Broadway Grosses - Week BOOTH

Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW
Total Gross
Avg. Gross
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Perf.
Average %
SUNDAY IN THE PARK WITH GEORGE 1984-1985
$13,820,056
$194,649
$0.00
$0.00
405,866
0
568
0.00%
I'm Not Rappaport 1985-1988
$14,858,286
$131,489
$0.00
$0.00
571,321
0
891
0.00%
A WALK IN THE WOODS
$1,562,493
$78,125
$0.00
$0.00
72,519
0
158
0.00%
MICHAEL FEINSTEIN: ISN'T IT ROMANTIC
$779,339
$155,868
$0.00
$0.00
23,485
0
39
0.00%
SHIRLEY VALENTINE
$3,918,566
$93,299
$0.00
$0.00
170,791
0
332
0.00%
TRU
$3,621,706
$90,543
$0.00
$0.00
159,968
6,280
308
2.19%
ONCE ON THIS ISLAND
$7,109,144
$116,543
$0.00
$0.00
288,391
0
488
0.00%
THE MOST HAPPY FELLA
$4,754,838
$148,589
$0.00
$0.00
156,146
0
252
0.00%
SOMEONE WHO'LL WATCH OVER ME
$3,943,981
$131,466
$0.00
$0.00
133,087
0
237
0.00%
TWILIGHT OF THE GOLDS
$496,355
$82,726
$0.00
$0.00
22,655
0
44
0.00%
BROKEN GLASS
$1,393,461
$126,678
$0.00
$0.00
49,960
70,928
88
70.45%
A TUNA CHRISTMAS
$465,078
$116,270
$0.00
$0.00
13,489
0
28
0.00%
HAVING OUR SAY
$5,342,140
$127,194
$3.74
$50.00
179,225
235,081
341
59.04%
LOVE THY NEIGHBOR
$3,856,374
$94,058
$35.85
$49.50
106,652
186,659
239
57.03%
DEFENDING THE CAVEMAN
$1,931,156
$91,960
$35.52
$49.50
54,593
97,758
126
55.82%
THE OLD NEIGHBORHOOD
$3,820,480
$146,942
$33.97
$55.00
111,014
161,200
208
68.87%
AN EVENING WITH JERRY HERMAN
$365,391
$60,899
$34.13
$65.00
11,345
32,800
41
35.03%
I'M STILL HERE...DAMN IT!
$1,228,086
$111,644
$37.63
$75.00
32,876
49,203
63
67.49%
VIA DOLOROSA
$1,751,272
$116,751
$30.65
$55.00
55,886
87,210
114
63.37%
DAME EDNA: THE ROYAL TOUR
$9,815,693
$233,707
$48.17
$65.00
203,582
257,040
336
79.20%
THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE
$5,562,894
$198,675
$47.96
$65.00
114,278
147,440
190
77.13%
BEA ARTHUR ON BROADWAY
$1,715,877
$155,989
$45.62
$66.25
37,143
68,728
88
54.03%
I'M NOT RAPPAPORT
$793,377
$88,153
$36.94
$76.25
21,365
53,652
68
39.62%
OUR TOWN
$3,757,006
$375,701
$67.13
$250.00
55,571
57,258
74
97.00%
THE RETREAT FROM MOSCOW
$4,496,405
$204,382
$49.92
$81.25
89,666
134,919
171
66.84%
THE GOOD BODY
$843,035
$93,671
$42.62
$81.25
19,837
53,198
67
37.33%
THE PILLOWMAN
$8,946,186
$344,084
$64.76
$96.25
137,521
163,488
208
84.07%
SEASCAPE
$1,526,743
$138,795
$40.84
$86.25
38,021
59,779
82
63.43%
FAITH HEALER
$7,583,448
$446,085
$76.22
$251.25
99,297
106,080
136
93.60%
BUTLEY
$5,424,237
$361,616
$73.12
$251.25
74,286
89,700
115
83.23%
THE YEAR OF MAGICAL THINKING
$7,293,267
$303,886
$70.47
$251.25
100,961
130,594
167
77.41%
THE SEAFARER
$4,512,348
$225,617
$57.43
$226.50
76,919
119,264
152
63.19%
THURGOOD
$4,613,166
$242,798
$57.50
$151.50
80,291
113,100
145
71.59%
DIVIDING THE ESTATE
$2,796,827
$254,257
$54.33
$95.00
51,037
63,180
81
80.92%
THE STORY OF MY LIFE
$264,611
$88,204
$39.95
$175.00
6,628
18,720
24
35.40%
NEXT TO NORMAL
$31,764,486
$334,363
$66.21
$200.00
473,884
582,088
754
81.39%
HIGH
$449,955
$89,991
$26.03
$250.00
18,112
28,080
36
64.22%
OTHER DESERT CITIES
$14,799,861
$411,107
$85.43
$125.00
171,304
217,646
286
78.84%
WHO'S AFRAID OF VIRGINIA WOOLF?
$6,444,452
$280,194
$78.66
$225.00
82,952
124,196
159
67.03%
I'LL EAT YOU LAST: A CHAT WITH SUE MENGERS
$9,561,477
$735,498
$137.50
$298.00
69,337
69,168
89
100.26%
THE GLASS MENAGERIE
$14,107,163
$564,287
$105.16
$225.00
133,868
153,266
197
87.31%
THE VELOCITY OF AUTUMN
$544,617
$108,923
$28.85
$173.00
19,293
28,975
38
66.72%
THE ELEPHANT MAN
$14,717,696
$919,856
$160.22
$298.00
92,102
91,332
118
100.96%
HAND TO GOD
$12,134,434
$282,196
$69.60
$223.00
173,143
260,894
337
66.97%
HUGHIE
$2,023,264
$289,038
$63.63
$198.00
31,993
42,460
55
75.73%
AN ACT OF GOD
$4,566,859
$304,457
$80.90
$247.00
56,696
81,324
108
70.86%
LES LIAISONS DANGEREUSES
$4,921,180
$546,798
$115.81
$248.00
43,120
50,314
65
87.09%

Graph Type: 2D Line | 3D Line | 2D Bar | 3D Bar (Default)


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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