Katricia Lang started reporting in 2005 at her college's student-run newspaper. Today, she covers arts and culture instead of the Student Association’s bylaws. Her features and opinion pieces have appeared in print and online. From 2016-2019, she was Managing Editor of BroadwayWorld - Houston.
It's a Halloween show that you take your friends to, get tipsy, then curse and throw things at the people on the stage. On the other hand, I don't drink, I go to bed at 9 pm, and I still had a good time.
In this interview, I talk to the director of Island ETC's ROCKY HORROR SHOW, Kim Mytelka, and to the one and only Dr. Frank-N-Furter, actor Kyle Crawford.
Who knew horses would be best in a show?
For your viewing pleasure, I had a conversation with Broadway actress and singer Krysta Rodriguez about her upcoming masterclasses with Straight From New York. Without even seeming to try, she gave an illuminating, dare I say, instructive interview.
These characters are awful, foolish people, and I hate them. Let me illustrate. Just for kicks, the Duke of Mantua, with the help of his court jester, Rigoletto, seduces Countess Ceprano, wife of Count Ceprano. After helping the Duke bed the countess, Rigoletto spends a good portion of time mocking Count Ceprano for, I don't know, having a failing marriage? Angry, the Count curses the Duke and his court, and Rigoletto loses his life and everything he loves including his beloved daughter Gilda.
Award-winning theatre company Mildred's Umbrella is producing RED DEATH, an absurd black comedy inspired by Raymond Chandler, Franz Kafka, Kurt Vonnegut, and Edgar Allan Poe. As if that isn't enough, the cast and crew read like a who's who of Houston theatre. With all this talent, this production is bound to be good. Expect deft direction from Jennifer Decker, quality acting from Bree Bridger, Karen Schlag, and Christie Guidry Stryk, exquisite costume and set design from Jodi Bobrovsky, and a sexy, thrilling, and smart play written by Houston favorite Lisa D'Amour. And that's just who I could remember off the top of my head.
In this interview, Alley Theatre Artistic Director, Gregory Boyd and I discuss the deep roots and broad influence of DRACULA, the genius and uniqueness of Edward Gorey, and, just for kicks, what it's like to work with David Hyde Pierce.
BroadwayWorld Houston is giving you the chance to see the October 11 showing of Met's MACBETH: LIVE IN HD for FREE! To enter the drawing for two free tickets to the October 11 showing of Met's MACBETH: LIVE IN HD, LIKE the Broadway World Houston Facebook page at https://www.facebook.com/BroadwayWorldHouston OR leave a comment on this article. The contest deadline is October 9th at 1 am. Winners will be notified by Facebook message on October 10th at 8 am.
I was lucky to get so much of Barry Doss' time. He is resident Costume Designer for Dance at Sam Houston State University and Stages Repertory Theatre's upcoming production of MARIE ANTOINETTE. When I called, he was in his workshop in Huntsville patterning and cutting. Fresh off Broadway, by way of Fort Worth, Texas, he came home to Houston last spring - February to be exact - and immediately got to work on the anachronistic beauty that is MARIE ANTOINETTE.
Like all dashing, debonair, and mustachioed bachelors, Richard Hannay has nothing to do. Listless, he decides to go to the theatre and, finally, the promise that every theatre teacher you ever had made comes true - it transforms his life. At the theatre, he meets a beautiful woman who accompanies him back to his apartment, saunters into his bedroom, then is promptly murdered in the night while he sleeps alone on his ottoman. Before the mysterious beauty dies, she fills his head with conspiracy theories that send Hannay on a wild-goose chase. He must answer the question: What (or who) is (or are) the 39 steps?
I talk with actor Michael Brian Dunn about VICTOR/VICTORIA, Dick Van Dyke, Meryl Streep, and his experience working on the stage and screen.
In this Broadway World interview, I have a very serious conversation with Lauren Strongin, soloist for the Houston Ballet. Really folks, I just could not think of one joke. But, this interview doesn't need my comedy. Lauren and I discussed FROM HOUSTON TO THE WORLD, in which she dances in all four pieces, overcoming injury, and making the move from Sarasota, Florida to Houston, Texas.
Bayou City Theatrics' grisly production knocked the wind out of me.
I am not an '80s fan. (Why the shoulder pads and clashing colors, '80s?) But, '80s IN OUR UNDIES' Judy Garland-esque mix of funny anecdotes and virtuosic vocals is appealing.
Toto, we're not in Athens anymore.
BroadwayWorld Houston is giving you the chance to see THE GOD GAME for free! To enter the drawing for two free tickets to THE GOD GAME for the Friday, September 19th performance at 8:00 p.m., like the Broadway World Houston Facebook page at https://www.facebook.com/BroadwayWorldHouston by September 17 at 9 a.m.
The Trebuchet Players' production of DESDEMONA: A PLAY ABOUT A HANDKERCHIEF features top-notch acting and an emotional depth so luxurious you could get lost in it. Homegrown talent Bryan Maynard's silly, self-aware, but not self-serious, play WAITING FOR OTHELLO features equally talented performers and loads of humor. Both plays poke fun at ridiculous gender stereotypes while evoking laughter and tears in equal measure.
In this interview, BWW talks with singing, dancing brother and sister duo Matthew and Michelle Smith about the high-flying, high octane dance musical, BRING IT ON.
I finish the series with Jane Volke - 'Producer, Music Director, Table Bracer, Staple Gunner, Public Relations Liaison, Set Builder, Curtain Hanger Upper, Costumer, Water Bottle thrower outer, Marketing Rep., Child Wrangler, Lighting Tech, Floor Painter, Copy Expert, Hole Puncher Extraordinaire, Stage Hand, Window Washer, Dog Walker, Extension Cord Wrapper, Ceiling Painter, Banner Hanger, and Wine Drinker' at Bayou City Theatrics. We discuss THE LAST FIVE YEARS and her definition of 'high-art, conceptualized pieces of theatre.'
Houston Ballet's A MIDSUMMER NIGHT'S DREAM, choreographed by John Neumeier, is a mix of neo-classical ballet, classical ballet, and the bard's timeless tale. In this interview, BWW had the pleasure of talking to Sara Webb, principal dancer for the Houston Ballet and Hippolyta and Hermia in this classic romantic comedy.
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