La Tragédie de Carmen 1983

The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.

Peter Brook is one of the world's most respected and revolutionary directors of contemporary theatre. To help his actors achieve extraordinary performances, he has a special exercise, called 'the Tightrope,' which evolved over decades of experimentation and practice into a process of transformation that makes theatre real and new for actor and audience alike. In this quietly eloquent and unique film, director Simon Brook - Peter's son - reveals how the Tightrope works its dramatic alchemy.

Artistic Director Carey Perloff announced today that American Conservatory Theater will present the exclusive California screening of Peter Brook: The Tightrope, a new and definitive documentary on the creative process of legendary theater director Peter Brook, on Monday, March 24 at 7 p.m. at A.C.T.'s Geary Theater (415 Geary Street, San Francisco).

A Magic Flute, Peter Brook's production with the acclaimed Theatre des Bouffes du Nord, was awarded France's esteemed Moliere Award for best musical theater at a ceremony on Sunday, April 17 in Paris.

Lincoln Center Festival will present the U.S. Premiere of Peter Brook's A Magic Flute, an adaptation of the classic Mozart opera, for sixteen performances at the Gerald W. Lynch Theater.

A Magic Flute, Peter Brook's production with the acclaimed Théâtre des Bouffes du Nord, was awarded France's esteemed Molière Award for best musical theater at a ceremony on Sunday, April 17 in Paris. Lincoln Center Festival 2011 will present the U.S. Premiere of A Magic Flute, an intimate 90-minute, fully-staged adaptation of the beloved Mozart opera, in sixteen performances July 5-17 at the Gerald W. Lynch Theater. Like his ground-breaking La Tragédie de Carmen (which was performed in New York at the Vivian Beaumont Theater in 1983), Brook's free interpretation of The Magic Flute, performed by an ensemble of two actors and alternating casts of seven singers with pianist, is a poetic invocation with its spare and subtle staging shedding new, vibrating light on Mozart's masterpiece.

A Magic Flute, Peter Brook's production with the acclaimed Theatre des Bouffes du Nord, was awarded France's esteemed Moliere Award for best musical theater at a ceremony on Sunday, April 17 in Paris.

The Mariinsky (Kirov) Ballet joins the previously-announced Royal Shakespeare Company and The Cleveland Orchestra, completing the trio of leading performing ensembles coming to New York this summer as part of Lincoln Center Festival 2011. Nigel Redden, Festival Director, today announced the complete Festival schedule, which runs from July 5 through August 14. In a co-presentation with the Metropolitan Opera, the renowned Mariinsky (Kirov) Ballet returns to the Festival for eight performances at the Met Opera House, dancing three programs. Highlighting the company's appearance are the U.S. premieres of Anna Karenina and The Little Humpbacked Horse, evening-length ballets by critically-acclaimed choreographer Alexei Ratmansky set to music by leading Russian composer Rodion Shchedrin. A third program pairs Alberto Alonso's Carmen Suite, to Shchedrin's arrangement of Bizet's score, and George Balanchine's neo-classical masterwork Symphony in C, also with music by Bizet. Artistic Director of the Mariinsky, Valery Gergiev will conduct the Mariinsky Orchestra.

New York City Opera is proud to present the company premiere of Samuel Barber's Antony and Cleopatra in concert on January 15 and 16, 2009 at 8 PM in Carnegie Hall's Stern Auditorium. Soprano Lauren Flanigan sings the role of Cleopatra opposite baritone Teddy Tahu Rhodes, in his New York City Opera debut, as Antony. The cast includes rising tenor Simon O'Neill as Caesar and City Opera favorites David Pittsinger as Enobarbus, Sandra Piques Eddy as Charmian and Laura Vlasak Nolen as Iras. City Opera Music Director George Manahan will conduct. The company's celebration of Samuel Barber's upcoming centennial will also include a Symposium on Antony and Cleopatra on Saturday, January 10, co-presented by and taking place at Miller Theatre at Columbia University, which will feature City Opera soprano Elizabeth Futral in a unique recital of musical depictions and evocations of Cleopatra.

New York City Opera is proud to present the company premiere of Samuel Barber's Antony and Cleopatra in concert on January 15 and 16, 2009 at 8 PM in Carnegie Hall's Stern Auditorium. Soprano Lauren Flanigan sings the role of Cleopatra opposite baritone Teddy Tahu Rhodes, in his New York City Opera debut, as Antony. The cast includes rising tenor Simon O'Neill as Caesar and City Opera favorites David Pittsinger as Enobarbus, Sandra Piques Eddy as Charmian and Laura Vlasak Nolen as Iras. City Opera Music Director George Manahan will conduct. The company's celebration of Samuel Barber's upcoming centennial will also include a Symposium on Antony and Cleopatra on Saturday, January 10, co-presented by and taking place at Miller Theatre at Columbia University, which will feature City Opera soprano Elizabeth Futral in a unique recital of musical depictions and evocations of Cleopatra.