From being based in Manila writing for the world of musical theater - exclusively interviewing the likes of Stephen Schwartz (WICKED) and Claude Michel-Schonberg (Miss Saigon and Les Miserables) for Broadwayworld.com Philippines and abs-cbnnews.com – Rocky is now easing into the Contributing Editor post for Broadwayworld.com Singapore.
Now working Full-Time as Head of Talents (for models and entertainers) at the Phnom Penh-Based Talent and Events Management Firm, ARISE AGENCY LTD. in Cambodia, he also finds himself steeped in everything "Devil Wears Prada-ish," as Part-Time Contributing Editor for Spotted Fashion Magazine Philippines.
Jefferson Turner, together with cast members Benjamin Stratton and James Percy, will pick out which audience members are sporting the craziest 'Wizarding World' outfits on opening night.
In the conclusion of BroadwayWorld.com's one-one-one chat with Rachelle Ann Go, Gigi in MISS SAIGON's 25th anniversary production, Rachelle Ann reflects on how she has blossomed into her defiant bargirl role and what playing the character means to her; paints a vivid image of the fantastic frontiers that MISS SAIGON has opened up for her; and reveals the current status of her love life - and as a bonus, gives "expert"advice to the lovelorn.
After a four-year hiatus from the recording studio--busying herself in commercially successful and critically acclaimed performances and tours in the United States--Asia's Nightingale Lani Misalucha ventures boldly into her latest project as both artist and first-time executive producer in her first album under Star Records, “The Nightingale Returns,” co-executive produced by Malou Santos and Roxy Liquigan, and over-all produced by Jonathan Manalo.
Almost everyone is abuzz with the STOMP-fever inside the Cultural Center of the Philippines' (CCP) Tanghalang Nicanor Abelardo as the main stage slowly comes together in a thick hectic air-- urbanized and industrialized with the hip backdrop and other stage production elements of STOMP--in preparation for its second Manila staging brought to the country by Concertus Manila and Lunchbox Theatrical Productions.
One of the most memorable campaigns that STOMP ever got involved in was STOMP OUT LITTER, which began in San Francisco and eventually moved to New York, and having further varied incarnations in countries all over the world such as Germany and Scotland, to name a few.
With a novel theatrical spectacle like STOMP--sans dialogue and conventional lyrics-- the parameters set by orthodox stage direction take a backseat to the unique, personal touch that each new performer brings into any STOMP production wherever in the world it may be staged.
"Whenever we can, we support any outreach programs," STOMP Co-Creator Luke Cresswell shares on STOMP's long and steady involvement in environmental causes geared toward recycling, re-using, and clean-up drives all over the world.
STOMP Co-Creator Luke Cresswell and Rehearsal Director Fraser Morrison laugh peevishly together like schoolboys having fun on a playground as they recall the wildest experiments they have ever concocted throughout the creative journeys they had to take in finding instruments for the show and developing and polishing the technical know-how on how to use them without hurting themselves and the STOMPERS.
'The nice thing about STOMP is that there are so many different inspirations, and everyone brings all those different inspirations into the show,' shares Fraser Morrison, STOMP rehearsal director.
All the numbers in STOMP's high-octane, innovative repertoire are polished consistently by the extensive years of STOMPING experience that the creative and production teams have accumulated, coupled with the unique, personal flair and flavors that each STOMP performer brings to every production.
STOMP Co-Creator Luke Cresswell vividly looks back on the early days when he would unknowingly gather unlikely inspiration from the oddest places--sometimes even during his gigs with internationally-renowned club DJ and recording artist Fatboy Slim.
With the people behind STOMP already having a general idea on how Filipino audiences respond to the show's unique theatricality--based on how it had wowed audiences in its first run at the Cultural Center of the Philippines (CCP) in 2011--perhaps the biggest surprise that awaits STOMP's impending return to the CCP from Tuesday, June 17, to Sunday, June 22, is how having a Filipino-American cast member Andres Fernandez would draw in a novel kind of enthusiasm from his fellow Pinoys.
London's pre-summer late afternoon weather is drizzly and drab outside the Prince Edward Theatre on May 29, 2014, but inside the lavish Julie Andrews suite, where BroadwayWorld.com (BWW) is invited to have a cosy chat over a cup of tea with Rachelle Ann Go, MISS SAIGON's Gigi Van Tranh, the late spring showers that day seem continents away.
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