Reviewed Friday 6th June 2014
The Adelaide Cabaret Festival once again begins with the Variety Gala Performance, an immensely popular part of the Festival which presents short performances by many of the artists appearing over the next three weeks. The Festival's Artistic Director, Kate Ceberano, started the evening with a reinvented version of My Way, then she introduced the ever popular, Todd McKenney, who was the master of ceremonies for the event, which was directed by Andy Packer and musically directed by Matthew Carey, who will also be accompanying a number of the artists during the Festival. Music for the Gala was provided by members of the superb Adelaide Art Orchestra, and other musicians from various shows working with the artists that they accompany. The Adelaide Art Orchestra will also be accompanying numerous artists during the Festival. The remainder of the evening was a cavalcade of Australian and overseas stars, providing a brief taste of their shows, a very useful idea as audience members often discover an act or two that appeals to them and that they had not yet booked for. All areas were covered, from strong influences of Weimar Republic era Kabarett, from Caroline Nin, Sven Ratzke, and Kim Smith, through to reminiscences of Woodstock from Melanie Safka, with her son, Beau Schekeryk, on guitar. Adding a lot of colour, glitz, feathers, and verisimilitude to Nin's number were Shay Stafford, who has danced at Moulin Rouge and The Lido, and her dancers. A great favourite with Adelaide audiences is Rhonda Burchmore, who not only performed but was surprised by being awarded this year's Cabaret Icon Award, and the audience clearly agreed with that choice. The Class of Cabaret, a group of young cabaret hopefuls who have been mentored leading up to the Festival, also had a chance to appear, as a chorus, and a great sound they produced.Videos