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Send To
submission.mccorklecasting@gmail.com
EMAIL picture and resume
to above email address
. NY .
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Contract
LORT Non-Rep
B; $836/week AEA min (while at Pasadena)**
Seeking
NYC auditions to be held on 10/19, by appointment only.
Seeking submissions from AEA members only via this posting.
AEA members must submit themselves directly in order to be considered (no agent submissions).
See breakdown.
Other Dates
See breakdown for full schedule.
For appointment consideration, email picture and resume ASAP.
Mark submissions: FLY / NYC APPOINTMENTS / AEA SELF SUBMISSION
Personnel
DIRECTOR: Ricardo Khan
BY: Trey Ellis and Ricardo Khan
CASTING DIRECTOR: Pat McCorkle
CASTING ASSOCIATE: Katja Zarolinski
CASTING ASSISTANT: Rachel Goldman
(see breakdown for full creative team)
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Breakdown
This production will be under the LORT Contract while at Pasadena Playhouse, then will be under an LOA (referenced to LORT) during peformances at Crossroads Theatre in New Brunswick, NJ (salary pending) and at the New Victory Theater in NY, NY (salary pending)
ARTISTIC DIRECTOR (Pasadena): Sheldon Epps
ARTISTIC DIRECTOR (Crossroads): Marshall Jones III
DIRECTOR: Ricardo Khan
BY: Trey Ellis and Ricardo Khan
CASTING DIRECTOR: Pat McCorkle
CASTING ASSOCIATE: Katja Zarolinski
CASTING ASSISTANT: Rachel Goldman
REHEARSAL (New York): December 28, 2016
REHEARSAL (Pasadena): January 12, 2016
PREVIEWS (Pasadena): January 26, 2016
OPEN (Pasadena): February 3, 2016
CLOSE (Pasadena): February 21, 2016
POSSIBLE EXTENSION: February 28, 2016
REHEARSALS (New Victory): March 8, 2016
PREVIEW (New Victory): March 10, 2016
OPEN (New Victory): March 11, 2016
CLOSE (New Victory): March 27, 2016
REHEARSALS (Crossroads): April 1, 2016
PREVIEWS (Crossroads): o/a April 6, 2016
OPEN (Crossroads): April 9, 2016
CLOSE (Crossroads): April 24, 2016
Seeking:
CHET SIMPKINS
18+ to play a timid African-American young man. Elderly at beginning and end of the play. 17 (secretly) as he begins training. From 125th Street in Harlem. Hard-working and quietly confident. Truly in love with flying. Understands its poetry.
OSCAR
African-American Tuskegee Airman and no-nonsense race man. “Anything and everything for my people.” 20’s. From Ottumwa, Iowa. Expectant father. Says what he thinks. Competitive, bold. Firmly resolved to prove the skeptics wrong.
J. ALLEN
Bahamian Airman, from the British West Indies. 20’s. Very British and very proud. Motivated by his father’s own unfulfilled dreams. Eager. Competent.
W.W.
Street-wise African-American zoot-suiter from the south side of Chicago. 20’s . Has an eye for the ladies and ego to spare. Cocky. Determined to succeed and impress. Doesn’t expect any favors. More there than you might first think.
CAPT. O’HURLEY
White Bostonian with a chip on his shoulder. Flight instructor. Contemptuous of his assignment and the men in his charge. Proud to be an aviator, and protective of the title. A product of his prejudices with a “take no prisoners” teaching style. 30’s.
BOMBER PILOT REYNOLDS
White Midwesterner. Also plays an instructor and Col. Snopes in Part One. 20’s to 30’s. A leader. Learns to deal with fear and to appreciate those who have his back.
BOMBER CO-PILOT SHAW
White Southerner. 20’s to 30’s. Also plays the Staff Sergeant and the Barman in Part One. Newlywed. Has never met his little girl. Proves to be a team player despite events from his past
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