BWW Blog: Eric Ulloa of Goodspeed's THE MOST HAPPY FELLA - Have I Got a Girl for You

BWW Blog: Eric Ulloa of Goodspeed's THE MOST  HAPPY FELLA - Have I Got a Girl for You

Today's blog is brought to you by my second cup of coffee and the last tiny flecks of energy I have left after this insane tech week. The insanity and long hours though, have brought us to this, our first preview, where the world will see what we've been working on for that last five weeks. Will it be a hit for the Goodspeed? Will people find our grapes to be sour? (Grant me at least one Napa Valley pun...I'm exhausted). I have my opinions on our show, which I've mentioned at length on here, but the audience member is the one who truly decides our fate.

Unless you've ever been in a theatre during a tech week, you can never fully understand what the process is like. That's what I'm here for. Allow me to take you deep underneath the Goodspeed stage, one flight down the stairs and out the stage door as we retrace the last week in an analogy I call, "Tech week is like a first date."

Mamie Parris and Noah Aberlin

1. Comfort Zones

Picture your cozy warm apartment midwinter and how comfortable you feel within those four walls. Now picture an impending date that same night with someone you kind of know, but aren't very familiar with. Do you want to leave the comforts of your home for an experience that you're unsure of when everything is going so well where you are?

After four weeks of rehearsal, the studio that you are rehearsing in becomes sacred ground. It's a place where you've made great discoveries, terrible missteps and permanent ass marks in the old leather couches while you waited to be called in. Hello, Dolly! had been playing a hit run for Goodspeed while we plugged away in the studio and it only closed a day before we entered (let's hear it for THAT tech crew!) what was to be our new home. So entering the theatre meant that we had knowledge that we were the first night out for our date, who was coming from a very successful previous relationship. Are you sure you want to leave the safe zone?

2. Clothing Decisions

What to wear, what to wear, what to wear?!?! You take a look at your clothing choices, and with the nerves of the impending date, you can't figure out what goes with what, or if you look stupid in what you've picked out.

The first thing you're asked to do after signing in on the callboard, is to get your microphone pack and costume on. Much like an outfit you've picked out for this date, at this point you've only tried it on once in the store (costume shop) and you're pretty sure you liked it, but haven't seen it all together and in context. Before you even step out the door, you (in this case perhaps the costume designer / the director) vetoed what you have on, and throw on a new look hoping to improve upon the prior choice.

John Payonk AND James Zanelli DRESSING

3. Arrival

Your date's taste level hinges on the choices of the setting they've provided for this first date. If it's bad, you'll fake a smile and then call your friends immediately after to complain, but if it's really good...bonus points. You walk into the Goodspeed Opera House and think, "Okay, it's small though extremely charming, but man look they have done with this space!" You then take a seat (stand on the stage), look around at the beautiful surroundings you're in the midst of (the set) and think to yourself, "Bonus points."

4. Conversation

Chemistry is everything on a first date. If it's there, wonderful, if it's not, boy can it be long. Sometimes though, there is a grey area that makes the future of this possible romance seem uncertain. You are both having a great time at first and have so much to converse about but after the appetizer, a bit of boredom has begun to set in. Your date talks a lot, you just sit there and you begin to question if you'll make it past this time together.

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Guest Blogger: Eric Ulloa Eric Ulloa is thrilled to check “Goodspeed” off the life goal list. Eric has performed at North Shore Music Theatre, Signature Theatre, Fulton Opera House, Arvada Center, Riverside Theatre, North Carolina Theatre, The Human Race Theatre Company, Lyric Theatre of Oklahoma, and many others. As a writer, Eric is the librettist of the musicals Molly Sweeney and The Boardwalk Boys. Eric is also the author of the play 26 Pebbles. All the love and thanks go to the Krasny Office and his incredible family and friends! Wanna learn more?