Victoria's passion for the arts and entertainment was born in Adelaide, nurtured in Sydney, and is now being further fuelled in Melbourne. Working as producer and talent manager, she has learnt from some of the best in the business and worked with international artists of the highest calibre. If she's not blasting musical theatre soundtracks at her desk and drinking litres of tea, Victoria can be found enjoying a good glass of red or watching Cary Grant movies, but most likely, she's seeing a show somewhere...
Mamma Mia has brought sunshine and denim shorts to Melbourne this winter, along with a bevy of well known, reimagined, classic ABBA songs.
Watch out Barbra Streisand and Liza Minnelli, the movie musical has a new star...Kerrie Anne Greenland!
A great introduction to the theatre for young kids and first-time theatre goers, The Wizard of Oz is back with more glitz and glam than ever.
It's time to take the kids to Garfield The Musical With Cattitude! this school holidays for a fun-filled, feline farce. Stage Art's production at Chapel Off Chapel has lots of energy and will keep the little ones entertained, with some great audience interaction and a chance to meet the cast afterwards.
StageArt's latest production, bare the musical, showcases a brilliant batch of fresh musical theatre talent who all have fantastic sets of pipes!
Aleksandar Vass & Vass Production's take on the play, Hand to God, effectively uses puppetry, black comedy, and physical theatre to give a comical perspective on that little demonic voice that sits on our shoulder, taunting us all.
After a trip around the world, the pink bus has returned to Melbourne. The revamped version of the musical opened to an audience who rose to their feet at the Regent Theatre, nearly 10 years after the original season closed.
In February 2012, an unarmed African-American high-school student, Trayvon Martin, was shot dead in Sanford, Florida. His death was a flashpoint in American race relations, sparking protests across the United States and the beginning of a totally new kind of civil-rights movement: #blacklivesmatter.
In the trail of the release of the first volume of his story, 'Not For the Faint Hearted', Melbourne audiences witnessed Kevin Rudd in conversation with Kerry O'Brien at the Athenaeum Theatre on October 26th. Presented by The Wheeler Centre, Kerry O'Brien brought his famously biting style of journalism and interview to reveal why Mr Rudd got into politics in the first place, what he saw and did during his time in office, and what he's doing now.
Many have seen the famous film featuring a veritable who's who of British screen, and this stage production is just as heartwarming. Based on a true story, the story follows a Women's Institute group in Yorkshire, looking for ways to spice up their humdrum lives and raise money for charity.
Ugly Duckling, written by Spanky and performed by Karla Hillam, breathes new life into the tale we all know about the awkward protagonist coming into their own.
Melbourne is the city to be in if you love food and cabaret and Michelle Pearson's Comfort Food Cabaret is the perfect combination of both.
The stage adaptation of the 1992 film of the same name, The Bodyguard The Musical tells the story of Rachel Marron, a chart topping pop star who's life is turned upside down by an obsessed stalker.
A man featured in literature since the 20s and on stage and film since the 70s, Joseph Merrick, otherwise known as The Elephant Man, has had his story told in a myriad of ways - but none quite like this.
Combining art installation, live performance, projections, opera, puppetry and augmented-reality earphones Black Hole Theatre plunges audiences into the confused and surreal world experienced by dementia-suffering Ada (Alison Richards) in an immersive experience that is both magnificent and unsettling.
Geoffrey Nauffts highly-acclaimed Next Fall is something of a theatrical success story, with the original 2009 production receiving critical praise, an extended Broadway season and a Tony-Award nomination. The play follows the five-year relationship of unlikely couple Adam - a frustrated and neurotic forty-year-old writer and atheist - and Luke, a 20-something year old devout Christian who cannot come out to his parents. Their history is revealed through flashbacks, while in the present Luke fights for life in hospital after an accident and family and friends gather to hold vigil. Perhaps a victim of the reputation that precedes it, this production is only intermittently moving and ultimately it is hard to see what all the fuss is about.
BWW Review: Bell Shakespeare's THE MERCHANT OF VENICE
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