Those We Love - 1930 - Broadway Articles Page 10

The Broadway Series at The Media Theatre is stronger than ever as it leads audiences through its 22nd season from September 2016 to June of 2017.

Tome Cousin is an interdisciplinary artist who has molded an award winning international career that includes collaboration and performance on Broadway, television, film, dance, theater, music, photography, and literature. He holds a Bachelors of Arts in Dance History and Choreography and a Masters of Fine Art in New Media Art and Performance. He is an Associate Professor of Dance at the Carnegie Mellon University School of Drama.

Know Theatre is ready to rekindle your sense of wonder in Season 19. Join us and explore the stories we tell ourselves and each other: stories that amuse, that enlighten, and that help us to make sense of the world around us.

OTSL has opened a delicious 'La boheme'.

For Strawdog Theatre Company's final production in its Broadway home, the company fittingly presents George S. Kaufman and Moss Hart's 1930 comedy ONCE IN A LIFETIME-both play and production are rife with charm and sly winks to the audience. Director Damon Kiely's choice to stage this particular Kaufman and Hart comedy is also an intriguing one. ONCE IN A LIFETIME chiefly concerns itself with the changes to the entertainment industry after the appearance of the first 'talkie' (a film with spoken dialogue) and a frantic trio of three former vaudeville performers-May, George, and Jerry-who scramble to Hollywood hoping to strike it rich. And just as Jerry contemplates what these new 'talkies' will mean for the future of the 'legitimate stage,' so too do we now find ourselves on the precipice of immense change for the film and entertainment industry.

Imagine a world of dust. A future where water drips brown from the taps. Where dust storms reduce houses to rubble. Where a young boy, George (Rory Potter) and his younger brother, Beeper (played alternatively by Jack Andrew & Noah Sturzaker), fight to survive while waiting for their father to return home.  And where a young rebellious girl, Emily (Sofia Nolan), won't take no for an answer. Imagine the future. Imagine The Big Dry.

Some musicals make you think, some make you cry, while others just give you a permanent smile on your face for the duration of the show. The latter was the state of this reviewer as we set sail on the S.S. American for a rollicking "Bon Voyage" in Goodspeed Musicals' opening show of the 2016 season, ANYTHING GOES. This production is truly "De-Lovely" and lives up to the standard and quality that audiences are used to experiencing in the intimate, beautiful setting that is the Goodspeed Opera House.

Berkeley's acclaimed Aurora Theatre Company proudly announces the lineup for its 25th anniversary season. The company opens the season with a revival of Dorothy Bryant's DEAR MASTER, directed by acclaimed actress and director Joy Carlin and featuring Kimberly King and Michael Ray Wisely.

Geva Theatre Center's Artistic Director Mark Cuddy and Executive Director Christopher Mannelli are proud to announce the 12 major productions and events of the much anticipated 2016-2017 Season, the non-profit theatre's 44th year of making professional theatre of a national standard in Rochester.

BELLEVUE, Wash., March 1, 2016 /PRNewswire/ From the young age of 9 on the Aegean island of Rhodes, Clara Barkey started writing to her uncle Ralph and aunty Rachel Capeluto in the far-away place known as Seattle, Wash. This smart and determined young woman, who was always at or near the top of her class, used the dying language of Judeo-Spanish, or Ladino, to report news of the relatives Ralph left behind on Rhodes and the happenings of her Sephardic Jewish community. But what started as friendly letters quickly turned to desperate pleas for help as life for the Jews of Rhodes deteriorated under the control of Italian dictator Benito Mussolini, who allied with Adolph Hitler.

Giuseppe Verdi's LUISA MILLER exposes the intrigue, in its darkest form, that threatens the purest of love.

While the number of roles for minority actors in British productions have increased through the years, they have been ghettoized into supporting roles.

It's steak and it's cheese, but did you make a classic Philadelphia cheesesteak? Here are the tricks and tips from Philly's own cheesesteak emporiums.

“If they wrote'm like that today,” Catherine Russell sighs after a particularly saucy number during her show last night at Birdland, “I wouldn't have to go back 90 years.” A Russell show is like actually being there then--primarily from the early 1900s through the 1940s. Which is not to say the artist sacrifices her own, original phrasing for imitation, but rather that feelings evoked by stylish arrangements and spot-on attitude transport us. She offers her audiences vivid authenticity, musical backbone.

Powerhouse acting and Natalie Symons' wonderful script combine to make a memorable evening in Sarasota.

A mix of borscht-belt comedy and Broadway showtunes, with a hint of neurotic sitcom hyperactivity. That's what an Evening with Jason Alexander with the BPO was like last night.

With the creative team of Richard Maltby, Jr. and David Shire at the helm, I had high hopes for the new musical 'Waterfall' currently playing at the 5th Avenue Theatre. With a pedigree like those two have there would have to be something to grab onto in the show, right? Unfortunately this adaptation of the Thai musical 'Behind the Painting' based on the novel by Siburapha offered nothing but a clunky story and nuance free music and lyrics that elicited no passion or romance, which for a love story is deadly.

Harold Pinter was born in Hackney, in London's East End, in October of 1930. An only child, he was born to Jewish parents of very moderate means; his father, a tailor, and his mother, a homemaker, were first-generation descendants of Eastern European immigrants. Like many of his contemporaries, Pinter's childhood was shaped by the onslaught of World War II; at the age of nine, he was evacuated from London through Operation Pied Piper and resettled in a town in Cornwall. The sense of isolation he felt in Cornwall would come to influence his work, as would the changed London to which he returned during the Blitz, where he was witness to, as his 2008 Guardianobituary put it, 'the dramatic nature of wartime life - the palpable fear, the sexual desperation, the genuine sense that everything could end tomorrow.'

Meet the leads of Annie Russell Theatre's REEFER MADNESS, opening tomorrow, September 25th. Seniors MiKayla Phillips and Taylor Wright know what it's like to balance rehearsals, homework, and preparing for what is next. They are definitely not as naive as their characters Mary and Jimmy who find themselves lured by a gnarly crew of marijuana pushers in the musical satire. Check out the interview to find out more! 

Obie Award winning Metropolitan Playhouse revives Arthur Richman's never-published hit comedy from 1921: THE AWFUL TRUTH.   Directed by 2-time NYIT Award nominee Michael Hardart at the Playhouse: 220 E 4th Street, New York City

Walnut Street Theatre opens its landmark 207th season with the sparkling Broadway musical featuring the classic sounds of Cole Porter, HIGH SOCIETY. Directed by Frank Anzalone, with choreography by Mary Jane Houdina, this Philadelphia premiere opens tonight, September 16th, and runs through October 25th on the Walnut's Mainstage.

Walnut Street Theatre opens its landmark 207th season with the sparkling Broadway musical featuring the classic sounds of Cole Porter, HIGH SOCIETY. Directed by Frank Anzalone, with choreography by Mary Jane Houdina, this Philadelphia premiere begins previews on September 8th, opens on September 16th and runs through October 25th on the Walnut's Mainstage.

Obie Award winning Metropolitan Playhouse revives Arthur Richman's never-published hit comedy from 1921: THE AWFUL TRUTH.   Directed by 2-time NYIT Award nominee Michael Hardart at the Playhouse: 220 E 4th Street, New York City

Walnut Street Theatre opens its landmark 207th season with the sparkling Broadway musical featuring the classic sounds of Cole Porter, HIGH SOCIETY. Directed by Frank Anzalone, with choreography by Mary Jane Houdina, this Philadelphia premiere begins previews on September 8th, opens on September 16th and runs through October 25th on the Walnut's Mainstage.

The Phoenix Theatre presents its 2015-2016 season. Tickets are now on sale!