ALADDIN Equity Principal Auditions - New Amsterdam Theatre Auditions

Posted August 6, 2015
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ALADDIN - New Amsterdam Theatre

ALADDIN (Broadway) - NYC EPA
Disney Theatrical Productions | New York, NY

Date of Audition:
9/9/2015


Call Type
Equity Principal

Time(s)
Equity Principal Auditions
Wednesday, September 9th, 2015
10 AM - 6 PM
Lunch 1:30 to 2:30

Contract
Production (Disney)
$1861/week min

Location
Pearl Studios NYC 519
519 8th Avenue
12th Floor
New York, NY 10018
12th floor


Seeking
Equity actor/singers for possible future replacements in the currently running Broadway Production.

See breakdown.

Preparation
Please prepare a traditional musical theatre song that shows vocal range. An accompanist will be provided.

Please bring a picture and resume, STAPLED TOGETHER.

Other Dates
Currently running on Broadway.

Other
Casting: Tara Rubin Casting/Eric Woodall

Personnel
Director/Choreographer: Casey Nicholaw
Music: Alan Menken
Lyrics: Howard Ashman and Tim Rice
Additional Lyrics: Alan Menken and Chad Beguelin
Book: Chad Beguelin
Musical Director: Michael Kosarin

· EPA Rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

Currently seeking possible Future replacements for the Broadway company.

Based on the much loved animated film, Aladdin: The New Stage Musical tells the story of a street-smart commoner whose whole life changes with one rub of a magic lamp. This new Aladdin incorporates all of the beloved songs from the film's Oscar®-winning score plus never-before-heard Menken/Ashman songs restored from early drafts of the score. It marks a return to the authors' original vision: a loving homage to the Hope-Crosby road pictures with a score invoking the jazz sound of stars like Cab Calloway and Fats Waller.

SEEKING:

ALADDIN
20s, any ethnicity. Clever, resourceful street urchin with a heart of gold; best friends with Babkak, Omar and Kassim; seeks a life beyond the confines of poverty. Soaring bark-tenor voice (Bb2 to A4). Principal role.

JASMINE
20s, any ethnicity. Intelligent young princess with insight beyond her years and station; seeks a life beyond the confines of privilege. Strong mix, and strong belt to E. Ability to float in the upper mix into soprano (up to F5) and project in lowest register (down to A3). Principal role.

GENIE
30s-40s, any ethnicity. Quick-witted, fast-talking, ancient genie who knows all time and place; an old-school song-and-dance man. Cab Calloway, Fats Waller type, able to sing jazz. Strong presence in lower range, D5 in strong falsetto, A4 in chest voice. Principal role.

BABKAK
20s, any ethnicity. Chubby, funny, romantic desert dweller, part of Aladdin’s band; the “Crosby” of this Arabian “Road” picture, although perhaps with a bit more flair. Power tenor. (Up to rock solid high C). Principal role.

OMAR
20s, any ethnicity. Nervous, thin, reedy desert dweller, part of Aladdin’s band; the “Lamour.” Bari-tneor, up to A4. Needs good ear for harmony and ability to blend. Principal role.

KASSIM
20 to early 30’s, any ethnicity. Tough and street smart, desert dweller, part of Aladdin’s band. Strong, smart and bold leader of Aladdin’s group. Very strong baritone, hold harmony well. (from A2 up to G4).

SULTAN
50s, any ethnicity. Kind-hearted, widowed ruler of Agrabah; gets so caught up in following the law and tradition that he overlooks his daughter Jasmine’s desires and gets swindled by his own vizier. (Baritone up to E4 though sings very little in the show). Principal role.

JAFAR
50s, any ethnicity, the royal vizier. Amoral psychopath who’ll not hesitate to destroy anyone he perceives as a threat to his own sinister designs. Good comedic ability and strong evil laugh. Bass, Bass-bari, can be in style of Cyril Ritchard “speak – sing”. (G2-Eb4). Principal role.

IAGO
40s, any ethnicity, Jafar’s short comedic sidekick. Grovels at Jafar’s feet and has difficulty controlling his temper. Strong tenor or Bari-tenor up to A4. Principal role.

We strongly encourage actors of all cultural backgrounds.

Please note that this production will use smoke and haze in accordance with guidelines established with Actors’ Equity Association.

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