Bruce Randolph Nelson News

Founding Artistic Director Vincent M. Lancisi directs a sprawling cast of actors and collaborators in Everyman Theatre's sweeping season opener, M. Butterfly, in performances September 6 - October 8, 2017. Celebrating its 30th anniversary this season, David Henry Hwang's torrid and timeless Tony Award-winning play is a masterful probe of truth, illusion, culture and gender-based on an epic true story.

It truly is one of the funniest plays I've ever seen.

Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.

Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.

Charles Dickens gigantic novel put on stage is a challenging experience.

Director Tazewell Thompson, handling a tale that is heavy on narrative, guides the pliable ensemble to a performance that is dynamic, touching, amusing, lively and filled with gothic foreshadowing. Every sequence unfolds a new delight, from slapstick action to nuanced characterization to the most hilarious rendition of Hamlet it has ever been my privilege to witness. Script, direction, casting, performance and tech are each remarkable renditions of their kind. The beautiful language is retained, but made perfectly clear by action and diction. Additionally, it's heartily funny.

Everyman Theatre has announced today that it will open its upcoming 2017/2018 season with David Henry Hwang's Pulitzer Prize-nominated drama M. Butterfly. The production will star Everyman Theatre Resident Company Member Bruce Randolph Nelson as French diplomat Rene Gallimard. This complex story about love and illusion follows the secretive romance between the married diplomat and a mysterious Chinese opera singer, Song Liling. 

With Les Liaisons Dangereuses, we have byzantine complexity and unreal psychology. Doesn't sound like the sort of thing that would keep readers and theatergoers keep coming back. Yet somehow, almost inexplicably, this slightly pornographic extravaganza of obscurity and nastiness continues to claim our attention. Never mind why; some things just are that way.

Baltimore's Everyman attempts a pre-Halloween scare with WAIT UNTIL DARK now through Oct. 9th.

Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.

We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.

The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned. Miller has willed the ambiguities and the gaps in information, and tightly controlled the opportunities for interpretation that might resolve or suggest resolutions to the ambiguities. There is a path to execute, and the Everyman crew execute marvelously, but this is not the same thing as the artistry that directors and actors can ordinarily exert. Most plays give their performers more room to interpret, to breathe.

The culmination of Everyman Theatre's 25th Anniversary begins this spring with the highly anticipated 'Great American Rep.' The Rep unites two iconic masterpieces and marks the first time Arthur Miller's Death of a Salesman and Tennessee Williams' A Streetcar Named Desire have ever been produced as a rotating rep, where one virtuosic cast featuring 8 resident company members performs multiple roles and transform night after night.

Hailed as "the theatrical equivalent of a page turner" (The Daily Mail), An Inspector Calls is a gripping, psychological thriller. The respectable Birling family is at home hosting a dinner party in honor of their daughter's recent engagement, when an unforeseen knock at the door brings a sudden stop to the celebration. Enter Inspector Goole, who brings word of the unexpected death of a young woman. The questioning of each family member begins, dark secrets are uncovered and slowly the mystery surrounding the untimely death unravels.

An evening of theater you will long remember.

Inspector Goole (Chris Genebach), already knows the answers to all his questions, yet his method, bullying confirmatory confessions out of the family members, is great theater. Until the advent of the Cockney-accented Goole, the King's English-speaking Birlings mostly fancy themselves honorable, kind, and praiseworthy. In reality, they are the beneficiaries of a caste system which, as Priestley depicts it, is a citadel against the poor, whose poverty is an inevitable outcome of the rules that the caste in the citadel impose. Goole exposes the unsavory truths of this arrangement, destroying all the Birlings' illusions of innocence in the process - perhaps, though the play also makes clear how evergreen and hard-to-eradicate such illusions are.

Everyman Theatre will wrap up its 2014/15 Season with the hysterical and witty comedy Blithe Spirit by Noel Coward. The production is directed by Everyman Theatre's Founding Artistic Director Vincent M. Lancisi and will run from tonight, May 27th through June 28th.

Everyman Theatre will wrap up its 2014/15 Season with the hysterical and witty comedy Blithe Spirit by Noel Coward. The production is directed by Everyman Theatre's Founding Artistic Director Vincent M. Lancisi and will run from tonight, May 27th through June 28th.

Everyman Theatre will wrap up its 2014/15 Season with the hysterical and witty comedy Blithe Spirit by Noel Coward. The production is directed by Everyman Theatre's Founding Artistic Director Vincent M. Lancisi and will run from May 27th through June 28th.

Everyman Theatre has announced its 25th anniversary season. For the first time ever, the company will present a rotating repertory of two masterpieces of American theatre: Death of a Salesman by Arthur Miller and A Streetcar Named Desire by Tennessee Williams. Both productions will feature the same cast and performances will rotate from day to day. Known as The Great American Rep, this event will take place from April 5 through June 12, 2016.