| Year |
Category |
Nominee |
Show |
Nom |
| 1952 |
Best Costume Design |
Irene Sharaff |
The King and I
Production took place the previous year
|
Award winner |
| 1952 |
Best Direction |
Jose Ferrer |
The Shrike
|
Award winner |
| 1952 |
Best Direction |
Jose Ferrer |
Stalag 17
|
Award winner |
| 1952 |
Best Direction |
Jose Ferrer |
The Fourposter
|
Award winner |
| 1952 |
Best Musical |
Oscar Hammerstein II |
The King and I
|
Award winner |
| 1952 |
Best Musical |
Richard Rodgers |
The King and I
Book and lyrics by Oscar Hammerstein II
|
Award winner |
| 1952 |
Best Performance by an Actor in a Featured Role in a Play |
John Cromwell |
Point of No Return
Production took place the previous year
|
Award winner |
| 1952 |
Best Performance by an Actor in a Leading Role in a Musical |
Yul Brynner |
The King and I
Production took place the previous year
|
Award winner |
| 1952 |
Best Performance by an Actor in a Leading Role in a Musical |
Phil Silvers |
Top Banana
Production took place the previous year
|
Award winner |
| 1952 |
Best Performance by an Actor in a Leading Role in a Play |
Jose Ferrer |
The Shrike
|
Award winner |
| 1952 |
Best Performance by an Actress in a Featured Role in a Musical |
Helen Gallagher |
Pal Joey
|
Award winner |
| 1952 |
Best Performance by an Actress in a Featured Role in a Play |
Marian Winters |
I Am a Camera
Production took place the previous year
|
Award winner |
| 1952 |
Best Performance by an Actress in a Leading Role in a Musical |
Gertrude Lawrence |
The King and I
|
Award winner |
| 1952 |
Best Performance by an Actress in a Leading Role in a Play |
Julie Harris |
I Am a Camera
|
Award winner |
| 1952 |
Best Play |
Jan de Hartog |
The Fourposter
Production took place the previous year
|
Award winner |
| 1952 |
Best Scenic Design |
Jo Mielziner |
The King and I
Production took place the previous year
|
Award winner |
| 1952 |
Best Stage Technician |
Peter Feller |
Call Me Madam
master carpenter
|
Award winner |
| 1952 |
Special Tony Award |
Judy Garland |
0
Winner for an important contribution to the revival of vaudeville through her recent stint at the Palace Theatre.
|
Award winner |
| 1952 |
Special Tony Award |
Edward Kook |
0
Winner for his contributing to and encouraging the development of stage lighting and electronics.
|
Award winner |
| 1952 |
Special Tony Award |
Charles Boyer |
Don Juan in Hell
Winner for distinguished performance in Don Juan in Hell, thereby assisting in a new theatre trend.
|
Award winner |
| 1951 |
Best Choreography |
Michael Kidd |
Guys and Dolls
Production took place the previous year
|
Award winner |
| 1951 |
Best Conductor and Musical Director |
Lehman Engel |
The Consul
Production took place the previous year
|
Award winner |
| 1951 |
Best Costume Design |
Miles White |
Bless You All
Production took place the previous year
|
Award winner |
| 1951 |
Best Direction |
George S. Kaufman |
Guys and Dolls
Production took place the previous year.
|
Award winner |
| 1951 |
Best Musical |
Frank Loesser |
Guys and Dolls
Music and Lyrics
|
Award winner |
| 1951 |
Best Musical |
Ernest H. Martin |
Guys and Dolls
producer
|
Award winner |
| 1951 |
Best Musical |
Cy Feuer |
Guys and Dolls
producer
|
Award winner |
| 1951 |
Best Musical |
Abe Burrows |
Guys and Dolls
book
|
Award winner |
| 1951 |
Best Musical |
Jo Swerling |
Guys and Dolls
book
|
Award winner |
| 1951 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Irving Berlin |
Call Me Madam
Production took place the previous year
|
Award winner |
| 1951 |
Best Performance by an Actor in a Featured Role in a Play |
Eli Wallach |
The Rose Tattoo
|
Award winner |
| 1951 |
Best Performance by an Actor in a Leading Role in a Musical |
Robert Alda |
Guys and Dolls
Production took place the previous year
|
Award winner |
| 1951 |
Best Performance by an Actor in a Leading Role in a Musical |
Russell Nype |
Call Me Madam
Production took place the previous year
|
Award winner |
| 1951 |
Best Performance by an Actor in a Leading Role in a Play |
Claude Rains |
Darkness At Noon
|
Award winner |
| 1951 |
Best Performance by an Actress in a Featured Role in a Musical |
Isabel Bigley |
Guys and Dolls
Production took place the previous year
|
Award winner |
| 1951 |
Best Performance by an Actress in a Featured Role in a Play |
Maureen Stapleton |
The Rose Tattoo
|
Award winner |
| 1951 |
Best Performance by an Actress in a Leading Role in a Musical |
Ethel Merman |
Call Me Madam
Production took the previous year
|
Award winner |
| 1951 |
Best Performance by an Actress in a Leading Role in a Play |
Uta Hagen |
The Country Girl
Production took place the previous year
|
Award winner |
| 1951 |
Best Play |
Tennessee Williams |
The Rose Tattoo
Produced by Cheryl Crawford.
|
Award winner |
| 1951 |
Best Play |
The Rose Tattoo |
Cheryl Crawford
producer
|
Award winner |
| 1951 |
Best Scenic Design |
Boris Aronson |
The Rose Tattoo
|
Award winner |
| 1951 |
Best Scenic Design |
Boris Aronson |
The Country Girl
|
Award winner |
| 1951 |
Best Scenic Design |
Boris Aronson |
Season in the Sun
|
Award winner |
| 1951 |
Best Stage Technician |
Richard Raven |
The Autumn Garden
master electrician
|
Award winner |
| 1951 |
Special Tony Award |
Ruth Green |
0
Winner for her services as a volunteer in arranging reservation and seating for the five Tony Awards.
|
Award winner |
| 1950 |
Best Conductor and Musical Director |
Maurice Abravanel |
Regina
|
Award winner |
| 1950 |
Best Costume Design |
Aline Bernstein |
Regina
|
Award winner |
| 1950 |
Best Direction |
Joshua Logan |
South Pacific
|
Award winner |
| 1950 |
Best Musical |
Richard Rodgers |
South Pacific
lyrics by Oscar Hammerstein II, book by Oscar Hammerstein II and Joshua Logan. Produced by Leland Hayward, Oscar Hammerstein II, Joshua Logan and Richard Rodgers.
|
Award winner |
| 1950 |
Best Musical |
Oscar Hammerstein II |
South Pacific
|
Award winner |
| 1950 |
Best Musical |
Joshua Logan |
South Pacific
|
Award winner |
| 1950 |
Best Musical |
Leland Hayward |
South Pacifics
|
Award winner |
| 1950 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Joshua Logan |
South Pacific
|
Award winner |
| 1950 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Richard Rodgers |
South Pacific
|
Award winner |
| 1950 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Oscar Hammerstein II |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actor in a Leading Role in a Musical |
Ezio Pinza |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actor in a Leading Role in a Musical |
Ezio Pinza |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actor in a Leading Role in a Musical |
Myron McCormick |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actor in a Leading Role in a Play |
Sidney Blackmer |
Come Back, Little Sheba
|
Award winner |
| 1950 |
Best Performance by an Actress in a Featured Role in a Musical |
Juanita Hall |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actress in a Leading Role in a Musical |
Mary Martin |
South Pacific
|
Award winner |
| 1950 |
Best Performance by an Actress in a Leading Role in a Play |
Shirley Booth |
Come Back, Little Sheba
|
Award winner |
| 1950 |
Best Play |
T.S. Eliot |
The Cocktail Party
Produced by Gilbert Miller
|
Award winner |
| 1950 |
Best Play |
Gilbert Miller |
The Cocktail Party
|
Award winner |
| 1950 |
Best Scenic Design |
Jo Mielziner |
The Innocents
|
Award winner |
| 1950 |
Best Stage Technician |
Joe Lynn |
Miss Liberty
master propertyman
|
Award winner |
| 1950 |
Producer (Musical) |
Leland Hayward |
South Pacific
|
Award winner |
| 1950 |
Producer (Musical) |
Richard Rodgers |
South Pacific
|
Award winner |
| 1950 |
Producer (Musical) |
Joshua Logan |
South Pacific
|
Award winner |
| 1950 |
Producer (Musical) |
Oscar Hammerstein II |
South Pacific
|
Award winner |
| 1950 |
Special Tony Award |
Maurice Evans |
0
Winner for work he did in guiding the City Center Theatre Company through a highly successful season.
Mrs. Eleanor Roosevelt presented a special award to volunteer worker Philip Faversham of the American Theatre Wing's hospital program.
|
Award winner |
| 1950 |
Special Tony Award |
Brock Pemberton |
0
founder of awards and its original chairman (posthumous).
|
Award winner |
| 1949 |
Best Choreography |
Gower Champion |
Lend an Ear
|
Award winner |
| 1949 |
Best Costume Design |
Lemuel Ayers |
Kiss Me Kate
|
Award winner |
| 1949 |
Best Direction |
Elia Kazan |
Death of a Salesman
|
Award winner |
| 1949 |
Best Musical |
Bella Spewack |
Kiss Me, Kate
|
Award winner |
| 1949 |
Best Musical |
Kiss Me Kate |
Kiss Me Kate
|
Award winner |
| 1949 |
Best Musical |
Samuel Spewack |
Kiss Me Kate
|
Award winner |
| 1949 |
Best Original Score (Music and/or Lyrics) Written for the Theatre |
Cole Porter |
Kiss Me Kate
|
Award winner |
| 1949 |
Best Performance by an Actor in a Featured Role in a Play |
Arthur Kennedy |
Death of a Salesman
|
Award winner |
| 1949 |
Best Performance by an Actor in a Leading Role in a Musical |
Ray Bolger |
Where's Charley?
|
Award winner |
| 1949 |
Best Performance by an Actor in a Leading Role in a Play |
Rex Harrison |
Anne of the Thousand Days
|
Award winner |
| 1949 |
Best Performance by an Actress in a Featured Role in a Play |
Shirley Booth |
Goodbye, My Fancy
|
Award winner |
| 1949 |
Best Performance by an Actress in a Leading Role in a Musical |
Nanette Fabray |
Love Life
|
Award winner |
| 1949 |
Best Performance by an Actress in a Leading Role in a Play |
Martita Hunt |
The Madwoman of Chaillot
|
Award winner |
| 1949 |
Best Play |
Arthur Miller |
Death of a Salesman
|
Award winner |
| 1949 |
Best Play |
Death of a Salesman |
Death of a Salesman
|
Award winner |
| 1949 |
Best Scenic Design |
Jo Mielziner |
South Pacific
|
Award winner |
| 1949 |
Best Scenic Design |
Jo Mielziner |
Summer and Smoke
|
Award winner |
| 1949 |
Best Scenic Design |
Jo Mielziner |
Sleepy Hollow
|
Award winner |
| 1949 |
Best Scenic Design |
Jo Mielziner |
Death of a Salesman
|
Award winner |
| 1949 |
Best Scenic Design |
Jo Mielziner |
Anne of the Thousand Days
|
Award winner |
| 1949 |
Producer (Dramatic) |
Walter Fried |
Death of a Salesman
|
Award winner |
| 1949 |
Producer (Dramatic) |
Kermit Bloomgarden |
Death of a Salesman
|
Award winner |
| 1949 |
Producer (Dramatic) |
Kermit Bloomgarden |
Death of a Salesman
|
Award winner |
| 1949 |
Producer (Dramatic) |
Walter Fried |
Death of a Salesman
|
Award winner |
| 1949 |
Producer (Musical) |
Saint-Subber |
Kiss Me, Kate
|
Award winner |
| 1949 |
Producer (Musical) |
Lemuel Ayers |
Kiss Me, Kate
|
Award winner |
| 1948 |
Best Choreography |
Jerome Robbins |
High Button Shoes
|
Award winner |
| 1948 |
Best Conductor and Musical Director |
Max Meth |
Finian's Rainbow
|
Award winner |
|
.jpg?format=auto&width=365)
