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The Last Newspaperman: Award-Winning Journalist's New Novel Delves into Lindbergh Kidnapping & Celebrity Journalism

The Last Newspaperman: Award-Winning Journalist's New Novel Delves into Lindbergh Kidnapping & Celebrity Journalism

Plexus Publishing, Inc., the small independent publisher whose Boardwalk Empire gave rise to an Emmy-winning HBO series and became a New York Times bestseller, announced the publication of Mark Di Ionno's highly anticipated first novel, The Last Newspaperman.

The Last Newspaperman is a story about tabloid journalism in the 1920s and '30s, and how it created the crime-saturated and celebrity-obsessed media we have today. The novel's fictional protagonist is Frederick Haines, a one-time star tabloid reporter for the New York Daily Mirror now nearing the end of his life. A young reporter on assignment listens with rapt attention as Haines gives him the back stories on the Lindbergh Baby Kidnapping, the Hindenburg disaster, the deadly Morro Castle cruise ship fire, and the hysteria that followed Orson Welles' "War of the Worlds" broadcast.

By his own admission, Haines is reckless with the facts, with little regard for the truth or the feelings of the people directly impacted by the stories he covers. "Victims are merely characters in a newspaper story," he tells his interviewer.

"My goal was to connect the past with the contemporary, sensationalist media that dominates the airwaves, newsstands, and internet," says Di Ionno. "What happened in tabloid journalism is that it became so enormously profitable. It tapped into the lowest common denominator. That mentality has seeped into our general media culture."

Later in the novel, Haines pays the price for his reprehensible lack of ethics by losing a woman he loves, and it alters his view of his own work. He begins to lament "the paper-thin characters" he created, the half-truths he told, and the injured people left in the wake of his ambition.

The narrator and Haines extend their friendship beyond the first series of interviews, and during their conversations, the young reporter makes the link between Haines's sensational cases and problems that define contemporary media. The Lindbergh kidnapping is about media intrusion into the private lives of celebrities. The Hindenburg explosion is exploited by a media mogul with a political agenda. The Morro Castle becomes a runaway false narrative making a national hero out of the man who, it was later discovered, set the fire. The "War of the Worlds" broadcast presages alarmist reactions to new technology.

"It is through the eyes of ruthless reporter Fred Haines that we see how modern media evolved from the remorseless, sensational journalism of the 1930s," according to Robin Gaby Fisher, author of the national bestseller, The Woman Who Wasn't There: The True Story of an Incredible Deception. "With The Last Newspaperman, Mark Di Ionno has written the Great American newspaper novel."

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