Canadian Stage Presents Helen Lawrence, Oct. 12 to Nov. 2
By: Robert Diamond
After opening in Vancouver in March 2014, and setting off on an international tour with stops in Germany and Scotland, Helen Lawrence lands at Canadian Stage with performances at the Bluma Appel Theatre (27 Front St. E), Oct. 12 to Nov. 2. The theatrical debut for world-renowned visual artist Stan Douglas and award-winning screenwriter Chris Haddock, Helen Lawrence is produced by Canadian Stage with co-producers Arts Club Theatre Company (Vancouver) and The Banff Centre (Alberta). Set in 1948 Vancouver, this ground-breaking work intertwines theatre, visual art and film and mixed-media, to create a production at the frontier of new media use in performance.
"It is exhilarating to be involved of such a special, large-scale Canadian creation," said Matthew Jocelyn artistic & general director of Canadian Stage. "This project has been developed over a three-year period, bringing together exceptionally talented Canadian artists to create both a technology and a type of theatre never before seen. Canadian Stage is committed to putting Canadian talent on the international stage, and after hugely successful runs in Vancouver, Munich and at the Edinburgh International Festival, we are delighted to present this unique work to our audiences in Toronto." Inspired by post-war film noir, Helen Lawrence sets the scene in a bustling metropolis struggling to reorganize itself after World War II. An intriguing, hard-boiled tale of loyalty and power, the story reflects Vancouver's political landscape in 1948, during a time of historic upheaval. Featured prominently in Helen Lawrence is a blue-screen enclosed stage on which the play itself is performed. This allows for the actor's images to be shown alongside computer generated 3-D buildings that are recreations of Vancouver's skyline from 1948. Filmed and live images of the actors are projected into detailed and fully furnished virtual spaces with the story unfolding simultaneously as both a film and a play.
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