NOW IS THE TIME TO SEIZE THE DAY with NEWSIES, Disney's triumphant, smash-hit New York musical.
It's the record-breaking, Tony Award -winning Broadway phenomenon that tells the story of an unlikely band of underdogs who take on the biggest names in publishing in an "INSPIRATIONAL" (The Hollywood Reporter) fight for justice.
NEWSIES is "EXHILARATING!" (NY Daily News) and "ELECTRIFYING!" (Vogue) with music from Tony Award winners Alan Menken and Jack Feldman as well as dancing from Tony Award winner Christopher Gattelli. "A THRILLING AMERICAN MUSICAL" (Philadelphia Inquirer) with a book by four-time Tony Award winner Harvey Fierstein and directed by Tony Award nominee Jeff Calhoun, NEWSIES is a "TOP CRITICS' PICK" (New York Magazine, Time Out New York, Entertainment Weekly).
It's "THE PERFECT MUSICAL FOR OUR TIMES!" (The Star-Ledger) and now's the perfect time to get your tickets to the true, New York story that can only be seen in New York.
Assuming Bale's role as head newsie Jack Kelly on Broadway, Jeremy Jordan (survivor of the recent Bonnie & Clyde) proves he doesn't need anyone wandering into his sight lines to be an explosive presence on stage. Blessed with a crystalline voice, Jordan conveys a rare combination of masculine swagger and vulnerability. He gets a worthy foil and love interest in aspiring reporter Katherine (charming newcomer Kara Lindsay), one of several smart additions to the film's story by playwright Harvey Fierstein. She also lands one of Menken and lyricist Jack Feldman's best new songs, the delightful double-talking 'Watch What Happens.'
Here are a few titles of the songs by Alan Menken (music) and Jack Feldman (lyrics): “Carrying the Banner,” “The World Will Know,” “Seize the Day,” “Something to Believe In” and “Once and for All.” And if you asked me to explain what distinguishes one of these songs from another, I couldn’t begin to without consulting my notes, my program and possibly the show’s director, Jeff Calhoun, and book writer, Harvey Fierstein...But that doesn’t stop them from burning energy like toddlers on a sugar high at a birthday party. As choreographed by Christopher Gattelli, they keep coming at us in full-speed-ahead phalanxes, fortified by every step in a Broadway-by-the-numbers dance book. There are back flips, cartwheels, somersaults and kick lines galore, not to mention enough pirouettes to fill a whole season of “Swan Lake.”
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