When We Were Twenty-one - 1900 - Broadway Articles Page 9

Michael Crawford returns to the London Stage in a new musical, based on the famed novel The Go-Between.

Walking into the Music Hall at Fair Park Tuesday night, I was extremely eager to enjoy Ahrens and Flaherty's lavish, Tony Award-winning score in the tour of RAGTIME. Together with Terrence McNally's dynamic script, RAGTIME is celebrated as perhaps one of the greatest book musicals of the past two decades. Unfortunately, in spite of all of its inherent strengths, technical troubles plagued the tour's opening night performance. I left the theatre completely disappointed.

New York Theatre Workshop (NYTW) presents HADESTOWN, written by celebrated singer-songwriter Anais Mitchell and developed with and directed by the inventive two-time OBIE award-winning director Rachel Chavkin (Three Pianos; Natasha, Pierre & the Great Comet of 1812).

The 5th Avenue Theatre presents an exciting new 'revisal' of the sweeping saga Lerner & Loewe's PAINT YOUR WAGON. Featuring an all-new book by Pulitzer Prize nominee John Marans, this show has taken an incredible journey over the last five years from developmental workshops to The 5th Avenue stage this season. And BroadwayWorld is happy to report that the company has just announced the full cast and creative team.

PITTSBURGH – Penny Anderson Brill, violist with the Pittsburgh Symphony Orchestra, is one of only five exemplary musicians selected by The League of American Orchestras to receive The Ford Musician Award for Excellence in Community Service. A new program made possible by Ford Motor Company Fund, the awards celebrate orchestra musicians and the essential work they do in their communities.

New York Theatre Workshop (NYTW) has announced the cast for HADESTOWN, written by celebrated singer-songwriter Anais Mitchell and developed with and directed by the inventive two-time OBIE award-winning director Rachel Chavkin (Three Pianos; Natasha, Pierre & the Great Comet of 1812).

The American Symphony Orchestra and music director Leon Botstein return to Carnegie Hall for the ensemble's 55th season of concerts, the Vanguard Series, on October 19, 2016, and continue through May 12, 2017. Four programs of wide-ranging and distinct repertoire will explore notable topics, including an opera and an oratorio, in addition to orchestral works. 

Some years ago when Tony Award-winning actress (for For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf (Ntozake Shange) and playwright Trezanna Beverley's voice coach suggested she listen to Mabel Mercer, the artist had not heard of the nightclub and cabaret singing icon. A trip to the Schomburg Center for Research in Black Culture (Harlem) began a protracted period of research into Mercer's life and work. Beverley found she not only respected and admired her subject, but felt a kinship both in spirit and color. Inspired, she decided to write her own theatrical script about Mercer's life and art with the goal of playing her in a one-woman show. Her dream has been realized with Mabel Madness, a play with music that opened this week at Urban Stages and runs until March 20.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Today, the talented young actress speaks exclusively to BWW about making her Broadway debut in this iconic musical. 

It seems ironic--to me at least--that New York's venerable City Opera would be returning to life at Jazz at Lincoln Center's Rose Theater, just as the “Prototype: Opera/Theatre/Now” festival was finishing up its run at alternative venues in Manhattan and Brooklyn. Prototype “unleashed a powerful wave of opera-theatre and music-theatre from a new generation of classical and post-classical composers and librettists”--their words, not mine, but I won't dispute it--while City is doing a warhorse.

The Douglas Morrisson Theatre is excited to announce the third show in our Revelations Season: the witty and provocative MRS. WARREN'S PROFESSION by George Bernard Shaw, the playwright of Pygmalion and Major Barbara.

The holiday season brings family, fun, togetherness and music! Experience all of that and more at the Pittsburgh Symphony Orchestra's annual holiday celebration, Highmark Holiday Pops, on December 11-13 and December 19 and 20 at Heinz Hall.

The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening tonight, December 4th at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. 

The holiday season brings family, fun, togetherness and music! Experience all of that and more at the Pittsburgh Symphony Orchestra's annual holiday celebration, Highmark Holiday Pops, on December 11-13 and December 19 and 20 at Heinz Hall.

The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4th at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. 

MoMA's must see exhibit of the year is definitely the Picasso Sculpture show up until February 7th 2016. We all know Picasso as that painter that put some odd eyes on faces, gave us multiple views of a sitting figure at once and the great thief that Giacometti would not let in his studio.

NBR New Zealand Opera has been going from strength to strength over recent years, and this latest production of Tosca is no exception. Cleverly set during the Cold War era of Italy during the 1950s, this production stars two internationally famous New Zealanders, the tenor Simon O'Neill and the baritone Phillip Rhodes, who are joined by Irish soprano Orla Boylan in the title role.

Actors Co-op (Ovation Award-Winner 2015 Best Intimate Theatre Musical for 110 in the Shade) is thrilled to announce the first show in its 2015-2016 season (and 24th year of producing theatrical excellence in Los Angeles!) with THE BAKER'S WIFE, book by Joseph Stein (Fiddler on the Roof, Zorba), music and lyrics by Stephen Schwartz (Wicked, Pippin, Godspell), musical direction by Jake Anthony, choreography by Julie Hall, produced by Kimi Walker and directed by Ovation Award-winner Richard Israel (110 in the Shade, Floyd Collins). THE BAKER'S WIFE opens tonight, September 18 at 8pm and run through Sunday, October 25 at the Actors Co-op David Schall Theatre, 1760 N. Gower St. (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

NJTV, New Jersey's public television network, and the New Jersey Performing Arts Center (NJPAC) announced a talent-rich line-up for season three of the award-winning American Songbook at NJPAC series.

People's Light is proud to announce its 41st season that includes classic and new works by Tony Award winning playwrights, five regional premieres, and a summer music event that features the songs of an American legend.

On August 15, 1939, 'The Wizard of Oz' premiered in Hollywood while 10,000 fans lined the streets. Two days later it opened to the public, and the film industry changed forever. Every generation since has loved this film. A few found it terrifying. But no one has forgotten it.

On August 15, 1939, 'The Wizard of Oz' premiered in Hollywood while 10,000 fans lined the streets. Two days later it opened to the public, and the film industry changed forever. Every generation since has loved this film. A few found it terrifying. But no one has forgotten it.

Actors Co-op (Ovation Award-Winner 2015 Best Intimate Theatre Musical for 110 in the Shade) is thrilled to announce the first show in its 2015-2016 season (and 24th year of producing theatrical excellence in Los Angeles!) with THE BAKER'S WIFE, book by Joseph Stein (Fiddler on the Roof, Zorba), music and lyrics by Stephen Schwartz (Wicked, Pippin, Godspell), musical direction by Jake Anthony, choreography by Julie Hall, produced by Kimi Walker and directed by Ovation Award-winner Richard Israel (110 in the Shade, Floyd Collins). THE BAKER'S WIFE will preview on Wednesday, September 16 and Thursday, September 17 at 8pm and will open on Friday, September 18 at 8pm and run through Sunday, October 25 at the Actors Co-op David Schall Theatre, 1760 N. Gower St. (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

Jim Jacobs and Warren Casey's musical "Grease" is so much more than just a collection of doo wop numbers. It's a group of teens finding their own identities at a time when teens were finding identities much different from those of their parents. Or at least it should be. Unfortunately the current production at the 5th Avenue Theatre has been scrubbed clean and is so devoid of any individual or realistic characters that any emotion or meaning that might have been elicited from the story is now gone. But they sing pretty.