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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$757,141 | $757,141 | $93 $225 |
8,110 | 8,352 | 8 | 97.10% |
|
ALADDIN (NEW AMSTERDAM) |
$1,811,639 | $1,811,639 | $132 $228 |
13,763 | 13,816 | 8 | 99.60% |
|
ANASTASIA (BROADHURST) |
$1,124,559 | $1,124,559 | $125 $350 |
8,968 | 9,144 | 8 | 98.10% |
|
ANGELS IN AMERICA (NEIL SIMON) |
$981,172 | $981,172 | $107 $247 |
9,149 | 9,954 | 7 | 91.90% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$816,256 | $816,256 | $109 $247 |
7,491 | 8,208 | 8 | 91.30% |
|
CAROUSEL (IMPERIAL) |
$1,190,735 | $1,190,735 | $105 $323 |
11,311 | 11,424 | 8 | 99.00% |
|
CHICAGO (AMBASSADOR) |
$818,179 | $818,179 | $101 $203 |
8,123 | 8,640 | 8 | 94.00% |
|
CHILDREN OF A LESSER GOD (STUDIO 54) |
$375,274 | $375,274 | $54 $247 |
6,966 | 8,032 | 8 | 86.70% |
|
COME FROM AWAY (SCHOENFELD) |
$1,239,523 | $1,239,523 | $145 $347 |
8,528 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,793,513 | $1,793,513 | $225 $448 |
7,988 | 7,872 | 8 | 101.50% |
|
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$801,326 | $801,326 | $87 $247 |
9,253 | 13,008 | 8 | 71.10% |
|
FROZEN (ST. JAMES) |
$2,275,395 | $2,275,395 | $169 $297 |
13,450 | 13,440 | 8 | 100.10% |
|
HAMILTON (RICHARD RODGERS) |
$3,142,588 | $3,142,588 | $292 $849 |
10,760 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,138,859 | $2,138,859 | $165 $287 |
12,976 | 12,976 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,148,481 | $1,148,481 | $101 $297 |
11,422 | 11,568 | 8 | 98.70% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,151,501 | $1,151,501 | $104 $249 |
11,036 | 11,392 | 8 | 96.90% |
|
LOBBY HERO (HAYES) |
$472,563 | $472,563 | $103 $299 |
4,604 | 4,648 | 8 | 99.10% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,176,175 | $1,176,175 | $120 $300 |
9,827 | 9,800 | 8 | 100.30% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$984,625 | $984,625 | $115 $297 |
8,552 | 8,552 | 8 | 100.00% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$560,959 | $560,959 | $106 $250 |
5,299 | 5,568 | 8 | 95.20% |
|
ROCKTOPIA (BROADWAY) |
$864,350 | $864,350 | $76 $247 |
11,404 | 14,040 | 8 | 81.20% |
|
SAINT JOAN (FRIEDMAN) |
$185,752 | $185,752 | $53 $199 |
3,493 | 4,529 | 7 | 77.10% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$1,201,853 | $1,201,853 | $103 $248 |
11,723 | 12,184 | 8 | 96.20% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$1,024,300 | $1,024,300 | $86 $248 |
11,896 | 12,880 | 8 | 92.40% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$1,932,495 | $1,932,495 | $510 $850 |
3,792 | 3,792 | 4 | 100.00% |
|
SUMMER (LUNT-FONTANNE) |
$893,307 | $893,307 | $100 $197 |
8,959 | 10,290 | 7 | 87.10% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$896,624 | $896,624 | $111 $247 |
8,109 | 8,312 | 8 | 97.60% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,185,404 | $1,185,404 | $137 $478 |
8,669 | 8,376 | 8 | 103.50% |
|
THE ICEMAN COMETH (JACOBS) |
$872,286 | $872,286 | $138 $397 |
6,324 | 6,324 | 6 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,507,181 | $2,507,181 | $185 $225 |
13,551 | 13,568 | 8 | 99.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,461,456 | $1,461,456 | $119 $247 |
12,307 | 12,840 | 8 | 95.80% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$446,582 | $446,582 | $72 $197 |
6,232 | 6,832 | 8 | 91.20% |
|
THREE TALL WOMEN (GOLDEN) |
$779,656 | $779,656 | $124 $323 |
6,296 | 6,296 | 8 | 100.00% |
|
TRAVESTIES (AMERICAN AIRLINES) |
$289,614 | $289,614 | $69 $197 |
4,202 | 5,089 | 7 | 82.60% |
|
WAITRESS (BROOKS ATKINSON) |
$904,210 | $904,210 | $113 $270 |
8,017 | 8,360 | 8 | 95.90% |
|
WICKED (GERSHWIN) |
$2,390,664 | $2,390,664 | $155 $240 |
15,399 | 15,408 | 8 | 99.90% |
| TOTAL | $42,596,197 | $1,183,228 | $129.89 $306.79 |
327,949 | 344,450 | 278 | 95.21% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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