Gary Naylor - Page 30

Guillem Clua's new play is a serious examination of how love finds expression differently, beautifully translated and acted with great sensitivity - a thought-provoking and ultimately uplifting production.

A Lionel Bart post-Oliver! flop given a new book and a huge injection of energy just makes you feel happy - and ain't that a good thing!

Moormaid takes on a contemporary issue - the return to Europe of young men who fought in Syria - but fails to build characters in whom we can believe despite some fine acting.

The Golden F**king Years is a beautifully observed and acted farce that finds plenty of comedy in the tedium of ageing and the sudden opportunity of a bit of excitement - and the consequences that inevitably follow.

A play and accompanying exhibition about a renowned Indian singer, the eponymous Gauhar Jaan, and 'an incident' that gained infamy across India in the early 20th century.

Amongst the explosion of interest in Jean-Michel Basquiat, Sara Driver's film locates his emerging genius in a beautifully rendered time and place - late 70s New York City.

A powerful, perhaps even necessary, play that doesn't always succeed dramatically but can be forgiven for the boldness of its narrative and unflinching take on a divided city in a divided nation.

Once again, a fine production from Arrows & Traps theatre that reminds me, were it necessary, that if you can see Chekhov, you should.

Gilbert and Sullivan's comic opera delivered with the emphasis on the comic and more than a nod to the realities of 2018 sensibilities.

A sensational Bernadette Robinson brings five 'nobodies' and five superstars to life in a series of monologues with music that explore human fallibility with wit and wisdom to spare.

In our new series, BroadwayWorld UK writers nominate the shows they'd love to see revived!

A splendid production that shifts the action from Chekhov's original short story into 1920s Britain to add layers of meaning and depth to both the themes and characters - fringe theatre at its best.

Phil Willmott's The Cherry Orchard picks up Chekhov's action and moves it forward a decade or so to 1917, when the balance of power in Russia was tilted rather differently.

Claustrophobic play about two ill-suited spouses re-united for pragmatic reasons and working through their pain from ten years ago - a gruelling watch.

Ara Malikian showcases his talents with an eclectic mix of music spiced with showmanship and stories, with a twist in the tail.

Bold re-imagining of an early Tennessee Williams play that gives its themes a universality in a uniquely theatrical experience.

Technical shortcomings and an incoherent book overpower a show with a fine pedigree and good tunes.

Classic French farce gets a Bollywood makeover for the 21st century in Nigel Planer's enjoyable adaptation of Marivaux's comedy.

Macbeth delivered by dancers in a unique space, beautifully lit, creating an electrifying theatrical experience.

Princess Margaret brought to life by Felicity Dean in a production that promises more than it delivers about a tragic figure born a generation too early to change the Royal Family.