Love, Katiuska
Inspired by a diary entry she discovered from her fourteen-year-old self, the show explores the universal human desire to be seen, valued, and enough."Dear diary,...
Edinburgh Fringe Festival
322 Lawnmarket, Edinburgh EH1 2PGEdinburgh
Upcoming Shows
Review: PRIDE, National Theatre
In a Britain more divided than ever, this message of solidarity couldn’t have come at a better time. Pride feels on the brink of being the next big thing – and how glorious that the next big British musical is so proudly and fiercely queer and working class.…
Review: VENUS & ADONIS, Barbican Theatre
Putting on something which is so sexy, sensuous and deeply erotic in the middle of a heatwave could be asking for trouble, yet this production of Shakespeare’s Venus & Adonis justifies the gamble, turning the Barbican’s The Pit into a crucible of raw, mythological desire.…
Review: CYRANO DE BERGERAC, Starring Adrian Lester, Noël Coward Theatre
Edmond Rostand’s classic comes back to the West End with a new adaptation by Simon Evans and Debris Stevenson. This is a drastically different approach from the last time we saw Cyrano on a commercial stage. If Jamie Llloyd redefined the story in 2019, Evans grounds it back to its roots in an open…
Review: THE TRUTH, Apollo Theatre
Starry cast fails to lift a play that can be funny, but proves rather too pleased with its own cleverness…
Review: RELICS, Lyric Hammersmith
At first Relics seems straight out of a classic, deadpan British sitcom. Our characters – four siblings divvying up the possession of their recently deceased mother – are experiencing one of life’s most harrowing moments, but their conversation revolves around minutiae in council planning docu…
Review: SINATRA THE MUSICAL, Aldwych Theatre
The stories about Francis Albert Sinatra are endless. Two decades before Beatlemania hit the States, thousands of girls queued around the block so they could see the short, skinny kid from Hoboken sing while they cried, screamed and fainted. He had a thick New Jersey accent and a thin skin, punching…
Review: HOT MESS, The Other Palace
Hot Mess is an exciting piece of new theatre, performed with heart and charm.…
Review: TURANDOT, Opera Holland Park
Less Orientalism, and less passion too, but the music sustains…
Review: STING, Young Vic
The protagonist of Sting, a postdoctoral student named Ash, lives in a divided world. Half of the set is taken up by the flat she shares with her boyfriend Dom, and the other half by the archive where she works as an assistant to researcher Lily, whose academic work focuses on historical accusations…
Review: THE MISANTHROPE, starring Sandra Oh
If Molière was preoccupied with censorship and retaliation, Crimp shows an obsession for cancellation. He reveals an anti-internet and anti-woke stance, with many invectives betraying his own fears.…
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