Production Staff
Recent Productions: Don Carlos (MET, NY) Love Never Dies (Adelphi, London).
Bob Crowley has designed over twenty productions for the National Theatre, including most recently: The Habit of Art, The Power of Yes, Phèdre, Every Good Boy Deserves Favour, Gethsemane, and Fram (which he also co-directed with Tony Harrison), The History Boys (Broadway - Tony Award), His Girl Friday and Mourning Becomes Electra, plus more than twenty-five productions for the RSC, including: Les Liaisons Dangereuses and The Plantagenets, for which he won an Olivier Award. For the Donmar Warehouse - Into the Woods and Orpheus Descending.
Other credits include: Pavane ... read more
Jeremy Herrin is Artistic Director of Headlong. He studied at RSAMD. For Headlong, Herrin has directed The Absence of War and the European premiere of The Nether, at the Royal Court and in the West End. At the National Theatre he directed This House (Olivier nomination for Best Director) and Statement of Regret. For the RSC, he recently directed the world premiere of Wolf Hall (Evening Standard Award for Best Director; Olivier and Tony award nominations) and Bring Up the Bodies, which transferred to the West End in May 2014 and to Broadway in 2015. For the Royal Court, where ... read more
Work in the US includes King Kong, The Children, The Seagull, Private Lives (Broadway); King Lear, Long Day’s Journey into Night, Escaped Alone, Ghosts (BAM); Love and Information (NYTW); Cock (Duke on 42nd), Drunk Enough to Say I Love You? (Public Theater); Manon Lescaut, Madama Butterfly, Werther, Carmen (The Met). Current West End: 42nd Street. Awards include two Olivier Awards, South Bank Award for Opera which he directed and designed (Ring Cycle), Helpmann and Green Room Award for Lighting (King Kong in Australia).