Marakay Rogers - Page 18

'The Mombasa Cartel' proves you can never trust a trailer. There's human-hunting, all right, but not enough for real fun or for an episode of CRIMINAL MINDS, which makes sense because this is THE BLACKLIST and not something starring Joe Mantegna. What we do have is that behind door number one is Not-Tom, which is a big Not-Surprise. Behind door number two, we have an evil cartel that traffics in illegal animal parts and substances for big money. And behind door number three? Peter Fonda. Because THE BLACKLIST is an A-list 'I want to be on that show' show for major stars, and Peter Fonda is one of those.

The 2014 Barrymore Awards for Excellence in Theatre, live blogged from the Merriam Theatre!

The Agatha Christie classic murder-comedy inaugurates the new YLT studio stage in English drawing room style

Director Charles Abbott and actor Jeremiah James fill the Fulton stage with area native Ken Ludwig's best farce

Director Dann Dunn puts a frothy piece of girl group jukebox on stage at Allemberry to close out the regular season.

Are you more afraid of domestic ecoterrorism, or of Ebola? You can have both in THE BLACKLIST's 'The Front', in which we're introduced to the terror group that's Number 74 on Red's list. But the three most important things to take away from the episode? Liz is jealous of Red's daughter; Aram and Samar may have a little something going on; and most amazingly, even Raymond Reddington, The Concierge of Crime, gets stuck in DMV lines, waiting to be served. If all-powerful super-criminals can't get service from the clerks at Motor Vehicles, there's no hope at all for the rest of us.

Alfred Uhry's DRIVING MISS DAISY comes to vivid life at Open Stage of Harrisburg

Dustin LeBlanc and Carlisle Theatre Company bring the updated Aussie version of the show, an Occupy Jerusalem concept, to the area, and it works beautifully.

The all-Gershwin musical by Ken Ludwig is bright, bouncy, and full of slapstick in Dean Sobon's hands at Dutch Apple

Gypsy Rose Lee perfected the striptease that emphasized the tease and avoided an actual reveal. THE BLACKLIST has copied her style – when will we get any concrete information on Elizabeth Keen? This week, we managed to learn only that she isn't Red's missing daughter, Jennifer. In non-Keen news, we learned that Naomi's real name is Carla and that Red was a lousy husband. Perhaps we should discuss government mind control programs instead. That's Red's solution to these issues.

At an outdoor cafe, a man is accosted by a balding stranger who wants something and 'wasn't sent here to negotiate.' His victim runs away but is almost hit by a car; meanwhile, the stranger comes over and injects him. The guy wakes up being rushed into surgery - but 'Mr. Wyatt' is then found in a pile of garbage with a missing heart. It's all the work of Dr. James Covington, #89 on THE BLACKLIST.

Director Stephanie Via brings cast packing a powerhouse punch to the OMP stage in her production of EVITA

Director Rene Staub breathes some new life into the classic tale of 1950's high school romance

We learn several things in the course of BLACKIST's 'Monarch Douglas Bank'. The three most important: Red's daughter's name is Jennifer, the US marshals lost track of her seven years ago (so she's not the girl in The Stewmaker's file, folks), and Mr. Kaplan's first name is Kate! Knowledge is power and don't forget it. Also, Red has a hot Latina manicurist, but that may not be news.

A splashy light show of a Webber/Rice musical sings its way into audience hearts

When last we saw Rayomnd 'Red' Reddington on THE BLACKLIST, he was on a stoop in front of his latest safe house, plotting to find Berlin, but now in the Season Two premiere, 'Lord Baltimore,' he's on the road in Cameroon, ducking down in a Jeep being chased by a military vehicle full of kids; bullets flying and rocket launchers launching - ah, for adventure.

Neil Simon's first odd couple is on stage at Hanover, and the laughs are gentle but plentiful.

Dann Dunn and cast give Central Pennsylvania a production that revives the Old South,Jerry Herman, and audience spirits

Ephrata Performing Arts Center gives Arthur Miller's classic play a worthy treatment

Theatre Harrisburg begins its season with the Philip Barry classic wedding comedy