BWW Review: GAMBLE, Northern Stage
Gamble is a show about gambling addiction.
UK Regional Theater Reviews
The latest reviews and critic recommendations from UK Regional.
BWW Review: WAITRESS, Birmingham Hippodrome
If there's such a thing as the perfect recipe for a musical, then Waitress has surely found it.
BWW Review: JUNIPER AND JULES, Soho Theatre
It must have been said at some point in history that the course of lesbian love never did run smooth.
BWW Review: MAMMA MIA!, Birmingham Hippodrome
There aren't many places in the UK where you can experience the charms and sunshine of a Greek island, but the Mamma Mia! tour is one of them.
BWW Review: JERSEY BOYS, King's Theatre, Glasgow
Oh, what a night! The UK tour of Jersey Boys, the story of Frankie Balli & The Four Seasons returns to Glasgow.
BWW Review: HENRY VI: REBELLION and WARS OF THE ROSES, Royal Shakespeare Theatre
Arthur Hughes is in showstealing form as the Duke of Gloucester, soon Richard III, as Henry VI loses his wife, his kingdom and his life.
BWW Review: THE TAXIDERMIST'S DAUGHTER, Chichester Festival Theatre
Chichester Festival Theatre welcomes their 60th Anniversary season with The Taxidermist’s Daughter, a gothic tale of revenge set across the Sussex marshes in 1912.
BWW Review: MAGIC GOES WRONG, Festival Theatre, Edinburgh
Mischief Theatre has brought their characteristic “Goes Wrong” spin to several shows on our stages and screens.
BWW Review: HAIRSPRAY, King's Theatre, Glasgow
Hairspray has returned to Glasgow at the nicest “Kings” in town! The show follows the antics of aspiring teen dancer, Tracy Turner, and her dreams of dancing on TV and ending segregation in her 1960s Baltimore community.
BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL, Leicester Curve
At one point in Beautiful - The Carole King Musical, Carole declines a request to sing with a band, because she can't imagine anyone would want 'to hear a normal person sing'.
BWW Review: SHEDDING A SKIN, Soho Theatre
Myah is in her thirties, recently single, homeless, now unemployed, and agonizingly uncomfortable in her own skin.
BWW Review: RICHARD II, Jack Studio Theatre
A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.
BWW Review: TELL ME STRAIGHT, Chiswick Playhouse
Tell Me Straight is a hilarious exploration of the world of modern dating: Grindr, miscommunication and awkward romps at the back of a cinema.
BWW Review: THE RED LION, Bristol Old Vic
Football is not a subject often tackled in the theatre.
BWW Review: PURPLE SNOWFLAKES AND TITTY WANKS, Royal Court
What do nuns, granola bars and a string of pearls all have in common? It sounds like the start of a bad joke but really, they’re all part of Sarah Hanly’s vibrant one-woman show, Purple Snowflakes and Titty Wanks.
BWW Review: DR SEMMELWEIS, Bristol Old Vic
'Doctors must not carry their ghosts,' advises Johann Klein to his impatient assistant Dr Ignaz Semmelweis, a 19th-century obstetrics doctor.
BWW Review: DOUBT: A PARABLE, Chichester Festival Theatre
John Patrick Shanley's Pulitzer Prize-winning play, Doubt: A Parable, is a court room built to question your understanding of integrity.
BWW Review: 9 TO 5, King's Theatre, Glasgow
On the day that Nicola Sturgeon announced home-working Scots could once again return to the office, theatre fans could tumble out of bed and stumble down to the King’s Theatre Glasgow to catch 9 to 5, the first touring show to play there since Scottish venue capacities were relaxed last week.
BWW Review: THRILL ME: THE LEOPOLD & LOEB STORY, Jermyn Street Theatre
In Chicago, 1924, Nathan Leopold and Richard Loeb each receive life, plus 99 years, for the despicable murder and kidnapping of 14-year-old Bobby Franks.
BWW Review: OZ, Tobacco Factory Theatres
This year, Pins and Needles Productions, in league with Bristol’s Tobacco Factory Theatre makes a reliably bold move by taking something familiar and confounding expectations every step of the way.
BWW Review: STRAIGHT WHITE MEN, Southwark Playhouse
What happens when Christmas Day becomes a playing ground to expose the tangible relationship between privilege and identity? Written by Young Jean Lee, Straight White Men is an ambitious study of those who gain the most from the world and their awareness of the power they possess.
BWW Review: DRACULA: THE UNTOLD STORY, Liverpool Playhouse
One would assume that beyond the original novel and the 200+ films made in his honour, there is little more to explore surrounding the lore of Bram Stoker's most iconic villain.
BWW Review: THE CHERRY ORCHARD, Theatre Royal Windsor
Francesca Annis is in show-stealing form in Chekhov's masterpiece of changing times in a Windsor I last saw on television coverage of Harry and Meghan's wedding - appropriately enough.
BWW Review: BLOOD BROTHERS, King's Theatre, Glasgow
Willy Russell’s Blood Brothers has returned to our stages.
BWW Review: GROAN UPS, King's Theatre
Are we really that different from who we were at school? Mischief Theatre’s Groan Ups takes a light-hearted look at this question.
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GETTING REKT (The Evening Star) The Union Theatre (9/21-9/24) |
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Simon Yates Of Touching The Void: My Mountain Life Victoria Theatre Halifax (11/10-11/10) |
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Mammy's House Upstairs at the Gatehouse (9/01-9/13) |
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The Celine Experience Victoria Theatre Halifax (9/12-9/12) |
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Trainspotting the Musical Hull New Theatre (11/16-11/21) |
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Car Park Shutter Roller Shutter Installers (6/10-6/10) |
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Albert's Boy Theatre Royal Bury St Edmunds (2/26-3/20) |
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Future Makers The Royal Albert Hall (11/04-11/04) |
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Jasdeep Singh Degun x Claudio Monteverdi: Orpheus Barbican (4/22-4/22) |
![Reuben Solo: Someone in This Crowd Will Betray Me [Revenge Edition] in UK Regional](https://s1.ticketm.net/dam/a/694/74ecef67-db7b-4d8d-94f5-beed0c092694_ARTIST_PAGE_3_2.jpg)
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Reuben Solo: Someone in This Crowd Will Betray Me [Revenge Edition] Fairfield Social Club (9/10-9/11) |