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Hampstead Theatre Announces Full Casting For RAVENS: SPASSKY VS. FISCHER

Hampstead Theatre Announces Full Casting For RAVENS: SPASSKY VS. FISCHER

Hampstead Theatre today announces casting for the world premiere of the gripping psychological thriller Ravens: Spassky vs. Fischer, written by Tom Morton-Smith (Oppenheimer). From one of Ireland's leading theatre directors Annabelle Comyn, this new play depicts one of the pivotal moments of the Cold War era, and one of the greatest sporting matches in history on stage for the first time - the 1972 'Match of the Century' between the two towering chess grandmasters from the USSR and USA, Boris Spassky and Bobby Fischer.

The cast will include Ronan Raftery as Boris Spassky and Robert Emms as Bobby Fischer. They will be joined by Gunnar Cauthery, Simon Chandler, Buffy Davis, Philip Desmeules, Solomon Israel, Beruce Khan, Emma Pallant, Gyuri Sarossy, Rebecca Scroggs and Gary Shelford.

Reykjavik, 1972. All eyes are on Iceland ahead of 'the Match of the Century': Boris Spassky vs. Bobby Fischer in the World Chess Championship. Never before in chess history has a tournament attracted such global media attention. And for the two contenders, Spassky the World Champion and the maverick superstar Fischer, the stakes have never been higher - not only the world title, but unprecedented prize money and stratospheric fame are all on the table.

But as the Cold War begins to heat up, each side of the Atlantic spots a major opportunity to demonstrate superiority over the other. So why hasn't America's knight in shining armour shown up? And why won't Russia's grandmaster listen to orders? As the two superpowers prepare their opening gambits in a proxy battle of ideologies, with sport as the weapon of choice, both sides find themselves undermined by their pawns, who seem oddly unwilling to cooperate...



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Review: SUGAR COAT, Southwark Playhouse Photo
Sugar Coat is a piece of gig theatre, telling a story of growing up, trauma, and sex through pop punk music. A kind of rock concert meets musical, it’s performed by an all female and non-binary band, playing and singing live for the duration of the show. From the very beginning, this doesn’t feel like a traditional theatre experience: the audience are whooping and clapping along, and it’s clear that everyone both onstage and off is having a great time. 

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