Review: RED, Crazy Coqs
by Christiana Rose - May 27, 2026
Red is a dazzling and richly entertaining musical revue which celebrates the flame haired icons who have shaped stage and screen history, whilst simultaneously showcasing the extraordinary talents of its creator and performer, Amber Topaz. Stylish, intelligent and brimming with affection for its sub...
Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre
by Amber-Rae Stobbs - May 27, 2026
At the heart of every female friendship group, no matter the age group, is love and a joint effort to make sure you’re in each other's lives until you’re old and grey. Our Mother’s Daughters looks at the question of ‘is loving someone enough to look past their political views and belief syst...
Review: TALES FROM ACORN WOOD, Artsdepot
by Christiana Rose - May 27, 2026
Tales From Acorn Wood at artsdepot is a warm, engaging and visually playful introduction to theatre for young audiences, bringing Julia Donaldson and Axel Scheffler’s much loved stories delightfully to life through puppetry, songs and audience participation....
Review: DARK OF THE MOON, Charing Cross Theatre
by Clementine Scott - May 26, 2026
The history of musical theatre was almost very different. In 1943, a ‘play with music’ called Dark of the Moon narrowly missed out on being selected for out-of-town tryouts in Connecticut, in favour of the genre-defining classic Oklahoma!. Now, after being reworked into a musical that premiered ...
Review: I'M SORRY, PRIME MINISTER, Richmond Theatre
by Aliya Al-Hassan - May 27, 2026
Former Prime Minister Jim Hacker and former Cabinet Secretary Sir Humphrey are reunited in poignant and nostalgic fashion in Jonathan Lynn's I'm Sorry, Prime Minister, the final chapter for two characters so beloved from the TV series that made them British institutions....
Review: MEGAN HILTY, Theatre Royal Drury Lane
by Cindy Marcolina - May 26, 2026
It might still be some time until Death Becomes Her hits London, but the West End was ablaze with its spirit this past weekend, when Megan Hilty graced the stage of the Theatre Royal Drury Lane. No one does it like the Broadway superstar. Hilty delighted the audience with stories spanning over two d...
Review: THE DANCE FACTORY - DADA MASILO’S HAMLET, Sadler's Wells
by Louise Penn - May 26, 2026
If you know the Shakespeare play this dance version is inspired by, you'll be on board with this truncated romp through the key scenes - murder, marriage, mousetrap, nunnery, church, closet, madness, death. Masilo's early death in 2024 gives her final work a power through the lens of grief....
Review: IL TURCO IN ITALIA, Glyndebourne
by Aliya Al-Hassan - May 26, 2026
Il Turco In Italia may not be Rossini's most famous work, but if there is any justice, this wonderful revival of Mariame Clément's 2021 Festival production will bring this opera to much wider attention. An uproarious comedy accompanied by a rousingly galloping score and gorgeous vocals; it is the e...
Review: THE HARDER THEY COME, Stratford East
by Clementine Scott - May 22, 2026
In another world, Jimmy Cliff’s ‘You Can Get It If You Really Want’ would have made a barnstorming musical theatre ‘I Want’ song. This musical adaptation of the late reggae pioneer's 1972 film – which premiered here in Stratford in 2005, and was reworked in New York in 2023 – makes tha...
Review: GENTLEMAN JACK, Sadler's Wells
by Franco Milazzo - May 21, 2026
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations. That’s not to say they have a uniform quality - Rambert’s Peaky Blinders: The Redemption Of Thomas Shelby blew the roof off Sadler�...