SCHOOL OF ROCK (SETA Tour) - NYC ECC / ADULT Male and Female Singers
School of Rock on Tour LLC
AUDITION DATE
May 17, 2017
10:00 am (EDT)
Adult Male and Female singers combined
CONTRACT
Short Engagement Touring Category 1; salary pending (current min $963/week)
SEEKING
Equity adult singers for the ensemble in the upcoming SETA Tour
PREPARATION
Please prepare a brief pop, pop/rock, or rock and roll song.
Please bring a picture and resume, STAPLED TOGETHER.
LOCATION
Pearl Studios NYC (519)
519 8th Ave
12th Fl
New York, NY 10018
PERSONNEL
Director: Laurence Connor
General Manager: Jim Lanahan for Troika Entertainment LLC
Music by: Andrew Lloyd Webber
Lyrics by: Glenn Slater
Book by: Julian Fellowes
Music Supervisor: John Rigby
Music Director: Martyn Axe
Choreographer: JoAnn Hunter
Casting: Tara Rubin Casting
OTHER DATES
Rehearsals begin approx. July/Aug 2017
OTHER
ECC Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
SEEKING ADULTS to play the following Ensemble roles and cover the following Principal roles:
DEWEY FINN- Late 20s-Mid 30’s. An original. Great comic chops, High rock tenor, MUST have some guitar skills or be ready to learn. PRINCIPAL
ROSALIE MULLINS- Late 20s-Mid 30s. A rock chick imprisoned in the body and life of a stern and correct headmistress. Soprano with a strong belt. PRINCIPAL
NED SCHNEEBLY- Late 20s-Mid 30’s. Ned was once as keen on rock as Dewey, but failure has beaten him down. He clings to his girlfriend, Patty, as the one sure thing in a sea of regrets. Rock voice. PRINCIPAL
PATTY- Late 20s-Mid 30s. Patty is a hard woman who knows what she wants, and she doesn’t want Dewey. Not in her life. Not in Ned’s life. Her dislike of Dewey is the strongest thing about her. Strong belt voice. PRINCIPAL
THEO – 20s-30s – Lead singer of Dewey’s band “No Vacancy” – H-O-T! Strong rock voice; Also plays other roles in Ensemble; ENSEMBLE
MR. SPENCER - 20s-30s – one of Tomika’s Dads & also plays “Doug” - a member of Dewey’s rock band NO VACANCY” among other Ensemble roles. ENSEMBLE
MR. HAMILTON – 20s-30s – Father of “Freddy” – angry, working class Dad; Also plays other Ensemble roles – teacher, band member, cop. ENSEMBLE
MR. MOONEYHAM – 30s-40s – Zack’s dad – high powered executive who has no patience or time for his son. Also plays ‘Snake’ - Member of Dewey’s rock band NO VACANCY & others. ENSEMBLE
MR. WILLIAMS – 30s-40s – one of Tomika’s Dads; also plays a teacher at Horace Green, et al. ENSEMBLE
MRS. HATHAWAY – 30s-40s – Summer’s Mom – very elegant and VERY afraid of her daughter. Also plays a teacher at Horace Green, et al. ENSEMBLE
JEFF SANDERSON – 30s-40s – Owner of club where Battle of the Bands takes place – VERY HIP. Also plays Mr. Sanford – ex –jock, parent of ‘Billy’ – NOT happy with the fact that Billy seems to have interests other than sports… and Gabe – one of the teachers at Horace Green – among others. ENSEMBLE
GYM TEACHER & SECURITY GUARD – 20s-30s; Also plays other Ensemble roles. ENSEMBLE
KATIE’s MOM - 20s-40s; Also plays other Ensemble roles. ENSEMBLE
1 ADULT FEMALE OFF-STAGE SWING TO COVER ALL FEMALE ENSEMBLE ROLES/POSS. DANCE CAPTAIN – 20s-30s; Large vocal range & strong mover; ENSEMBLE
2 ADULT MALE OFF-STAGE SWINGS TO COVER ALL MALE ENSEMBLE ROLES/POSS. DANCE CAPTAIN – 20s-30s; Large vocal ranges & strong movers; ENSEMBLE
WE ARE SEEKING ACTORS OF ALL ETHNICITIES AND CULTURAL BACKGROUNDS.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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