THE PHANTOM OF THE OPERA (Tour) - ECC/Dancers
Cameron Mackintosh and The Really Useful Company | New York, NY
Date of Audition:
11/6/2015
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Call Type
Equity Chorus
Time(s)
Equity Chorus Call / Dancers
Friday, November 6, 2015
10 AM - Equity Male Dancers
2 PM - Equity Female Dancers
Contract
Production (League)
$1861/week current minimum
Location
Pearl Studios NYC 500
500 Eighth Avenue
(35th/36th Streets)
New York, NY 10018
12th floor
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Seeking
Equity dancers for possible ensemble replacements in the currently running 25th Anniversary Tour Production.
See breakdown.
Preparation
Women: Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you.
Men: Wear ballet shoes.
Also pepare a brief musical theatre song that best shows off voice & range in case asked to stay and sing. Bring sheet music in your key.
Bring picture/resume
Other Dates
Currently running on tour.
EPA: 11/4, 10am to 6pm, at Pearl 500 8th Ave.
ECC/Singers: 11/5, 10am men, 2pm women, at Pearl 500 8th Ave.
ECC/Dancers: 11/6, 10am men, 2pm women, at Pearl 500 8th Ave.
Personnel
Casting: Tara Rubin Casting
Produced by Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
See breakdown for full creative team listing.
• Chorus rules are in effect.
• A monitor will be provided.
Performers of all ethnic and racial background are encouraged to attend.
Always bring your Equity Membership Card to auditions.
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Breakdown
Creative Team:
Music by ANDREW LLOYD WEBBER
Lyrics by CHARLES HART
Additional Lyrics by RICHARD STILGOE
Book by RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on the novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations by DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
General Manager: Gentry & Assoc.
Casting: Tara Rubin Casting
Video & Projection Design by NINA DUNN for Knifedge
Sound Design by MICK POTTER
Lighting Design by PAULE CONSTABLE
Costume Design by MARIA BJÖRNSON
Set Design by PAUL BROWN
Choreography by SCOTT AMBLER
Directed by LAURENCE CONNOR
Production overseen by MATTHEW BOURNE & CAMERON MACKINTOSH
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Seeking for possible future replacements in the currently running 25th Anniversary Tour Production:
ENSEMBLE DANCERS:
All female dancers should have a degree of innocence about them and look very young (18-25). We need experienced, classically trained dancers. Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you.
All male dancers must be classical/ballet dancers. They should have solid classical technique with a musical theatre flair. They must be well built and muscular.
We need strong classical dancers. We are not looking for tap dancers, jazz dancers, or “hoofers.” Men should wear ballet shoes.
All dancers, please be dressed, warmed up and ready to dance at the hour the audition begins. If asked to stay and sing, choose music from the musical theatre repertoire that best shows off your voice and range. Bring sheet music in your key. An accompanist will be provided. There is no solo singing for the dancers (except ‘Meg’), but they will have to carry some vocal responsibility in the ensemble numbers.
In addition, there is the principal role of ‘Meg’ who is a member of the Corps de Ballet. She should appear to be between 16 and 18 years old. The range is mezzo-soprano to G.
Please bring a picture and resume, stapled together.
Casting for The Phantom of the Opera is interracial. Dancers of all ethnic backgrounds and races are encouraged to attend
Videos
