LIMERICK UNIVERSITY CONCERT HALL, SREELANE

by Cheryl Markosky - March 28, 2026

What did our critic think of BOOK REVIEW: THE PLAYS OF HENRICK IBSEN, BY DAVID IRVIN at Bookshops?...

by Gary Naylor - March 27, 2026

Revival of 1935 play could have much relevance to today, but cannot find a route out of slow and dated writing...

by Michael Higgs - March 27, 2026

A new production by Natalie Abrahami and Michael Levine, The Turn of the Screw at the Royal Opera House haunts with eerie staging, finely judged performances, and Benjamin Britten’s still-chilling score....

by Franco Milazzo - March 26, 2026

When this Rigoletto first opened the Royal Opera House’s first full season after the long pandemic silence, it felt less like a return to normality and more like a statement of intent. To relaunch with Rigoletto, arguably Giuseppe Verdi’s bleakest work, was a bold, almost confrontational choice....

by Cindy Marcolina - March 27, 2026

When John Proctor is the Villain opened on Broadway last year, it lit a fire. Kimberly Belflower’s response to Arthur Miller’s The Crucible is more than play, it’s a movement. After shaking things up overseas, the piece is taking on London now (in the same venue that saw the U.K. premiere of M...

by Alexander Cohen - March 26, 2026

The high-water mark of 60s culture has been and gone, leaving a trail of detritus in which capricious rocker Maggie Frisby finds herself....

by Franco Milazzo - March 25, 2026

Set in the bustling medieval castle of Carcassone, Excurio’s The Last Stronghold drops us into the midst of political intrigue, a budding romance and a nightmarish encounter...

by Vikki Jane Vile - March 21, 2026

English National Ballet’s new Sadler’s Wells programme includes just two works. One, a UK premiere from the much admired Crystal Pite, responsible for Flight Pattern and Light of Passage....

by Aliya Al-Hassan - March 23, 2026

Last seen in London at the National Theatre nearly 25 years ago, Nicholas Wright's thoughtful and thought-provoking play, Vincent In Brixton, now has a well-deserved revival at the Orange Tree in a beautifully performed, intimate and multi-layered production, showcasing some formidable acting tale...

by Clementine Scott - March 20, 2026

In a staging device that feels made for the cavernous Wilton’s Music Hall, Bibi Simpson as convicted murderer Ruth Ellis addresses the audience with aristocratic authority, a tiny figure within an isolated prison cell. We are instantly drawn into her world, witnesses and voyeurs to her version of ...