclubs, experimental black boxes, theaters and museums. In response to the current political climate, the enthralling duo takes the audience captive, delving into their experience of living, resisting, and trying to hang on to a shared humanity in their signature no-holds-barred feminist stage show escapade.

As part of its Live Feed creative residency program, New York Live Arts presents the world premiere of DANCENOISE; Lock 'em Up!, a new full evening length work marking the 35th year of creative collaboration between the legendary NYC performance staples and Bessie Award winners Anne Iobst and Lucy Sexton. Since 1983 the team has created across genre and performed across venues, including nightclubs, experimental black boxes, theaters and museums. In response to the current political climate, the enthralling duo takes the audience captive, delving into their experience of living, resisting, and trying to hang on to a shared humanity in their signature no-holds-barred feminist stage show escapade.

The Skivvies returned to Joe's Pub on November 11 with The Rocky Horror Skivvies Show, their own twist on the iconic songs from the cult favorite.

The Barbican today announces its full January to June 2019 Theatre and Dance programme. Tickets for the season go on sale to Barbican Members Plus on Wednesday 17 October, to Barbican Members on Friday 19 October and on general sale on Friday 26 October 2018.

The Barbican today launches Life Rewired, an arts and learning season running throughout 2019 exploring what it means to be human in the face of technological and scientific forces that are dizzying in their speed, scale and complexity.

SlashR is a taught and sexy thriller set in the traumatized New York of November 2016. What starts as a mundane murder investigation (of a young man prone to using dating apps) soon exposes a conspiracy for world domination skewering the entire two-party system, celebrity worship and the tendency for the US to find the shallowest and easiest solutions. In the course of the investigation, Detective Oakley comes up against evil PACs, a manipulative media, and serial killers. With the help of an outlaw hacker named Reeta and her mid-to-low-tech comrade The Exterminator, Oakley uncovers a connection between The Great Bed Bug Panic of 2010, the 2016 election, the worldwide spread of fascism and the scary clowns.

SlashR is a taught and sexy thriller set in the traumatized New York of November 2016. What starts as a mundane murder investigation (of a young man prone to using dating apps) soon exposes a conspiracy for world domination skewering the entire two-party system, celebrity worship and the tendency for the US to find the shallowest and easiest solutions. In the course of the investigation, Detective Oakley comes up against evil PACs, a manipulative media, and serial killers. With the help of an outlaw hacker named Reeta and her mid-to-low-tech comrade The Exterminator, Oakley uncovers a connection between The Great Bed Bug Panic of 2010, the 2016 election, the worldwide spread of fascism and the scary clowns.

Fall activities for the Centennial, which begins this month and extends through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, and new works by other artists in conversation with Cunningham's work.

In our current political climate, comedians and satirists have fertile ground to cover. Entering this fray is an outrageous new theater production calculated to provoke, offend and get you thinking - no matter what your political affiliation is!

SlashR, a tongue in cheek satire written & directed by Tony Stinkmetal and centered around the fractured culture in the wake of the last national election and inventively staged in the style of the 1970s slasher movies of Dario Argento and John Carpenter, will make its world premiere September 5 - 15th at the Gene Frankel Theatre. The production is intended to convince Americans to liberate themselves from our two party political system.

SlashR, a tongue in cheek satire written & directed by Tony Stinkmetal and centered around the fractured culture in the wake of the last national election and inventively staged in the style of the 1970s slasher movies of Dario Argento and John Carpenter, will make its world premiere September 5 - 15th at the Gene Frankel Theatre. The production is intended to convince Americans to liberate themselves from our two party political system.

In our current political climate, comedians and satirists have fertile ground to cover. Entering this fray is an outrageous new theater production calculated to provoke, offend and get you thinking - no matter what your political affiliation is!

Dance aficionados will be delighted to learn that the Olivier Nominated Michael Clark Company will perform at Storyhouse this coming Autumn.

 Live Arts Pride 2018 - THE HOUSE PARTY is New York Live Arts' premier Pride celebration; a building wide and sidewalk performance party in the historic "gayborhood" of Chelsea, just blocks from the Pride March. The epic 6-hour event honors the historical importance and unwavering power of collectives in LGBTQAI culture. Young families from NYC's queer nightlife and art scene come together under one roof to serve up the city's most colorful and fierce performance, music, and more for a multi-space, nonstop party for the ages.

Merce Cunningham is widely considered one of the most important choreographers of all time. Throughout his 70-year career, he continued to innovate, helping to drive the evolution of the American avant-garde and expanding the frontiers of contemporary visual and performance arts.

The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (through May 12).

The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role. It provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture. Engaging both The Kitchen veterans and newcomers who challenge the given formations of art and politics, lifestyle and social structures, the Spring 2018 (March 28-July 27) season probes everything from the police state to the racial imaginary to self-construction and identity, utilizing the flexibility of the institution's spaces for art that itself eludes definition. 

Time Out - It was a pivotal year for Dunn. He was thirty-one. He had left the Cunningham Company in the spring of 1973. Grand Union was sporadically continuing. He had danced duet concerts with Sara Rudner, David Gordon, and Pat Catterson, here and there had also presented short solos on mixed programs. What now? He wrote: 'I'm in turmoil. It's a question of confidence. These theatrical scenes running around in my head, for years. If I can bring them to life as an evening-length solo, my dance-heart will strengthen, I will persevere.

The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (March 28-May 12).