The indigenous Warli people of western India revere the land, where their shelters derive, their food is grown, their lives find bounty and harmony. From southern India come kolams, floor designs drawn by women with rice flour to create a sacred space every morning. Gone in the space of a day, a kolam’s geometric shapes are a reminder of beauty’s impermanence, and its perishable materials nourish birds and small creatures as a way to give back to the earth. Against a backdrop of paintings from the Warli folk artist Anil Chaitya Vangad, each dancer in Sacred Earth summons the spirituality of this earthly connection into tangible existence. Imbuing the graceful and dynamic dance form of Bharatanatyam with its own distinctive vision, Ragamala Dance, called “a transcendent experience” and “rapturous and profound” by The New York Times, conveys to audiences worldwide that Bharatanatyam is contemporary and distinctly current. Sacred Earth couples eternity and transience, body and nature, soul and Earth in a celebration of the divine balance found in the universe’s continuous pulse.