| Year |
Category |
Nominee |
Show |
Nom |
| 1996 |
Best Book of a Musical |
Jonathan Larson |
Rent
|
Award winner |
| 1996 |
Best Book of a Musical |
John Weidman |
Big
|
|
| 1996 |
Best Book of a Musical |
Reg E. Gaines |
Bring in 'da Noise/Bring in 'da Funk
|
|
| 1996 |
Best Book of a Musical |
Graciela Daniele |
Chronicle of a Death Foretold
production took place the previous year
|
|
| 1996 |
Best Book of a Musical |
Jim Lewis |
Chronicle of a Death Foretold
production took place the previous year
|
|
| 1996 |
Best Book of a Musical |
Michael John LaChiusa |
Chronicle of a Death Foretold
production took place the previous year
|
|
| 1996 |
Best Choreography |
Savion Glover |
Bring in 'da Noise/Bring in 'da Funk
|
Award winner |
| 1996 |
Best Choreography |
Graciela Daniele |
Chronicle of a Death Foretold
production took place the previous year
|
|
| 1996 |
Best Choreography |
Susan Stroman |
Big
|
|
| 1996 |
Best Choreography |
Marlies Yearby |
Rent
|
|
| 1996 |
Best Costume Design |
Roger Kirk |
The King and I
|
Award winner |
| 1996 |
Best Costume Design |
Jane Greenwood |
A Delicate Balance
|
|
| 1996 |
Best Costume Design |
Allison Reeds |
Buried Child
|
|
| 1996 |
Best Costume Design |
Paul Tazewell |
Bring in 'da Noise/Bring in 'da Funk
|
|
| 1996 |
Best Direction of a Musical |
George C. Wolfe |
Bring in 'da Noise/Bring in 'da Funk
|
Award winner |
| 1996 |
Best Direction of a Musical |
Michael Greif |
Rent
|
|
| 1996 |
Best Direction of a Musical |
Christopher Renshaw |
The King and I
|
|
| 1996 |
Best Direction of a Musical |
Jerry Zaks |
A Funny Thing Happened on the Way to the Forum
|
|
| 1996 |
Best Direction of a Play |
Peter Hall |
An Ideal Husband
|
|
| 1996 |
Best Direction of a Play |
Lloyd Richards |
Seven Guitars
|
|
| 1996 |
Best Direction of a Play |
Gary Sinise |
Buried Child
|
|
| 1996 |
Best Direction of a Play |
Gerald Gutierrez |
A Delicate Balance
|
Award winner |
| 1996 |
Best Lighting Design |
Blake Burba |
Rent
|
|
| 1996 |
Best Lighting Design |
Jules Fisher |
Bring in 'da Noise/Bring in 'da Funk
|
Award winner |
| 1996 |
Best Lighting Design |
Peggy Eisenhauer |
Bring in 'da Noise/Bring in 'da Funk
|
Award winner |
| 1996 |
Best Lighting Design |
Christopher Akerlind |
Seven Guitars
|
|
| 1996 |
Best Lighting Design |
Nigel Levings |
The King and I
|
|
| 1996 |
Best Musical |
Paul B. Berkowsky |
Swinging on a Star
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
Angels of theArts |
Swinging on a Star
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
Mary Burke Kramer |
Swinging on a Star
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
Richard Seader |
Swinging on a Star
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
INTAR Hispanic American Arts Center |
Chronicle of a Death Foretold
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
Lincoln Center Theater |
Chronicle of a Death Foretold
producer,
production took place the previous year
|
|
| 1996 |
Best Musical |
Joey Parnes |
Bring in 'da Noise/Bring in 'da Funk
producer
|
|
| 1996 |
Best Musical |
The Public Theater |
Bring in 'da Noise/Bring in 'da Funk
producer
|
|
| 1996 |
Best Musical |
The New York Theatre Workshop |
Rent
producer
|
Award winner |
| 1996 |
Best Musical |
Allan S. Gordon |
Rent
producer
|
Award winner |
| 1996 |
Best Musical |
Kevin McCollum |
Rent
producer
|
Award winner |
| 1996 |
Best Musical |
George C. Wolfe |
Bring in 'da Noise/Bring in 'da Funk
producer
|
|
| 1996 |
Best Musical |
Jeffrey Seller |
Rent
|
Award winner |
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Oscar Hammerstein II |
State Fair
lyrics,
only the songs Driving at Night, You Never Had It So Good, When I Go Out Walking With My Baby and Boys and Girls Like You and Me are eligible for Tony Award consideration
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Richard Rodgers |
State Fair
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Ann Duquesnay |
Bring in 'da Noise/Bring in 'da Funk
lyrics
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
George C. Wolfe |
Bring in 'da Noise/Bring in 'da Funk
lyrics
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Reg E. Gaines |
Bring in 'da Noise/Bring in 'da Funk
lyrics
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Ann Duquesnay |
Bring in 'da Noise/Bring in 'da Funk
music
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Zane Mark |
Bring in 'da Noise/Bring in 'da Funk
music
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Daryl Waters |
Bring in 'da Noise/Bring in 'da Funk
music
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Richard Maltby, Jr |
Big
lyrics
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
David Shire |
Big
music
|
|
| 1996 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Jonathan Larson |
Rent
music and lyrics
|
Award winner |
| 1996 |
Best Performance by an Actor in a Featured Role in a Musical |
Lewis J. Stadlen |
A Funny Thing Happened on the Way to the Forum
|
|
| 1996 |
Best Performance by an Actor in a Featured Role in a Musical |
Wilson Jermaine Heredia |
Rent
|
Award winner |
| 1996 |
Best Performance by an Actor in a Featured Role in a Musical |
Brett Tabisel |
Big
|
|
| 1996 |
Best Performance by an Actor in a Featured Role in a Musical |
Scott Wise |
State Fair
|
|
| 1996 |
Best Performance by an Actor in a Featured Role in a Play |
Ruben Santiago-Hudson |
Seven Guitars
|
Award winner |
| 1996 |
Best Performance by an Actor in a Featured Role in a Play |
James Gammon |
Buried Child
|
|
| 1996 |
Best Performance by an Actor in a Featured Role in a Play |
Roger Robinson |
Seven Guitars
|
|
| 1996 |
Best Performance by an Actor in a Featured Role in a Play |
Reg Rogers |
Holiday
production took place the previous year
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Musical |
Nathan Lane |
A Funny Thing Happened on the Way to the Forum
|
Award winner |
| 1996 |
Best Performance by an Actor in a Leading Role in a Musical |
Savion Glover |
Bring in 'da Noise/Bring in 'da Funk
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Musical |
Adam Pascal |
Rent
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Musical |
Lou Diamond Phillips |
The King and I
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Play |
Martin Shaw |
An Ideal Husband
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Play |
George C. Scott |
Inherit the Wind
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Play |
Philip Bosco |
Moon Over Buffalo
production took place the previous year
|
|
| 1996 |
Best Performance by an Actor in a Leading Role in a Play |
George Grizzard |
A Delicate Balance
|
Award winner |
| 1996 |
Best Performance by an Actress in a Featured Role in a Musical |
Idina Menzel |
Rent
|
|
| 1996 |
Best Performance by an Actress in a Featured Role in a Musical |
Veanne Cox |
Company
production took place the previous year
|
|
| 1996 |
Best Performance by an Actress in a Featured Role in a Musical |
Joohee Choi |
The King and I
|
|
| 1996 |
Best Performance by an Actress in a Featured Role in a Musical |
Ann Duquesnay |
Bring in 'da Noise/Bring in 'da Funk
|
Award winner |
| 1996 |
Best Performance by an Actress in a Featured Role in a Play |
Lois Smith |
Buried Child
|
|
| 1996 |
Best Performance by an Actress in a Featured Role in a Play |
Audra McDonald |
Master Class
|
Award winner |
| 1996 |
Best Performance by an Actress in a Featured Role in a Play |
Viola Davis |
Seven Guitars
|
|
| 1996 |
Best Performance by an Actress in a Featured Role in a Play |
Michele Shay |
Seven Guitars
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Musical |
Donna Murphy |
The King and I
|
Award winner |
| 1996 |
Best Performance by an Actress in a Leading Role in a Musical |
Julie Andrews |
Victor/Victoria
production took place the previous year
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Musical |
Crista Moore |
Big
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Musical |
Daphne Rubin-Vega |
Rent
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Play |
Elaine Stritch |
A Delicate Balance
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Play |
Zoe Caldwell |
Master Class
production took place the previous year
|
Award winner |
| 1996 |
Best Performance by an Actress in a Leading Role in a Play |
Carol Burnett |
Moon Over Buffalo
production took place the previous year
|
|
| 1996 |
Best Performance by an Actress in a Leading Role in a Play |
Rosemary Harris |
A Delicate Balance
|
|
| 1996 |
Best Play |
Manhattan Theatre Club |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
American Conservatory Theatre |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Huntington Theatre Company |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Goodman Theatre |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Jujamcyn Theaters |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Paramount Pictures |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Scott Rudin |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Margo Lion |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Herb Alpert |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Center Theatre Group/Ahmanson Theatre |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Benjamin Mordecai |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
Sageworks |
Seven Guitars
producer
|
|
| 1996 |
Best Play |
August Wilson |
Seven Guitars
|
|
| 1996 |
Best Play |
Robert Whitehead |
Master Class
producer,
production took place the previous year
|
Award winner |
| 1996 |
Best Play |
Lincoln Center Theater |
Racing Demon
producer,
production took place the previous year
|
|
| 1996 |
Best Play |
Terrence McNally |
Master Class
production took place the previous year
|
Award winner |
| 1996 |
Best Play |
Lewis Allen |
Master Class
producer,
production took place the previous year
|
Award winner |
|
