Skip to main content Skip to footer site map
Review: FAMILIE FLÖZ FESTE, Peacock Theatre

Review: FAMILIE FLÖZ FESTE, Peacock Theatre

Acclaimed masters of mask-performance, Familie Flöz return to the London International Mime Festival for the first time since 2016.

Review: FAMILIE FLÖZ FESTE, Peacock Theatre Familie Flöz are back in London for the first time in over a decade, with their fifth visit the London International Mime Festival, and their mask storytelling keeps its noted style and substance.

In a co-production with Theaterhaus Stuttgart, Theater Duisberg, and Lessing Theater, this show nudges the absurd with the help of video artwork (by Maraike Brüning and Reinhard Hubert) and music (by Brüning and Benjamin Reber, with the song "Hold On" by Marlena Käthe).

As a prospective groom proposes to his girl; another woman, heavily pregnant, watches on. The two women become leading characters in the drama which follows, where relationships are based on gender, status, sexuality and, most pertinently, class.

With most of the following action taking place in the gated courtyard of the bride's posh house, we meet many characters and see their stories unfold. These are stories which touch on the best and worst of humanity, with small but significant moments around love, work, friendship and nature.

The three performers of Familie Flöz - Andres Angulo, Johannes Stubenvoll, Thomas van Quwerkerk - engage in quick changes and complex characterisations behind their masks: a bossy cleaner; a laconic caretaker; a man with a secret ready to burst out; an expert baker; a snobbish father.

With carefully crafted papier mâché masks and exaggerated, but not over the top, physical motion, each character is defined precisely, and it was a great surprise to realise by the end which performers had created which one.

As the set (by Felix Noize) piles high with rubbish and a video screen moves from blue sky and wonderful sunsets to something more sinister, hope arrives in the most unlikely of sources, with dancing and levity. Will it end well?

With moments of fun expertly staged alongside more serious and sentimental moments, Feste works well and the performers' skill at mime and movement means you don't miss dialogue at all.

Directed by Michael Vogel and Björn Leese, who also wrote the piece with the performers. The lighting by Hubert and sound design by Dirk Schröder adds a real sense of atmosphere to Feste.

A fairy tale for adults which is both amusing and poignant, with Familie Flöz's special blend of cutting glances (the masks by Hajo Schüler are superbly made) and political commentary.

Feste is at the Peacock Theatre until 4 February 2023.

Photo Credit: Feste



Dearman, Houchen & More Lead AT LAST, IT’S SUMMER Concert Photo
The full company for the star-studded company has been confirmed for the West End Gala charity concert new musical AT LAST, IT’S SUMMER. See performance dates, and learn how to purchase tickets!

Photos: See Kathy Kiera Clarke & More in Rehearsals for THE DRY HOUSE Photo
Check out rehearsal photos of The Dry House at Marylebone Theatre!

Review: COLOSSAL, Soho Theatre Photo
In Colossal, Patrick McPherson presents us with what initially seems to be a love story. As the show develops however, we gradually discover what it really is: a twisting, tricky tale of morality. McPherson has been on the Fringe circuit for a few years now, finding success in Edinburgh and in Perth.  Soho Theatre have developed a reputation for bringing the best of Fringe theatre to central London, and Colossal is yet another success.

Photos: See New Images of VARDY V ROONEY! Photo
See new photos of Vardy V Rooney: The Wagatha Christie Trial as it awaits kick-off at the Ambassadors Theatre.


From This Author - Louise Penn

Louise is a former librarian who has been consuming theatre since childhood. Her particular interests are female-led theatre, queer theatre and shows about mental health, but she also loves musical... (read more about this author)


Review: CREATURE BY AKRAM KHAN, Sadler's WellsReview: CREATURE BY AKRAM KHAN, Sadler's Wells
March 24, 2023

Creature is a fascinating experiment, but requires a familiarity with both pieces of source material and a constant attention to what is going on in the story. This may ultimately isolate the audience from full enjoyment. It has much to say on experimentation and torture, but doesn’t quite make the connection we need to feel involved and engaged.

Review: BALLET BLACK - PIONEERS, Barbican TheatreReview: BALLET BLACK - PIONEERS, Barbican Theatre
March 10, 2023

Returning to London with their double bill, Pioneers, Ballet Black continue to enhance their reputation as Britain’s most diverse and daring ballet company.  

Review: FAMILIE FLÖZ FESTE, Peacock TheatreReview: FAMILIE FLÖZ FESTE, Peacock Theatre
February 3, 2023

Familie Flöz are back in London for the first time in over a decade, with their fifth visit the London International Mime Festival, and their mask storytelling keeps its noted style and substance.  Feste is a fairy tale for adults which is both amusing and poignant, with Familie Flöz’s special blend of cutting glances and political commentary.

Review: ATTACK OF THE MONSTER MUSICAL: A CULTURAL HISTORY OF LITTLE SHOP OF HORRORSReview: ATTACK OF THE MONSTER MUSICAL: A CULTURAL HISTORY OF LITTLE SHOP OF HORRORS
January 7, 2023

How did a low-budget sci-fi film, made in less than a week, become one of America's most beloved cult musicals? Adam Abraham's meticulously researched book reveals the story behind Little Shop of Horrors, from the initial idea to the choice of cast and creative team.

Review: PANTOLAND, Streaming OnlineReview: PANTOLAND, Streaming Online
December 1, 2022

It is fast approaching Christmas, and we are well into panto season - so what better time to settle down at home to watch one of children's television's greats in full creative mode? The latest digital festive treat from Panto Online and Peter Duncan is named Pantoland, with stories, characters, and silliness enough to go around.