Jay Irwin

         Born and raised in Seattle, WA, Jay has been a theater geek for years.  He attends as many shows as he can around the country and loves taking in new exciting works.  


Instituting a new three letter rating system for my reviews for 2014.  They'll range from best to worst as WOW (A can’t miss), YAY (Too damn good), MEH+ (Good, with some great things going for it), MEH (Just OK), NAH (You can miss this one) and WTF (I think you can figure out my complex code there).


Jay is also an actor in the local Seattle scene.  Follow me on Twitter @SeattleBdwyGeek

MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Reviews: Schmeater's ATTACK OF THE KILLER MURDER OF ... DEATH SlaysBWW Reviews: Schmeater's ATTACK OF THE KILLER MURDER OF ... DEATH Slays
Posted: Jul. 20, 2014


BWW Reviews: 5th Ave's WE WILL ROCK YOU Rocks - But is that Enough?BWW Reviews: 5th Ave's WE WILL ROCK YOU Rocks - But is that Enough?
Posted: Jul. 9, 2014


BWW Reviews: HANDS SOLO: PIANOMAN at ACT Elicits Jazzy CharmBWW Reviews: HANDS SOLO: PIANOMAN at ACT Elicits Jazzy Charm
Posted: Jul. 11, 2014


LAST 365 DAYS

BWW Reviews: ISABELLA ROSSELLINI: GREEN PORNO Is A Naughty EducationBWW Reviews: ISABELLA ROSSELLINI: GREEN PORNO Is A Naughty Education
Posted: Nov. 5, 2013


BWW 2013 Seattle Critic's Choice Awards (Jay's Picks)BWW 2013 Seattle Critic's Choice Awards (Jay's Picks)
Posted: Dec. 30, 2013


BWW Reviews: How Village's LES MISERABLES Made Me Remember Why I Love This ShowBWW Reviews: How Village's LES MISERABLES Made Me Remember Why I Love This Show
Posted: Nov. 14, 2013


BWW Reviews: A Bit Disjointed but SECONDHAND LIONS at 5th Ave Full of Fantasy and HeartBWW Reviews: SECONDHAND LIONS at 5th Ave Full of Fantasy and Heart
Posted: Sep. 27, 2013


BWW Reviews: Balagan's CARRIE: THE MUSICAL Shines Despite Production and Material WoesBWW Reviews: Balagan's CARRIE: THE MUSICAL Shines Despite Production and Material Woes
Posted: Oct. 14, 2013


BWW Reviews: Balagan Takes JERRY SPRINGER: THE OPERA to Hell and Back AgainBWW Reviews: Balagan Takes JERRY SPRINGER: THE OPERA to Hell and Back Again
Posted: Jan. 11, 2014


BWW Reviews: ACT's Three Quirky ONE ACTS Feels Like One Too Many in TotalBWW Reviews: ACT's Three Quirky ONE ACTS Feels Like One Too Many in Total
July 27, 2014

In my opinion One Act plays are an underutilized form in the theatrical world. Too short to take up an entire evening's entertainment and so they get overlooked. Thankfully ACT has chosen not to shy away from the form with their current offering, "An Evening of One Acts" and has even chosen works by some iconic American authors. And while the evening was loaded with quirky fun, two of the one acts felt as if they could have ended a few times over and ran a bit long.
BWW Reviews: Schmeater's ATTACK OF THE KILLER MURDER OF ... DEATH SlaysBWW Reviews: Schmeater's ATTACK OF THE KILLER MURDER OF ... DEATH Slays
July 20, 2014

Scream queens, atomic monsters and aliens abound. And that's even before the murder in Theatre Schmeater's first full production in their new space, "Attack of the Killer Murder of Death". B grade movies haven't been this much fun since Mystery Science Theater 3000 as director and author Wayne Rawley has concocted a behind the scenes look of a 50's B movie set where the aging diva of the film is suddenly MURDERED!!! (DUN DUN DUUUUN!)
BWW Reviews: HANDS SOLO: PIANOMAN at ACT Elicits Jazzy CharmBWW Reviews: HANDS SOLO: PIANOMAN at ACT Elicits Jazzy Charm
July 11, 2014

I always get a little worried about the one man, autobiographical shows. All too often they can become self-indulgent therapy sessions as the performer delves into a life that we may or may not care about. Luckily this is not the case with 'Hands Solo: Pianoman' currently playing at ACT as Victor Janusz offers up a more self-reflective rather than self-indulgent journey mixed with some wonderfully sweet and jazzy tunes from he and his piano.
BWW Reviews: 5th Ave's WE WILL ROCK YOU Rocks - But is that Enough?BWW Reviews: 5th Ave's WE WILL ROCK YOU Rocks - But is that Enough?
July 9, 2014

Sometimes jukebox musicals need to stay in the jukebox. There are some exceptions where it works. When it's a good review like Smokey Joe's Caf or when there's a fun book like Mamma Mia. But when you take the songs of a classic rock band (such as Queen) and jam them into a completely contrived and nonsensical, thread thin plot the result (as with We Will Rock You currently at the 5th Avenue Theatre) is a barely entertaining mish mash of songs that left me less entertained and more embarrassed for those involved. Now I love me some Queen. I'm a little too young to have been aware of them in their hay day but like many others discovered them after their run as their enduring songs continue to live on. Which is why I feel they deserve better than the show they got. A show where we're in a not so distant future and people live their lives online (not so different from now) and because of this, rock and roll has been outlawed. (And there's the main plot hole because what's on the Internet but lots and lots of music.) So when a hunky idealistic dreamer, Galileo (Brian Justin Crum) who keeps hearing the lyrics from long dead rockers meets another outcast Scaramouche (Ruby Lewis), the two set out to escape the clutches of the all powerful Killer Queen (Jacqueline B. Arnold) and find other rebels who want to bring back rock. And how will they do this? Um, play music. Yeah, that's ultimately what drives the bad guys away, music. But then we've had music through out the whole show including from the bad guys. See, plot hole. And if this ridiculous story filled with so much bad, one repeated joke (how many times can we mention that the male leader of the rebels goes by the name Britney Spears?), sitcom humor and clunky exposition laden dialog from book writer Ben Elton weren't bad enough, but then they take these wonderful Queen songs and force them into the narrative often times changing the lyrics to try and make them fit. For example, they take the title song from the movie Flash Gordon and bastardize it so it's now all about giving the captured rebels electro shock therapy. Or how about Killer Queen singing Fat Bottomed Girls because, well I'm still not certain why she was singing it other than to check that iconic tune off the list. Did no one listen to the lyrics of the songs while trying to write the show? They're all quite narrative to begin with. And Elton couldn't come up with a story that fit in with those narratives? I mean he's even got characters names Galileo and Scaramouche but Bohemian Rhapsody (the thing all the bohemian rockers are striving for in the story by the way) isn't even performed until the end of the show as an after thought encore. The cast does what they can. In fact they amp their energy and intent up to about a 17 in order to try and give this story some punch. Crum and Lewis certainly have incredible voices worthy of Freddie Mercury and they completely shred any numbers given to them. Arnold too has a gorgeous voice but doesn't seem as invested in playing the villain in this over the top melodrama. But I have to mention Ryan Knowles who not only lent some incredible pipes to his numbers but some delicious comedic timing and heart to his character making him completely ROCK. But even the infectious energy of this amazing cast can't polish away the stench of this turd try as they may. The show is a somewhat fun ride but ultimately weighed down with such a horrible book and bastardized songs that it just feels insulting. Queen deserves better and smarter as do audiences, which is why I give We Will Rock You a NAH with my three letter rating system. Others may have enjoyed it but I just found it not worth the effort. We Will Rock You performs at the 5th Avenue Theatre through July 13th. For tickets or information contact the 5th Avenue box office at 206-625-1900 or visit them online at www.5thavenue.org.
BWW Reviews: Magic and Laughs in Teatro ZinZanni's WHEN SPARKS FLYBWW Reviews: Magic and Laughs in Teatro ZinZanni's WHEN SPARKS FLY
June 20, 2014

Teatro ZinZanni shows are always fun and full of magic. But when they add in some real magic and a killer Frankenstein-esque story as they've done with their latest creation, "When Sparks Fly", then that fun gets amped up to a point where anything can happen and does.
BWW Reviews: Reimagined PORGY AND BESS at 5th Avenue Feels Unfocused and RushedBWW Reviews: Reimagined PORGY AND BESS at 5th Avenue Feels Unfocused and Rushed
June 18, 2014

If it ain't broke, don't fix it. A motto to live by. That is, apparently, unless you're Diane Paulus who knows better than the original creators of Porgy and Bess, currently playing at the 5th Avenue Theatre, on how it should be told. Sure, it's mostly the same basic story but with the pared down script and cast and the re-orchestrated music it feels like Porgy and Bess Lite rather than The Gershwins' Porgy and Bess as they call it. And don't even get me started on that title. Enough has been said on that already.
BWW Reviews: PASSING STRANGE from Sidecountry Delivers the Poetic Beauty of a Rock and Roll LifeBWW Reviews: PASSING STRANGE from Sidecountry Delivers the Poetic Beauty of a Rock and Roll Life
June 14, 2014

How do you put on an autobiographical show, known to be performed by its author, without that author? It's like "700 Sundays" without Billy Crystal or "Elaine Stritch at Liberty" without Elaine Stritch. Well, fledgling theater company Sidecountry Theatre has done just that with their production of "Passing Strange" by Stew and Heidi Rodewald without Stew narrating his own story. And while it's a little odd at first, narrator LeRoy Bell embraces the part and that oddness melts away as his charisma and talent takes center stage.
BWW Reviews: Theatre22's THE LISBON TRAVIATA Relies Too Heavily on a Love of OperaBWW Reviews: Theatre22's THE LISBON TRAVIATA Relies Too Heavily on a Love of Opera
June 9, 2014

Terrence McNally is by far one of my favorite playwrights. I mean his current Broadway offering had me in tears as does most of his work. But even your favorites are bound to have one or two pieces that just don't work for you. Such is the case with 'The Lisbon Traviata' currently being produced by Theatre22 as part of their inaugural season as well as their Summer Pride Festival. Yes, there are some good performances in the production and the set is gorgeous but ultimately it just felt like not enough of a story being offered in Act Two that couldn't redeem the lack of story in Act One not to mention the highly specific audience needed to enjoy it.
BWW Reviews: THE PRICE at ACT is Worth PayingBWW Reviews: THE PRICE at ACT is Worth Paying
June 6, 2014

OK, so we'll start off with the fact that it's an Arthur Miller piece. One of the greatest storytellers of our time and ACT's current production of "The Price" is a shining example of that. But add into the genius of Miller a killer set, sizzlingly intense pacing and a stunner of a cast and ACT has an absolute winner of a show that deserves to be seen and savored.
Summer Stages: BWW's Top Summer Theatre Picks in SeattleSummer Stages: BWW's Top Summer Theatre Picks in Seattle
June 2, 2014

Because I couldn't be limited to just five, here are the top SIX theatrical endeavors happening this summer in Seattle that have me a little giddy.
BWW Reviews: Well Performed and Harrowing A SMALL FIRE from Sound Theatre Company Misses the MarkBWW Reviews: Well Performed and Harrowing A SMALL FIRE from Sound Theatre Company Misses the Mark
June 1, 2014

Maybe it was the fact that the theater was a hot box. Maybe it was the incessant nervous twitch that one audience member had that apparently everyone could hear but him. Or maybe it was that the show just isn't my style. But Sounds Theatre Company's production of "A Small Fire", while having some stellar performances, just didn't quite do it for me.
BWW Reviews: Faustian Silliness in Arouet's DON JUAN IN CHICAGOBWW Reviews: Faustian Silliness in Arouet's DON JUAN IN CHICAGO
May 30, 2014

I must apologize, Dear Readers, for getting this one to you so late. But alas when the Mothership beckons I must go. Unfortunately it meant me coming late to the party that is Arouet's production of David Ives' 'Don Juan in Chicago' which leaves you only two more chances to see this hilarious production, which I urge you to do. Some beautiful direction and a killer ensemble make this bit of Ives' deliciousness even more fun.
BWW Reviews: ONCE at the Paramount - Touching and Simple StorytellingBWW Reviews: ONCE at the Paramount - Touching and Simple Storytelling
May 28, 2014

We all know the annoying trend of turning every well-regarded or sellable movie into a Broadway Musical. Do we really need a stage version of the popular film especially when that film is pretty much a musical already such as with the indie sleeper hit "Once"? Well, I don't know if we need it but in this case I'm actually glad we have it as they have taken this lovely romance and just simply let it be told through it's gorgeous music and some very simple staging and the result is a great big sigh (and maybe even a few tears) at the end of a truly entertaining evening.
BWW Blog: To the Mothership - Day Five - If/ThenBWW Blog: To the Mothership - Day Five - If/Then
May 24, 2014

Well this is it, Dear Readers. The trip has come to an end (sigh) and even as I type this I am winging back to the Emerald City and leaving the Mothership behind. It's been an exciting trip with tons of thrilling theater. But before we wrap up, we still need to talk about one more show, "If/Then'.
BWW Blog: To the Mothership - Day Four - HEATHERS: THE MUSICALBWW Blog: To the Mothership - Day Four - HEATHERS: THE MUSICAL
May 20, 2014

It's day four Dear Readers, it's almost all over (sigh), and it's all slowing down. Only one show last night and only one more remaining. But let's not focus on the sadness of having to leave the Mothership soon, let's focus on killing the mean, popular kids.
BWW Blog: To the Mothership - Day Three - LADY DAY and BUYER & CELLARBWW Blog: To the Mothership - Day Three - LADY DAY and BUYER & CELLAR
May 19, 2014

Day three was yet another roller coaster of emotions as we went from the tragic yet beautiful to the hilarious. I guess I planned this schedule pretty well. Let's start with the beyond words amazing Audra and then we'll move on from there.
BWW Blog: To the Mothership - Day Two - GENTLEMAN'S GUIDE, MOTHERS AND SONS and HEDWIGBWW Blog: To the Mothership - Day Two - GENTLEMAN'S GUIDE, MOTHERS AND SONS and HEDWIG
May 19, 2014

Day two, my three show day, is behind me Dear Readers and it was an absolutely exhilarating one filled with laughs, tears, and culminating in a stunner of a show. But we'll get to Neil in a minute.
BWW Blog: To the Mothership  Day One  CASA VALENTINA and SLEEP NO MOREBWW Blog: To the Mothership Day One CASA VALENTINA and SLEEP NO MORE
May 17, 2014

Greetings Dear Readers. The lure of the Mothership was finally too great and I have returned to her to see what kind of wisdom she wants to impart. Yes, I have returned to New York to avail myself of the fabulous new shows the city has to offer.
BWW Reviews: Village's FUNNY GIRL Brings the Sweet and Funny Plus the PowerBWW Reviews: Village's FUNNY GIRL Brings the Sweet and Funny Plus the Power
May 16, 2014

OK let me start off by saying, Babs she ain't and thank God for that. OK, now before you all form the lynch mob, I love Babs. But if anyone is going to even attempt to put on "Funny Girl" the worst thing they could do it try to pass off an imitation of an icon. And Sarah Rose Davis in Village's current production manages to pull off carrying the show with aplomb while still putting her own stamp on the role.
BWW Reviews: STAGEright's A NEW BRAIN Feels UndercookedBWW Reviews: STAGEright's A NEW BRAIN Feels Undercooked
May 9, 2014

William Finn's shows are not easy to produce. Maybe that's why (with the exception of Spelling Bee) they're not done as often as they deserve. And his largely autobiographical "A New Brain" is no exception with its emotional storyline and rich score not to mention some odd staging elements it requires. So if you're going to produce it you'd better have all your ducks in a row. Well all of the ducks are there for the current production from STAGEright now performing at the Cornish Playhouse Black Box but some of them didn't quite stay in that row.


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