Jay Irwin - Page 38

I've said it before and I'm sure I'll say it again, you practically have to take a masters class in whatever Tom Stoppard is writing about in order to fully get his plays. Whether is be Shakespeare, Czech History or Mathematics it helps to have some kind of advance knowledge before you sit down. Having said that, while "Dogg's Hamlet and Cahoot's Macbeth" definitely had me saying "Huh?" a few times, what it amounts to is a clever, funny and engaging look at language and power.

The great thing about a show with a series of short plays is that if the current short play just isn't working for you, wait ten minutes and you'll be on to the next one. The greater thing about David Ives' "All in the Timing" is that most of his short plays included are gems. And the greaterer thing about STAGEright's current production of "All in the Timing" is that, for the most part (there was really only one that left me saying "Huh?"), the cast and directors have woven together such a tight and well paced show that there's bound to be something for everyone and plenty of laughs for all.

Displaying an all too familiar circumstance Book-It Repertory Theatre is currently presenting their production of Jess Walter's book, 'The Financial Lives of the Poets', in which our hero must survive the pressures of our crumbling economy any way he can. And while the base story may not be the freshest, what it does have going for it is crisp, engaging and very funny dialog infused in a very clever story structure with a relatable protagonist at its core which amounts for a thoroughly enjoyable show.

Balagan Theatre made three major announcements during a packed Season Preview Party at the Moore Theatre on Monday, June 10: 'Nirvanov' as the fifth show in the 2013-2014 mainstage season, a star-studded trio of leading ladies in Carrie: The Musical, and a newly created New Works Program, whose Summer Series debuts July 6.

It's a fine line between a biting familial dramedy and diving head first into the realm of back biting reality TV. One lends itself to insightful views on the nature of parent/child dynamics and the other has an overweight little girl spewing forth "Oh no she di'in't" like a circus act to make the viewers feel better and superior about themselves. Luckily Jon Robin Baitz searing play "Other Desert Cities", currently playing at ACT, falls into the category of the former. Yes, the family can get pretty vicious at times but you can also see the heart and compassion through the barbs bringing out the power of the piece.

From the sumptuous meal to the hilarious antics to the high flying thrills, you always know you're going to have a stellar time at a Teatro ZinZanni show and their current show "Lucky in Love" is no exception. The story and theme may have been a bit unfocused at times (and that could have just been opening night settling in) but as anyone who's been to a ZinZanni show knows, even an unfocused Teatro ZinZanni show is better than many things out there.

Musical Theater is a strange animal. It's trying to tell an engaging and evocative story through music. And when you frame that storytelling in the guise of a concert it gets even more difficult as the lyrics of the songs really need to drive that story but it can work ('Passing Strange', 'Hedwig' and 'Altar Boyz' to name a few). Unfortunately 'Fela', currently playing at the Paramount Theatre, does not work in that respect. It's more concert with a little story peppered in and while the cast is certainly talented and the energy is there, much of it felt self indulgent and just too long.

For a show that is all about words and how to express them correctly, it sometimes feels that Julia Cho's "The Language Archive" could have done a little better expressing them efficiently. Occasionally the show tends to drone on and could have ended a few times. Fortunately the cast in Seattle Public Theater's production is so engaging that those droning moments dissipate quickly and what's left is an intriguingly sweet love story.

It's that time of year again. Time to bust out those shorts and bathing suits and catch the few rays of sunshine we get here in Seattle. But it's also time to catch what Seattle has to offer theatrically this summer. From Shakespeare to big hair to singing nuns and pirates, there's something for everyone. And here are a few top bets for the Seattle Summer.

Theatrically speaking, there are few things in this town that are a sure lock of enjoyment. Anything from New Century? Sure. Putting Bobbi Kotula on stage? Hell yes. And any of the 'Twilight Zone: Live!' productions from Theater Schmeater? Damn Skippy! The tall, dark and brooding master of the bizarre, Rod Serling is back to take us into another dimension. A dimension of sight, a dimension of sound and a dimension of a kick ass night of eerie 60's fun that definitely qualifies as one of those sure locks I spoke of.

In these exciting times where state after state are ratifying same sex marriage laws and teens are taking their same sex boyfriends and girlfriends to school dances, we can sometimes lose sight of the people that fought to break down those barriers to get us where we are today. This is why stories such as the ones presented in the play "The Temperamentals" are so important. And the importance of this production and its stirring slice of history, currently being presented at the Ballard Underground, is not lost on the folks at Arouet as they tell the story with care and compassion.

I've seen it more times than I care to count. Between the movie version, the still running Broadway revival, the touring productions and copious local productions most people have. And why not? 'Chicago' is one of Kander and Ebb's best and most enduring. So when Village Theatre announced it would be closing their season I thought, 'Oh goodie I get to see it AGAIN!' But Director Steve Tomkins has not only assembled one kick-ass cast but they've put their own little twist on it. No, they haven't set it in space or anything but they have returned the glitz, flash and humor to a show that has become known for seductively brooding in the dark. Oh the sex is still there but it's accompanied by a sense of whimsy that makes this production stand apart.

The conclusion of the "Team of Heroes" Trilogy, "Team of Heroes: No More Heroes" currently playing at Annex Theatre has swooped in to save us all, but it could use some saving of its own. Yes, all of your favorite damaged superheroes and super villains are there as well as little gimmicks and tricks to make the audience squeal, but unfortunately the show slowly plods along with no direction or purpose and ultimately fizzles.

I've always been leery of transplanting locales and time periods of classic plays just because we can. Naked 'Macbeth', 'Romeo and Juliet' in a high school, cartoon lions in Africa doing 'Hamlet'. Often times it's just to shake things up and lends nothing to the story. But the current production of 'The Taming of the Shrew' from Seattle Shakespeare Company setting those battling lovers in a Trailer Park not only works but is also completely inspired. In an era of reality TV showing rednecks right and left, a story of feuding siblings, ball busting women and swaggering men is a perfect fit. And while I usually hate reality TV for it's mocking of people it feels are inferior, this production shows no hate or contempt for the trailer park set but revels in their joy and boisterousness and invites you to laugh right along WITH them. And laugh you do!

A few days ago I posted a review for another comedy in town where I commented on the fact that they just don't write farces like they used to. And last night the current production at ACT, "Assisted Living" only served to support that statement. That's assuming this World Premiere play from local playwright Katie Forgette was even trying to be a farce. The show, aside from containing a very thin plot and some highly cliche jokes, suffers from an identity crisis as it's not sure what kind of show it wants to be; farce, political commentary, nostalgia piece, etc. But the show does manage some decent moments largely due to the superb cast not to mention borrowing scenes from good plays.

More often than not when you go to see a play you do just that, see it. You attend, enjoy, let it wash over you, but still manage to stay safely detached from any unsettling things that happen during the narrative. But sometimes a play comes along that goes beyond a simple storytelling and takes its audience by the hand and propels them into the story almost allowing them to become a part of it. Sounds pretty cool right? Now imagine that story is the most vicious elements of war. And that will give you an indication of what the current show at the Paramount, "Black Watch" has to offer, a gut wrenchingly intense experience that goes beyond simple theater and leaves its audience shaken in more ways than one.

They just don't make good door slammer farces like they used to. Perhaps we've lost the sensibilities to come up with new ideas that make these tales of mistaken identity, concealed trysts and ridiculous characters funny. But luckily we still have old chestnuts like "Boeing Boeing", currently playing at the Seattle Rep, and people like director Allison Narver who understand what it takes to bring these tales to life and make them gut-bustingly funny.

Not since the epic failure that was 'Princesses' at the 5th Avenue have I seen such an abysmal big stage musical with aspirations to Broadway as 'Flashdance - The Musical' currently playing at the Paramount Theatre. There are so many things wrong with this show that I'm not even certain where to begin, but I'll give it a shot.

This is not a play. You are informed that as soon as you step into the oppressive world of New Century Theatre Company's current production of "Franz Kafka's The Trial" adapted by Kenneth Albers. And it's true; it's not so much a play as it is an existential experience as the bureaucracy of this world sorts even the audience as they enter (be sure to come in with the people you want to sit with). And what follows is a cool and finely crafted descent down the rabbit hole from one of Seattle's best theater companies.

If you've seen it you know you love it. "August: Osage County" has got to be one of the most powerful stories to grace the stage in quite some time. And soon everyone will love it as it's about to be turned into a movie due out next November with a powerhouse cast. But until that time you can still visit with the Westons right here in Seattle with the regional premiere of this stunning work brilliantly put up by Balagan Theatre.