Just Say No - 1988 - Off-Broadway Articles Page 10

The path from screen to stage hasn't always been a smooth one, and celluloid success is no guarantee of musical triumph (just ask the Spider-Man: Turn Off the Dark team). But London is currently awash with popular medium-jumpers, from Aladdin and The Bodyguard to new musical Groundhog Day, which opened last night at the Old Vic. Here are 10 of the best screen to stage adaptations.

BWW Interviews: Peter Vullo and Thursday Night Terrors

Preeminent Actor, director and producer Robert De Niro, two-time Academy Award® winner, five-time Academy Award® nominee and Golden Globe® winner, will receive the first Honorary Heart of Sarajevo - Lifetime Achievement Award for his extraordinary contribution to the art of film

Neil Simon's Rumors - one of the most popular stage farces of the late 20th century - is given its due with the fourth production at Nashville's iconic and I daresay historic Chaffin's Barn Dinner Theatre. Directed with panache by stage veteran Lydia Bushfield (who, herself, has starred in one of the four productions of Rumors at Chaffin's Barn over the past quarter-century), Simon's broadly drawn characters are brought vividly to life by a cast of capable and very funny actors who know how to land a line, deliver a rejoinder and, when called upon, play the straight man to help a fellow actor out when it comes time for him to shine.

Opening night quickly approaches at Nashville's historic Chaffin's Barn Dinner Theatre - which this year celebrates its 50th season - for Neil Simon's Rumors, first produced on the iconic and completely magical floating stage in 1991.

Raise a glass! It was just announced by Pulitzer Prize administrator Mike Pride that HAMILTON has officially won the 2016 Pulitzer Prize for Drama.

Today's the day! The 2016 Pulitzer Prize Winners and Nominated Finalists will be announced in just minutes- April 18 at 3pm eastern daylight time via live-stream on pulitzer.org.

Award-winning Oregon Children's Theatre announces its 2016-2017 Season, featuring three world premieres.

"I saw Matilda on Broadway for the first time after I had been cast in the show. At intermission, I said to my wife, 'this could be my favorite show I've ever seen.' I'm not a musical theatre person, yet it is one of the most unique things I have ever witnessed on stage,' said Quinn Mattfeld, who plays Mr. Wormood, in Matilda the Musical, which arrives this Thursday, March 9th at the Fisher Theatre in Detroit.

'Love Story's' Ali MacGraw and Ryan O'Neal Reunite for tour of A.R, Gurney's LOVE LETTERS playing this week at The Bushnell

The Kleban Foundation recently announced the winners of its 26th annual Kleban Prize for the most promising musical theatre lyricist -- Stacey Luftig -- and its 26th annual Kleban Prize for the most promising musical theatre librettist -- Daniel Goldstein. The 2016 prizes will be presented today, February 8, 2016, in a private ceremony (by invitation only) hosted by ASCAP and BMI at ASCAP.

Teen musical artist Lee Reh has been chosen as the winner of the sixth annual GRAMMY Foundation and MusiCares Teens Make Music Contest for his original interpretation of the importance of living above the influence of drug and alcohol use.

The Kleban Foundation is pleased to announce that the 26th annual Kleban Prize for the most promising musical theatre lyricist has been awarded to Stacey Luftig and the 26th annual Kleban Prize for the most promising musical theatre librettist has been awarded to Daniel Goldstein.

Broadway World Austin continues our series of interviews with Austin theatres with Ken Webster of Hyde Park Theatre, the Austin Chronicle Reader's Pick for Best Theatre Director in 2010, 2012, and 2013.

Now that 2015 is squarely in the rearview mirror, and everyone is back to work after the holidays, it is time to take a look at some of the best films of the past year. As was the case with my Top 15 TV Shows of 2015 list, this is not intended to be a comprehensive list. I am one man, and I have not yet seen every major movie released last year. However, as I continue to work through screeners and upcoming screenings (I live in Orlando, so not all of the awards-bait has been released here yet), I will count down the top 2015 releases that I saw during the calendar year. Notable omissions are BRIDGE OF SPIES, THE REVENANT, THE DANISH GIRL, and CONCUSSION, all of which I hope to see by the end of the week.

Lin-Manuel Miranda's smash may have been the year's top theatre story, but 2015 was full of controversy and celebration.

As members of the Nashville theater community join with members of the theaterati far-flung across the world to celebrate the 20th birthday of Actors Bridge Ensemble - the cutting-edge, forward-thinking, boundary-pushing, status quo-challenging theater company that has helped to make Music City USA somehow more creative and more welcoming to artisans who flock here to pursue their dreams - we are reminded of the company's early days and the days even before that when we first came to know of a young woman named Vali Forrister.

You can take the writer out of the theatre, but you can't take the theatre out of the writer. For the past 20 years, Aaron Sorkin has been one of Hollywood's most successful scribes. From THE AMERICAN PRESIDENT to THE WEST WING to THE SOCIAL NETWORK, and many more remarkably successful projects in between, he has continually redefined the way audiences appreciate complex and intelligent characters. However, the writer made his name with his 1989 Broadway play A FEW GOOD MEN. Three years later, when the now iconic story made its way to the big screen, Sorkin wrote the screenplay, and his career as a screenwriter was born. However, with his latest film, STEVE JOBS, which opens nationwide on Friday, Sorkin proves that he still knows how to write an incredibly powerful three-act stage play, even if it just so happens to appear on the big screen.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music.

The new touring production of THE PHANTOM OF THE OPERA, currently playing at the Segerstrom Center in Costa Mesa, is a must-see. The music, costumes, and sets are hauntingly beautiful and the performances are generally superb. Katie Travis, as Christine Daae, is a standout.

American icon Loretta Lynn, who has delighted audiences for over five decades with her distinctive fusion of twang, grit and energy, makes a rare Omaha concert appearance at the Holland Performing Arts Center tonight, August 7, at 8:00 p.m.

Since I moved to Austin in 2009, I haven't been quite this blown-away with the realization of the astounding talent we have right here in our very own city. Doctuh Mistuh's production of HEATHERS the Musical features a veritable who's who of young local talent, some truly memorable music, a fantastic band, and of course, all of those one-liners and scenes that HEATHERS film fans are expecting.

Today we are talking to a world renowned stage and screen star who has excelled in playing a dizzying array of recognizable characters onstage and onscreen over the course of his unique and diverse career - the affable Alfred Molina. Besides discussing his many upcoming endeavors, Molina points out the importance of The Actors Fund in Los Angeles and highlights his participation in the upcoming LA Actors Fund Tony Awards Viewing Party, which will be held on June 7, and reflects on some of his fellow honorees, as well. Offering news on many of his current and forthcoming projects, Additionally, Molina also looks back at some of his most memorable roles to date ranging from his work with Paul Thomas Anderson on both BOOGIE NIGHTS and MAGNOLIA to his recent rapturously reviewed indie hit LOVE IS STRANGE co-starring John Lithgow to the Joe Orton stage-to-screen adaptation PRICK UP YOUR EARS and much more. Besides of all of that, Molina also comments on his time spent on stages around the world, notably Broadway headlining the most recent revival of Golden Age classic FIDDLER ON THE ROOF, as well as outlines some future roles he would like to pursue onstage, as well. All of that and much, much more with one of Broadway and Hollywood's very best!

We open with Maggie, Josh and Liza clearing the apartment of the girls' mattress — there was a case of bedbugs in the building, and though it wasn't directly in their apartment, Maggie and Liza are clearing out just to be safe. While Maggie hightails it to her cousin's, Liza's — you guessed it — temporary living with Josh. Cue the foreplay and sexual innuendo… and there sure is a lot of it.