Photo Flash: First Look at Maltz Jupiter Theatre's SOUTH PACIFIC
'Some Enchanted Evening' awaits at the Maltz Jupiter Theatre with a universal love story and the unforgettable, sumptuous score that is South Pacific.
'Some Enchanted Evening' awaits at the Maltz Jupiter Theatre with a universal love story and the unforgettable, sumptuous score that is South Pacific.
Ford's Theatre's must-see production is raw and gripping in its emotional intensity. Led by Craig Wallace's powerhouse performance as Willy Loman, Miller's Pulitzer Prize winning play is as relevant now, maybe more so, in its questioning of the American dream as it was when it first opened.
I first heard about Kurt Weill's final musical masterpiece, LOST IN THE STARS, when I was studying his body of work during my senior year at CSUN. It was at a time, such as now, when society was being torn apart by opposing political forces, protests filled the streets, and racial inequality was being challenged in the wake of Dr. Martin Luther King's assassination. And I have been waiting since then to see a production of the "musical tragedy" which opened on Broadway in 1949, just one year prior to Weill's death at age 50, at a time when segregation was still rampant in America. I am thrilled to report my wish came true last weekend at UCLA's Royce Hall when the Los Angeles Chamber Orchestra, in partnership with CAP UCLA, presented the first Los Angeles performance since the 1950s of LOST IN THE STARS.
In recognition of the ongoing support provided by the family of actor, director, comedian, writer, and Tisch alumnus Billy Crystal, Tisch Dean Allyson Green announced yesterday that Tisch School of the Arts will officially rename its theater at 111 Second Avenue the 'Jack Crystal Theater,' in memory of Crystal's father, jazz impresario Jack Crystal. Scroll down for photos from the ceremony!
THE HEIRESS, Ruth and Augustus Goetz's 1947 adaptation of Henry James' WASHINGTON SQUARE and currently occupying the Lohrey Stage at Theatre Memphis, has had a long and steady run on stages throughout the world - and why not? Tightly corseted, polite to a fault, and observing proprieties, this intelligently written script captures the essence of the James source material without the convoluted, complex sentences that, alas, repel many readers. As tautly drawn as the material on one of the samplers for which its heroine is noted, when one of the characters punctuates the prevailing politeness with a barbed or telling line of dialogue, it's as if a sharp and jagged blade suddenly ripped through the fabric of the needlework itself. All this play needs for a successful run is a handsome set, period costumes - and four or five gifted players.
Patricia Ward Kelly's compelling presentation combines rare and familiar film clips, previously unreleased audio recordings, personal memorabilia, and insights culled from her hours of interviews and conversations with her husband whom she met in 1985 in Washington, D.C., where she was the writer for a television special about The Smithsonian for which he was the host and narrator. She was 26; he was 73. Soon after, he invited her to California to write his memoir. They fell in love, married, and were together until his death in 1996.
Written and performed by Daniel Beaty, Arena Stage's The Tallest Tree in the Forest examines what happens when art meets advocacy and the inherit tension between the two as experienced by the late entertainer Paul Robeson.
For the 2012-2013 season, every cast member and technical designer for each show of the season (The Miracle Worker - Doubt, a Parable - Scream Queens, The Musical - Fortinbras - The 39 Steps - Ragtime) was nominated for a Marcom Masque Award in appropriate categories. This year's Marcom Masque Awards Ceremony was held on Saturday, June 29 at the Westchester Playhouse, home of the Kentwood Players.
Broadway's Cort Theatre (138 West 48th Street), just celebrated its 100th Anniversary yesterday, December 20th. The theatre, which opened on December 20, 1912 with a Peg O'My Heart starring Laurette Taylor, is currently home to the Broadway Premiere of Grace, which will end its limited engagement on January 6, 2013. It will next be home to the World Premiere production of Truman Capote's Breakfast at Tiffany's, a new play written by Richard Greenberg, which starts performances on Monday, March 4 and opens on Wednesday, March 20. The Cort Theatre is owned and operated by The Shubert Organization. Check out photos from the celebration below!
It was Father's Day at A JEW GROWS IN BROOKLYN this weekend when Fyvush Finkle and his son visited the show on Sunday. Star Jake Ehrenreich's son also made an appearance. See the photos below!