Seeing Things Photos - Broadway

When thinking of the great composers and playwrights whose works have graced Arena Stage, these are the names that come to mind. So when Disney's Newsies was announced for this season, it is understandable why some were shaking their head quizzically.

If Jayne Atkinson were looking for a tour-de-force, then she found one as the late Texas governor holding court at Arena Stage in Ann. Written by Holland Taylor, Ann is a one woman play about the late Texas Governor Ann Richards that is part reflective autobiography, part homage to public service, and always entertaining.

Kate Mulvany's adaptation for stage of Ruth Park's much loved The Harp In The South trilogy directed by Kip Williams is a unequivocal success. 

Amanda Glenn's turn as Louise is lovely and heartbreaking. Glenn has a beautiful voice and exquisite is her painstaking, delicate interpretation of the awkward, plain Jane who becomes the iconic burlesque queen.

Philadelphia chanteuse Julie Charnet brings her blend of jazz and swing to the Ethical Society of Philadelphia and other venues.

One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get.  Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.

... The other impression I got from "Singin'" was the incredible depth of talent required of all the actors. The legendary Gene Kelly was the original choreographer, setting a high bar for anyone to follow (or vault over), to belabour the metaphor. This performance is meant to be extremely high intensity; highly athletic. To pull it off, actors must have a huge vocal range, a powerful voice, be highly gifted dancers in a number of genre's including tap, flamenco, ballet, have the agility of an acrobat, be incredibly funny and posses the ability to act ! They were all so physically beautiful, (or perfectly caste, befitting their role). One imagines a vast pool of players and an extreme vetting process to have achieved so many creme de la creme in one show.