Jesus Christ Superstar - Broadway Creative Team

Andrew Lloyd Webber began his career in musical theatre in the 1960s, partnering with lyricist Tim Rice. Their early works included The Likes of Us (1965), Joseph and the Amazing Technicolor Dreamcoat (1968; expanded into a full-length stage musical in 1972), Jesus Christ Superstar (1970), and Evita (1978). He also collaborated with Alan Ayckbourn on Jeeves (1975), later revised as By Jeeves (1996). During the late 1970s and 1980s, Lloyd Webber composed Variations (1978), the Requiem (1985), and Cricket (1986). His stage musicals Cats (1981), Starlight Express (1984), The Phantom of the Opera (1986), and Aspects of Love (1989) became major ... read more In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more Andrew Lloyd Webber began his career in musical theatre in the 1960s, partnering with lyricist Tim Rice. Their early works included The Likes of Us (1965), Joseph and the Amazing Technicolor Dreamcoat (1968; expanded into a full-length stage musical in 1972), Jesus Christ Superstar (1970), and Evita (1978). He also collaborated with Alan Ayckbourn on Jeeves (1975), later revised as By Jeeves (1996). During the late 1970s and 1980s, Lloyd Webber composed Variations (1978), the Requiem (1985), and Cricket (1986). His stage musicals Cats (1981), Starlight Express (1984), The Phantom of the Opera (1986), and Aspects of Love (1989) became major ... read more Wagner was born in San Francisco, the son of Phyllis Edna Catherine (née Smith-Spurgeon) and Jens Otto Wagner. His mother was from New Zealand and his father was from Denmark. He attended art school and started his career in theatres in that city with designs for Don Pasquale, Amahl and the Night Visitors, Tea and Sympathy, and Waiting for Godot, among others. In 1958, he relocated to New York City, where he worked on numerous off-Broadway productions before making his Broadway debut as an assistant designer for the Hugh Wheeler play Big Fish, Little Fish in 1961. His first solo ... read more