Broadway-Bound FINDING NEVERLAND Begins Previews Tonight at A.R.T.

The world premiere of the musical FINDING NEVERLAND, with music and lyrics by Gary Barlow and Elliot Kennedy, book by James Graham, directed by Diane Paulus with choreography by Mia Michaels, will be presented at A.R.T. by special arrangement with Harvey Weinstein. The production of the new musical begins previews tonight, July 23 and runs through Sunday, September 28. If all goes well, the musical is slated to hit Broadway Spring 2015.

In FINDING NEVERLAND, when a playwright meets a widow and her four boys in Kensington Gardens, he embarks on a friendship that inspires one of the most beloved stories of all time. Based on the Miramax film written by David Magee, Finding Neverland follows the real-life relationship between the Llewelyn Davies family and James Matthew Barrie as he writes the revolutionary 1904 play Peter Pan, or The Boy Who Wouldn't Grow Up. Staged by A.R.T. Artistic DirectorDiane Paulus and with music by U.K. pop sensation Gary Barlow (Take That), this new musical explores the power of imagination to open up new worlds, and the pressures put upon those worlds by the prospect of growing up.

The cast will be led by Jeremy Jordan as J.M. Barrie and Laura Michelle Kelly as Sylvia Llewelyn Davies; with Carolee Carmello as Madame du Maurier, Michael McGrath as Charles Frohman/Captain Hook, Jeanna de Waal as Mary Barrie, Aidan Gemme as Peter, Alex Dreier as Michael, Sawyer Nunes as George, and Hayden Signoretti as Jack. Members of the ensemble are Courtney Balan, Dana Costello, Rory Donovan, Gaelen Gilliland, Thayne Jasperson, Josh Lamon, Cara Massey, Melanie Moore, Mary Page Nance, Stuart Neal, Emma Pfaeffle, Jonathan Ritter, Tyley Ross, Julius Rubio, JC Schuster, Paul Slade Smith, and Ron Todorowski.

The creative team also includes scenic designer Scott Pask, costume designer Suttirat Anne Larlarb, lighting designer Philip Rosenberg, sounddesigner Jonathan Deans, projection designer Gilles Papain, fan designer Daniel Wurtzel, music supervisor David Chase, music director Mary-Mitchell Campbell, and orchestration by Simon Hale.

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