Leon Bakst

Club 11 London & Alex Parker Theatre Company in partnership are excited to announce further casting for The Light Princess in Concert, featuring already announced Rosalie Craig and Hadley Fraser, at Cadogan Hall at 630pm, Sunday 1st July 2018, directed by Paul Foster and musical direction under Alex Parker.

Published to accompany the exhibition Designing Dreams, A Celebration of Leon Bakst at the Nouveau Musee National de Monaco, this volume, which gathers scientific contributions from leading researchers and art historians alongside in situ installation views, pays tribute to Leon Bakst, the greatest set designer of the modern era.

Alexei Ratmansky's 2015 version of 'Sleeping Beauty,' based on the Stepanov notation of the original 1890 version, as well as Diaghilev's production in 1921, has always posed a problem for me. I saw it last year with a friend, and our reaction was the same: why do we need this new 'Sleeping Beauty?' It's beautiful to look at, lavish to the extreme, but is there anything really new in this 'Sleeping Beauty' that we have not seen before? With every new version of this classic we want to see the choreographer's mind and heart at work; why was this warhorse tackled again? What speaks to the soul, how can the ballet literally take wings and have us fly with it? That is the problem with 'Sleeping Beauty.' For all its beauty, it remains earthbound. It's better to read about than view. History is indeed interesting, but not at these prices, especially if you're trying to build a new audience as the baby boomers are now in their sixties and moving on. Who will take their places at the ballet, especially at these prices?

With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.

Remember history class in high school? The teacher presented a lecture and told us how exciting a certain historical period had been, going on to incessantly bore us because we had no recourse other than to take indecipherable notes we couldn't understand later, finally coming to the conclusion that history was, and always would be, a painstaking bore, better consigned to the college professors we were bound to meet sooner or later on our educational journey to adulthood and, hopefully, a job. That's very much what I thought about the American Ballet Theater's new production of Alexei Ratmansky's 'Sleeping Beauty.' I hate to sound churlish, but so much ink, not to mention so many dollars, have been lavished on this production, that, beyond some more extra performances and, probably, a showing on Great Performances, it will disappear within two years. At least it will be in the archives for future generations to watch.

With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.

As I was going to the Paul Taylor performance I saw a woman wearing a mink coat and my brain retreated to my early teenage years when all those Blackglama ads were in vogue. You remember them: 'What becomes a legend most?' Among those featured in the advertisements were Rudolf Nureyev, Margot Fonteyn, and Martha Graham, among the many icons.

Andris Liepa was born in 1962 into a famous artistic family; his father Maris Liepa was one of the Bolshoi's legendary dancers. Andris trained at Moscow Ballet School and then joined the Bolshoi Ballet Company, dancing the leads in The Nutcracker, Sleeping Beauty, Giselle, Swan Lake and many more.

New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.

New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.

New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.

New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.

New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.