Student Blog: You Think Harvard, Yale, and Columbia Have Low Acceptance Rates? Try 0.4% for a BFA in Musical Theatre
by Student Blogger: Mya Bodnick - Oct 30, 2023
Nothing beats standing on a stage and telling a beautiful story to a receptive audience. We love the fast paced, ever changing, unpredictable environment that is our major and our industry. However, we just want a little respect for the hustle.
Photos: First Look at New Line Theatre's URINETOWN
by Marissa Tomeo - Jun 4, 2022
Set in 2027, Mark Hollmann and Greg Kotis' URINETOWN is an hilariously subversive fable of greed, corruption, love, revolution, and urination, in a time when water is worth its weight in gold and there's no such thing as a free pee. Set in a near-future dystopian Gotham, a severe 20-year drought has led to a government-enforced ban on private toilets. The citizens are forced to use public 'amenities' now, regulated by a single malevolent company that profits by charging admission for one of humanity's most basic needs. In this nightmare world, the punishment for an unauthorized pee is a trip to the dreaded Urinetown. But from the ruins of Democracy and courtesy flushes, there rises an unlikely hero who decides he's held it long enough, and he launches a People's Revolution to lead them all to urinary freedom!
BWW Review: HEIDI DUCKLER DANCE PRESENTS “THE CHANDELIER “ at The Wallis Annenberg
by Valerie-Jean Miller - Aug 28, 2021
They got hit with a double whammy. Not only were they sidelined first by the pandemic for a year and a half, but to now present 'The Chandelier' all this time later, and still under many Covid restrictions, the entire piece, which was to be 'site-specific' had to be reworked and reimagined. Heidi Duckler, the Founder/Artistic Director of Heidi Duckler Dance, and Choreographer of the piece gave a short introduction explaining how this World Premiere presentation came to be. 'The Chandelier' was inspired by a novel of the same name written by Brazilian Clarice Lispector and published originally in 1946. The book was translated recently from Portuguese into English by Magdelena Edwards and Benjamin Moser. The piece was first constructed to be performed at the Wallis Annenberg Center, highlighting different areas and spaces inside and outside of the theatre, different architectural patterns and settings, to tell the story of a young woman, Virginia, through her own musings and ideations. That was the original plan, however with all the Covid rules and restrictions still in place, it was realized it needed to be performed outside, and contained in one space, with the audience socially distanced. What was created was an innovative, stylized space that became different sets/places as the narrative unfolded, magically and mystically bringing her inner imagination to life.
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