Jade Kops - Page 21

The bloody story of the two queens of Sydney's seedy underworld are recounted in Kate Mulley (book and lyrics) and Andy Peterson's (music) RAZORHURST.

Darling of Broadway and screen Megan Hilty delivers her endearing blend of comedy and expressive musical interpretation at her Sydney Opera House debut.

ANATOMY OF A SUICIDE delves into the difficult subject of mental health, suicide and the debate between nature and nurture.

The audience is transported to the days of live broadcast radio plays with MURDER ON THE WIRELESS, a double bill of murder mysteries complete with live sound effects.

Anthony Warlow returns to the Australian musical theatre stage to take on the dark twisted tale of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET.

Centred in the potentially declining world of magazine publishing, GLORIA poses a possibility of what happens when ambition overrides the courtesy and compassion vital for a functioning society.

A treat of traditional and contemporary music, Irish hard-shoe dancing and amusing personal stories of growing up in Longford Ireland, THE IRISH BOY is an entertaining insight into Bobby Fox's background.

Multi award winning Australian Soprano Emma Matthews returned to Sydney for a one-night treat with Sydney Symphony Orchestra as EMMA MATTHEWS SINGS MOZART ARIAS.

The blackest of humour comes together for a captivating 110 minutes of theatre that challenges how far someone would go to protect the people they love in Kim Hardwick's (director) presentation of MERCURY FUR. 

A perfect parody of the famous wizarding stories, PUFFS OR SEVEN INCREASINGLY EVENTFUL YEARS AT A CERTAIN SCHOOL OF MAGIC AND MAGIC is a must see for any fans of the Harry Potter world.

its world premiere, Suzie Miller's 2018 Griffin Award winning play PRIMA FACIE highlights the flaws of the legal system with a captivating and compelling solo performance by Sheridan Harbridge under Lee Lewis' direction.

David Ireland's CYPRUS AVENUE presents a position where the politics of promoting division and hate has resulted in unfathomable horror. 

Art can make ideas easier to connect to and Alana Valentine's new work MADE TO MEASURE presents a balance of science and story to prompt the audience to consider their relationship with people living in larger bodies. 

Felix Nobis' BOY OUT OF THE COUNTRY expresses of the degradation of the community and culture of Australia's regional towns in the name of progress and capitalism. 

Led by a deliciously sinister Benjamin Gerrard, Alexander Berlage's (Director & Lighting Design) AMERICAN PSYCHO is a perfectly polished presentation of Roberto Aguirre-Sarcasa (Book) and Duncan Sheik (Music and Lyrics) musical adaptation of Bret Easton Ellis' novel. 

Under the baton of Elizabeth Scott, 400 voices from the Sydney Philharmonia Choirs' combine with the Sydney Philharmonia Orchestra for the celebration of cinema sound with MUSIC FROM THE MOVIES. 

Presented with heart and humour, FOLK Is a delightful expression of the power of music to bring people together. 

Emme Hoy's new work EXTINCTION OF THE LEARNED RESPONSE makes its premiere as part of the Belvoir 25a Independent season.

The Australian Brandenburg Orchestra (ABO) and Circa Contemporary Circus (Circa) reunite for a third thrilling concert, ENGLISH BAROQUE WITH CIRCA.

The actual outcomes from self-care retreats comes into focus as six strangers struggle to connect when they aren't allowed to use their voices in Bess Wohl's SMALL MOUTH SOUNDS.