‘Bughouse’ Review: Inside a Solitary Artist’s Unwieldy Mind
6 / 10
The production is most effective when it is simply trying to suggest a tormented, mystical mind in small impressionistic touches, helped as well by Christopher Akerlind’s lighting design. Clarke, who has been creating unclassifiable dance-theater works since the 1980s with such pieces as “Garden of Earthly Delights” and “Vienna: Lusthaus,” remains one of the most visually driven directors in activity — a compliment, to be clear.
