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Call Type
Equity Principal
Time(s)
Equity Principal Auditions
Friday, July 17, 2015
10 AM to 6 PM
lunch 1 to 2
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Contract
Production (League)
$1861/week
Location
Pearl Studios NYC 519
519 8th Avenue
12th Floor
New York, NY
12th floor
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Seeking
Equity actor/singers for future replacements in the currently running Broadway Production.
see breakdown for more info.
Preparation
Please be prepared to sing a BRIEF song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided.
Please bring a current picture and resume, stapled together.
Other Dates
Currently running on Broadway
Other
Prod. Spvsr: Seth Sklar-Heyn
Prod. Musical Spvsrs: David Caddick & Kristen Blodgette
Prod Dance Spvsr: Denny Berry
GM: Alan Wasser Associates
Personnel
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
Book By: Richard Stilgoe and Andrew Lloyd Webber
Dire: Harold Prince
Choreog: Gillian Lynne
Casting: Tara Rubin Casting
· EPA Rules are in effect.
· A monitor will be provided.
Performers of all ethnic and racial background are encouraged to attend.
Always bring your Equity Membership Card to auditions.
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Breakdown
Seeking future replacements for the Broadway company of “The Phantom Of The Opera.”
Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices.
Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F.
PLEASE NOTE: OPERA SINGERS AND MINORITIES ARE ENCOURAGED TO ATTEND.
CHRISTINE DAAE:
20’s: beautiful young singer. Soprano voice that combines elements of classical and pop singing. A light, floaty soprano. She sings briefly to high E.
THE PHANTOM:
30’s – 40’s: high baritone or tenor (with a good low range) from low A flat to high A flat. Needs a dynamic, bravura, “star” performance, both frightening and irresistible.
RAOUL, VICOMTE de CHAGNY:
Late 20’s – early 30’s: dashing, handsome young aristocrat. High baritone (2 octave range from A flat to A flat).
FIRMAN & ANDRE:
Late 30’s – 50ish; the managers of the Paris Opera House. Trying to be elegant, they are slightly befuddle and bumbling. Need good instincts for stylish comedy. Good supporting roles. Baritones; one sings to A, one to G.
CARLOTTA GIUDICELLI:
30’s – EARLY 40’s; the prima donna of The Paris Opera. A diva in every sense of the word. Coloratura soprano, to high E. Requires opera training.
MADAME GIRY:
Late 30’s – early 50’s; the Opera’s ballet mistress. An ominous, stern, forbidding figure. Mezzo soprano to high B flat.
MEG GIRY:
Late teens – early 20’s; a member of the Corps de Ballet. Must dance on pointe and sing mezzo soprano to G.
UBALDO PIANGI:
Late 30’s – 50’s; the opera’s leading tenor, Italian style singer, sings to high C. Requires opera training.
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