Maggie - 1953 - Broadway Articles Page 4

Avenue Q is edgy, sassy and an exciting change in the Barn's typical lineup. If you think it's sizzling outside these days, wait until you see the cast burning up the stage in one of the hottest musicals to hit Broadway. Opening night is Friday August 10th and the show runs through Saturday August 25th. Reserved seats for this comedy sponsored by the Farmington Rotary Club, are available now at farmingtonplayers.org or at the box office (248) 553-2955.

Directed by Mark Haborth and produced by Heather Siobhan Curran, The Gallery Players' revival of this classic New York musical comedy opens tonight, April 28 at 8pm.

Directed by Mark Haborth and produced by Heather Siobhan Curran, The Gallery Players' revival of this classic New York musical comedy opens Saturday, April 28 at 8pm.

For its 22nd season, Signature Theatre is celebrating their signature composer Stephen Sondheim by presenting his very first musical, Saturday Night (1953) as a concert event for four performances only on Saturday, October 29th (2pm and 8pm) and Sunday, October 30th (2pm and 7pm). This rarely performed hidden gem from America's foremost musical theater composer features a book by Julius and Philip Epstein, with music and lyrics - unperformed in full until 1997 - by Sondheim. This special limited engagement will be directed by Signature's Associate Artistic Director Matthew Gardiner (Side by Side by Sondheim, The Hollow) and the Music Director is Jon Kalbfleisch. Limited seating is still available, with single ticket prices at $41 each. Saturday Night will play in Signature's MAX Theatre.

For its 22nd season, Signature Theatre is celebrating their signature composer Stephen Sondheim by presenting his very first musical, Saturday Night (1953) as a concert event for four performances only on Saturday, October 29th (2pm and 8pm) and Sunday, October 30th (2pm and 7pm). This rarely performed hidden gem from America's foremost musical theater composer features a book by Julius and Philip Epstein, with music and lyrics - unperformed in full until 1997 - by Sondheim. This special limited engagement will be directed by Signature's Associate Artistic Director Matthew Gardiner (Side by Side by Sondheim, The Hollow) and the Music Director is Jon Kalbfleisch. Limited seating is still available, with single ticket prices at $41 each. Saturday Night will play in Signature's MAX Theatre.

First up is First Night: The Tony Concert, presented by Keeping Scores Concerts at Franklin's Boiler Room Theatre on Monday, June 6, at 7:30 p.m. Featuring some of Nashville's biggest and brightest theater stars performing songs from Tony Award-winning musicals, the concert is the kick-off of the 2011 First Night Season, culminating with First Night, The Nashville Theatre Honors, which will be presented at Belmont University's Troutt Theatre on Sunday, September 4.

Pittsburgh CLO and the University of Pittsburgh are proud to announce the nominees for the Gene Kelly Awards for Excellence in High School Musical Theater.

Arlington VA's Signature Theatre has announced that their 2011-2012 season will feature the world premiere of 5 new works that include two new musicals that will run in repertory as part of the American Musical Voices Project Repertory Series. The season will also feature some old favorites such as HAIRSPRAY and XANADU and the Washington area premiere of GOD OF CARNAGE.

Michael Wilson, director of the upcoming The Milk Train Doesn't Stop Here Anymore, sits down with Roundabout's resident dramaturg, Ted Sod, to discuss this much-anticipated production.

According to The LA Times, Broadway's Neva Patterson passed away in her home in Brentwood, California on December 14. She was 90. patterson is survived by her daughter and son: Megan and Filippo, along with six grandchildren and two great-grandchildren.

The Farmington Players will hold auditions for the hilarious comedy, RED WHITE AND TUNA, the third in the four play saga of greater Tuna-- third smallest (fictional) town in Texas.

The Farmington Players will hold auditions for the hilarious comedy, RED WHITE AND TUNA, the third in the four play saga of greater Tuna-- third smallest (fictional) town in Texas.

Barrington Stage Company, under the leadership of Artistic Director Julianne Boyd Artistic Director and Producing Director Richard M. Parison, Jr., concludes the 2010 Mainstage season with Arthur Miller's American classic The Crucible, with performances beginning October 6 and running through October 24, with a Press Opening on Sunday, October 10 at 3pm. Barrington Stage Artistic Director Julianne Boyd directs.

Barrington Stage Company, under the leadership of Artistic Director Julianne Boyd Artistic Director and Producing Director Richard M. Parison, Jr., concludes the 2010 Mainstage season with Arthur Miller's American classic The Crucible, with performances beginning October 6 and running through October 24, with a Press Opening on Sunday, October 10 at 3pm. Barrington Stage Artistic Director Julianne Boyd directs.

Barrington Stage Company, under the leadership of Artistic Director Julianne Boyd Artistic Director and Producing Director Richard M. Parison, Jr., concludes the 2010 Mainstage season with Arthur Miller's American classic The Crucible, with performances beginning October 6 and running through October 24, with a Press Opening on Sunday, October 10 at 3pm. Barrington Stage Artistic Director Julianne Boyd directs.

Willie Wood, an aspiring playwright from Westfield has spent more than a year working diligently on a script for a show inspired by singer June Christy's 1954's landmark jazz vocal, Something Cool. On June 24th, five young actors will bring Wood's script to life on the stage of the Carmel Community Playhouse at Clay Terrace.

Willie Wood, an aspiring playwright from Westfield has spent more than a year working diligently on a script for a show inspired by singer June Christy's 1954's landmark jazz vocal, Something Cool. On June 24th, five young actors will bring Wood's script to life on the stage of the Carmel Community Playhouse at Clay Terrace.

The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/

Willie Wood, an aspiring playwright from Westfield has spent more than a year working diligently on a script for a show inspired by singer June Christy's 1954's landmark jazz vocal, Something Cool. On June 24th, five young actors will bring Wood's script to life on the stage of the Carmel Community Playhouse at Clay Terrace.

The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

The following is news from the Baltimore Theatre Alliance.

The following is news from the Baltimore Theatre Alliance.