Louis Becker

As we wait for the show to begin, a large metal cube, open on three sides, hangs suspended over the stage, gently turning. As the lights dim, the cube is moved to a corner of the stage closest to the audience. Two figures appear on stage and move as if they are running towards the cube, first slowly, then with increasing desperation. Each time they approach the cube, they are jerked back as if by an unseen force (which, in reality, comes from a rigging system attached to each dancer with a harness). In today's political climate, given the title of the production, as well as the fact that Company Wang Ramirez are from Europe, the imagery evokes the sense of escaping from some dark force to a sanctuary but being thwarted at every turn. Ultimately, a man clad in black appears and breaks one dancer free, while the other is banished into the darkness.

Lincoln Center for the Performing Arts announced its 2018 White Light Festival, which will run October 16 through November 18. The multidisciplinary festival will feature events presented in six venues across the city, including world, U.S., and New York premieres. The ninth annual international festival will explore transcendence, interior illumination, and the communal impulse as exhibited through artistic expression across continents and centuries.

Lincoln Center for the Performing Arts announced its 2018 White Light Festival, which will run October 16 through November 18. The multidisciplinary festival will feature events presented in six venues across the city, including world, U.S., and New York premieres. The ninth annual international festival will explore transcendence, interior illumination, and the communal impulse as exhibited through artistic expression across continents and centuries.