DON'T DRESS FOR DINNER Equity Principal Auditions - North Carolina Stage Company Auditions

Posted September 8, 2014
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DON'T DRESS FOR DINNER - North Carolina Stage Company

DON'T DRESS FOR DINNER - EPA by Appointment
North Carolina Stage Company | Asheville, NC

Date of Audition:
9/23/2014


Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Tuesday, September 23rd, 2014
9:30 AM to 5:30 PM
lunch 1 to 2

Contract
SPT
Tier 4; $332/week AEA minimum

Location
North Carolina Stage Company
15 Stage Lane
(off of Walnut Street)
Asheville, NC
See website for directions and parking info


Seeking
Equity actors for this feverishly fast paced farce that naturally features extra marital affairs, plot twists, mistaken identities and deceptions. It is a physical comedy that requires excellent comic timing and verbal word play.
see breakdown.

Preparation
Performers should be familiar with the play and will be provided information on the sections to prepare upon making appointment. Copies of sides will be provided at the time of audition.

Bring picture and resume, stapled together.

Other Dates
Show runs at North Carolina Stage company as part of their 2014-2015 season. Rehearsals start October 21st, 2014, first public performance November 12, 2014. Closing is December 7th with a possible extension to December 14th, 2014.

Other
AEA members without appointments seen as time permits.

Personnel
Writer: Marc Camoletti

In attendance:
Charlie Flynn-McIver, Artistic Director, NC Stage
Neela Munoz, Director

· A monitor will not be provided. The producer will run all aspects of this audition.

Appointments
AEA members Email casting@ncstage.org for an appointment and/or inquiries or call 828-239-0263 between noon and 5, Mon - Fri. Email preferred.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

A feverishly fast paced farce that naturally features extra marital affairs, plot twists, mistaken identities and deceptions. It is a physical comedy that requires excellent comic timing and verbal word play.

Seeking:

BERNARD
Male, mid-late 40's. Jacqueline's husband. He’s a not-so-faithful husband who’s planning a weekend with his mistress, Suzanne, at his home in the country. Eager to please and not make waves but longs for excitmement and the way attention from the opisite sex makes him feel.

JACQUELINE
Female, 30's - 40's. Bernard's wife. A not-so-faithful wife but ultimately loves Bernard. Likes things the way she likes them and is strong willed. American, French, or British dialect.

ROBERT
Male, mid-late 40's. Bernard's single friend and Jacqueline's lover. As Bernard’s alibi, he gets tangled up in his own affair, stumbling into a number of lies in an attempt to get what he wants without destroying his friendship. Ever so slightly bumbling but has an honest heart.

SUZETTE
Female, late 20's - 40's. George’s wife. She is a Cordon Bleu, private cook. She is a quirky plain Jane who later transforms into a rather flamboyant mistress. She plays the part asked of her with practical independence and an assumption of her great acting skills. She further complicates and assists in the affairs of Bernard and Robert as she shifts roles while collecting tips. British accent.

SUZANNE
Female, late 30's - 40's. She’s a bombshell, and she’s Bernard's mistress. Though she’s a model and actress, she’s forced to play the cook upon her arrival to the country home. We’ll experiment with a French, American or British dialect.

GEORGE
Male 20’s-40’s. Suzette’s husband and a man of intimidating stature. He is jealous and very protective of his wife. However, he is more brawn than brain. We’ll experiment with French, British, or American dialect.

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