42nd Asian American International Film Festival Announces Film Lineup
by Kaitlin Milligan - Jun 27, 2019
Presented by Asian CineVision, the 42nd Asian American International Film Festival (AAIFF42), and taking place July 25 – August 3 in New York City, has announced its full film lineup. The first and longest running Asian interest film festival in the country, AAIFF42 will be presenting 12 narrative features, 9 documentary features, and 67 short films, from 19 countries.
BWW Interview: Sandra Dickinson Talks THE UNBUILT CITY
by Nicole Ackman - Jun 17, 2018
Sandra Dickinson has had a long and diverse career, spanning stage and screen. An American who has lived in the UK for over four decades, she was recently seen in Steven Spielberg's Ready Player One and as Lucille Ball in I Loved Lucy at the Arts Theatre.
She is currently starring opposite Jonathan Chambers in the European premiere of The Unbuilt City at the King's Head Theatre.
BWW Review: CABARET Dazzles and Intrigues at the Hobby Center
by Brett Cullum - Mar 23, 2016
The tour Broadway Across America has brought into Houston is outstanding in how it handles expectations and shatters them in new and original ways. This is a great production of a thought-provoking show, and it brings the Roundabout Theatre Company experience out of New York City.
BWW Reviews: WHAT I LEARNED IN PARIS at The Ensemble
by Bryan-Keyth Wilson - Apr 2, 2015
When a play weaves in watershed moments in American history, there's sure to be connectivity and enlightenment. Before Obama and the Change movement, there was Maynard Jackson. Jackson was the first black mayor of Atlanta. He would go on to serve three terms, during which he made huge strides in improving race relations and development in the city. Pearl Cleage's play WHAT I LEARNED IN PARIS serves up a history lesson, a powerful story, and a witty cast of characters. Cleage is an Atlanta-based writer with an impressive literary imprint. She is a best-selling author with Oprah Winfrey book club accolades. There is no denying her literary significance to the world. Cleage is not only a novelist, but a playwright of great works such as FLYIN' WEST, A SONG FOR CORETTA and WHAT I LEARNED IN PARIS. I had the esteemed honor to see Houston's Ensemble Theatre's Regional Premier and I have to say, I am glad that I was in the building.
Cinnabar Theater to Present LA CAGE AUX FOLLES, 10/18-11/3
by Tyler Peterson - Sep 3, 2013
Yes, you cancan! Cinnabar Theater in Sonoma County is transformed into one of France's finest nightclubs for "La Cage aux Folles," the exuberant show that's earned 11 Tony Awards including Best Musical. After Cinnabar presents a comedy called "The Pavilion" in September, "La Cage aux Folles" kicks off on Friday, October 18 and sashays across the stage through Sunday, November 3.
FLASH FRIDAY: A Michael Bennett Musical Birthday (with Company!)
by Robert Diamond - Apr 8, 2011
On this very day in 1943, Michael DiFiglia was born in Buffalo, New York, and the world of Broadway would simply never be the same. Cutting his teeth with the accomplished choreography for A JOYFUL NOISE, PROMISES, PROMISES, SEESAW and COCO was merely the beginning of a career that would virtually rewrite and revolutionize the ways and means by which a director could yield ultimate control over a project. With COMPANY and FOLLIES, the later co-directing with Hal Prince, Bennett solidified himself as one of the most talented and brilliant choreographers of his generation and, shortly thereafter, proved with A CHORUS LINE that he was a master theatrical engineer with few, if any, peers. Worldwide success, Tony Awards and the Pulitzer Prize were just the gravy. Who else but Michael Bennett would then, or ever, receive - or should I say, earn - the credit "Entire Production Conceived, Produced and Directed by," besides him? While BALLROOM failed to live up to A CHORUS LINE in mostly every way, he soon after reinvented the wheel yet again with DREAMGIRLS in 1981. We never got to see his productions of CHESS and SCANDAL, both of which he was in the latter stages of developing at the time of his death in 1988. Broadway has never been the same since he's been gone. So, today, on the day following a glittering new production of COMPANY at Lincoln Center - with the complete dance sequence "Tick Tock" fully restored, now with five dancers - we take a tip of the top hat to the tops in taps, temerity and truthfulness onstage - the one and only Michael Bennett.