Review: DRACULA is a Jolly Good Old Thrill at Genesian Theatre

Step back in time for a night of gothic sets, raving lunatics, heroes and heroines; And of course, you can Count on a vampire or two. Bram Stoker's Dracula receives a Rocky Horror refresh, in this latest season at the Genesian Theatre. Being a seminal classic, The Genesian Theatre stalls are the perfect location for this eerie and looming production that feels it may swallow you up at any moment. An evening equally spooky as entertaining, director Michael Heming has stayed true to the years of interpretations of the evil Count Dracula. Classical elements abound in the production and characterisation to make for a nostalgic night.

For those unfamiliar, Dracula follows the fates of two friends Lucy and Mina as the former falls prey to the bloodsucking monster unleashed upon the streets of London by the latter's husband. Ever watchful over Lucy, as well as the local sanatorium, is John Seward who recruits old friend Abraham Van Helsing to help save all their souls. As to who makes it out alive, well you'll have to see for yourself.

Daniel D'Amico as the titular terror is scene-stealing, with the accent perfected and the gloomy erotic demeanour down pat. Madeleine Boyle as the beautiful but doomed Lucy also plays her part fantastically, displaying authentic drama throughout. Paul Murton's Van Helsing breathes delight and comedy into the kooky production, and Cassady Maddox's Mina remains consistent and gumptious. Cormac James as madman Renfield lacked diction, but made up for it with passion and unsettling bloodlust. Nathan Bennett had all the fixings for a dashing hero, though with much of the script relying on his driving, some moments weren't as smooth. As an ensemble though, this troupe were definitely in sync with each other which kept the dynamism and tension polished.

The production of Dracula remained true to the tradition, and was executed with rich drapery and gorgeous period touches. Martin Searles' design brought together a set that transitioned flawlessly from madhouse to mansion and back again, with entries and exists abound to maintain mystery. Pheonuh Callan's costumes were a highlight to watch, drawing a saucy divide between villain and hero very well, with a splendid colour palette of fleshy pinks, dank wood tones and crisp silky silvers. Michael Schell's sound design was by the numbers perfect, though a slight volume amplification could level-up the scare factor. Liam O'Keefe's lighting was also tried and true in flashes of lightning and flickering candles to set the mood for romance and danger.

Dracula is a visual delight superbly served with generous helpings of blood and drama to keep all ages and familiarities entertained. Lovers of 'Twilight' beware.

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