Bruce Yeko

This week I saw productions of two decades-old musicals, each written by one of theatre's great composer/lyricists, which, in their original productions, ran a combined total of nine performances on Broadway.

While Robert Sher's career has been most significant for producing the Grammy nominated cast recordings of such Broadway musicals as Nice Work If You Can Get It, Sugar Babies, and the most recent revival of How to Succeed in Business Without Really Trying, today we are celebrating Robert's passionate work to preserve many of the musical theatre's most obscure gems and for those scores to be elevated in the minds, and iTunes, of those who love musicals. 

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: Rob goes to Central Park West and Kevin goes to WOOP WOOP.

Curtain up! Light the lights....literally, because this week's guest is Tony Award winning lighting designer Ken Billington, Ken swings by Shetler Studios to discuss his over one hundred Broadway credits including SWEENEY TODD, CHICAGO, and ON THE 20TH CENTURY.

This week Rob, Kevin, and Tony Award historian Bryan Hobgood discuss categories that used to be part of the Tony Awards ceremony but have since been removed....plus, categories that we want to see added for future shows!

5,6,7,8.....TONY! Rob and Kevin welcome back Tony Awards historian Bryan Hobgood to discuss the 2016-2017 Tony Award Nominations! This week's episode focuses on this season's musical works. From COME FROM AWAY to GROUNDHOG'S DAY. HELLO, DOLLY to SUNSET BOULEVARD. Josh Groban to Ben Platt, and everything in between that sings, is discussed, dissected, and dismantled.

In 1996, when Julie Andrews was the only artist involved with VICTOR/VICTORIA to receive a Tony nomination, she withdrew her name from the ballot. In a statement, she said, 'I have searched my conscience and my heart and find that I cannot accept this nomination, and prefer instead to stand with the egregiously overlooked --'

Tony! Tony! Tony! Rob and Kevin welcome back Tony Awards historian Bryan Hobgood to discuss the 2016-2017 Tony Award Nominations! This week's episode focuses on this season's dramatic works. From OSLO to INDECENT, THE LITTLE FOXES to SIX DEGREES OF SEPARATION, Kevin Kline to Laurie Metcalf, and everything in between, is discussed, dissected, and dismantled.

This Week: One of Rob and Kevin's favorite people, Robbie Rozelle, swings by to discuss his illustrious career as a graphic designer for cast recordings AND to talk about his upcoming show at Feinstein's/54 Below, Songs From Inside My Locker, which is June 9th, 2017 at 9:30pm.

Everything today is thoroughly Hal....Luftig, that is! Four time Tony Award winning producer Hal Luftig swings by Shetler Studios to look back on his career of hits including THOROUGHLY MODERN MILLIE, LEGALLY BLONDE, and KINKY BOOTS.

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: Woody Allen's only movie musical & a great resource for obscure cast recordings!

What does a musical coordinator do, you ask? Well, John Miller, one of Broadway's most respected in the field, swings by to discuss this pivotal role and some of his 100 plus Broadway credits... yes, that's right, 100 plus Broadway credits! 

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: The schizophrenia of the 1970s, Mrs. Garrett slays Kander & Ebb, Bacall belts her face, why Lee Roy Reams is the best bartender, and Wright & Forrest start anew.

Brilliant. Hysterical. Dangerous. Those three words best sum up veteran character actor Lewis Stadlen. A two time Tony nominee, Lewis has seen it all and has worked with the best. His many credits include MINNIE'S BOYS, the 1974 revival of CANDIDE, the 1996 revival of A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, THE PRODUCERS, GUYS AND DOLLS, plus four Neil Simon premieres. And, now, Lewis sits down with Rob and Kevin to look back on his journey; unedited and unfiltered. 

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: Who's Who of the Broadway Senior Home, ventriloquists on radio, Ethel and Elaine share a leading man, and the President sings! 

Tony Award winner Ted Sperling is one of Broadway's most sought after music directors. His brilliance and versatility have been on display in numerous Broadway musicals including FIDDLER ON THE ROOF, THE KING AND I, SOUTH PACIFIC; GUYS AND DOLLS, DIRTY ROTTEN SCOUNDRELS, THE FULL MONTY, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, KISS OF THE SPIDER WOMAN, MY FAVORITE YEAR, FALSETTOS, THE MYSTERY OF EDWIN DROOD, LES MISERABLES, ROZA, and SUNDAY IN THE PARK WITH GEORGE. 

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: Odd marketing, SNL does theatre, political correctness in musical theatre, Hal Prince tackles racism, and Ethel Merman sings Nirvana.

Sue Frost is one of the most inspirational producers working on Broadway. In addition to her indefatigable generosity, Sue is one of the theatre's loudest advocates for new musicals. In addition to the Tony Award winning Memphis, Sue also produced MAKE ME A SONG, FIRST DATE, DOCTOR ZHIVAGO, and one of Behind the Curtain's favorite musicals, this season's COME FROM AWAY. Sue pulls back the curtain on her career, including how a train ride to Washington DC cemented her journey, what was the impetus to produce COME FROM AWAY, and why she refunded 1,506 people in one night! Also, Sue walks us through the process of producing a new musical! 

Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. This Week: Rob and Kevin debate leaving shows at intermission and 'second act'-ing a show. Plus, Ann Miller's fourth wall, Bob Fosse's debut, Sammy Davis Jr comes to Broadway, and Freddie Martinez makes a come back.

'I had such a great time with those two sessions, I'm wondering if you'd like to do a third. With MISS SAIGON opening in March, I wouldn't mind doing a detailed description about how that show was written. There's a real story there and it's never been told.'